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Hello,I know that a lot of people are interested in using digital speaker management systems (dbx, Behringer etc.), but for a start I'd like to remain within the analogue domain. I have noticed that Behringer gear gets quite mixed responses, so when I did some more window shopping, I noticed Samson crossovers which strike me as quite similar to the Behringer CX 3400. But so far I didn't manage to collect any information on the unit. Is it of any better 'quality' than the Behringer or more or less the same? Any info will be appreciated. Thanks.
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I use these and they are very reasonable on Ebay. Very quiet and decent features. All analog with mutes on each channel summed subwoofer out phase reversal ect.
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Thanks for the input. It looks like I can borrow the Behringer for a trial run which should give me an idea if going 'active' will indeed be advantageous.
Wolfram
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I went through the exercise of comparing the consumer (guitar center) crossovers on hi fi with several other types, and I thought, without question, that the (Behringer, Cheap Ashley) (I didn;t try the sampson - but its the same class of gear I suspect) seriously smeared and distorted the high end compared to the types that used a chip to change the xover frequency. The BSS stuff is very good. I ended up using an Audio Control Richter Scale for my control room. It was only like a few hundred dollars and as transparant as anything else I tested. I hear good things about the Marchland stuff too.My advice: If you are going for hi fidelity don't get sucked in to the "bar band" gear - basically, anything with a continuously variable crossover point is likely to sound bad. There's a lot of stuff on ebay with "fixed" crossover points that might be worth taking a risk on - JBL etc.
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I'd stay clear of the Samson. As for Behringer I have an 8024 that has never caused my any problems. As for analog vs digital, I'd only go analog if I couldn't afford digital, and the way things are going that situation won't last long. Analog is not going to be around much longer.
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