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In Reply to: RE: the dubious pleasures of resampling posted by steppe on May 31, 2009 at 03:05:49
what the heck does that have to do with anything. You are listening to a live event through speakers , in a different room, with different amplification, at different volume, at a different distance, with different cabling, in digital, with different DAC"s, and different computer chips, different versions of cPlay (or other players), oversampling DAC's....etc.
It's a friggin representation of an event.
You should know that with your photographic endeavors. Fidelity is a goal but it is more than pure specifications.
If every system sounds different what is TRUTH?
Now remember that I am sensitive to this being a professional photographer. I hear comments like "is that the way it really looked?" all the time. I try to explain that the slide film I use responds differently than the eye to a scene and the Ilfochrome has it's own character which is dependent on the illumination etc etc. Even the most accurate photograph is a representation and fine art is an "Artist's" representation.
So everything is but a representation and higher bit depth and sampling rates are the way of the futuure. Right now the playback hardware is ahead of the media. Non oversampling DAC's will probably never be made again in light of HD audio. So we live with it and find better ways.
Bob
www.PlateauLight.com
D,
I try to explain that the slide film I use responds differently than the eye to a scene and the Ilfochrome has it's own character which is dependent on the illumination etc etc.
I think that is what I was getting at. I thought some dacs like getting info at say 24/96 while others might be better off at 24/192.
I mean the initial wav file. Nothing more.
Serge
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