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In Reply to: RE: Nice reveiw by Michael. Thanks for posting the link... posted by Tony Lauck on May 27, 2016 at 13:26:16
You could be right Tony but I have no idea what the licensing cost will be to the manufacturers. Do you know if there is a licensing fee associated with DSD DACs? I know there was with SACD players. It seems that many DAC manufacturers held out until they had to "check the DSD checkbox" in their literature to remain competitive.
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There's an announcement by schiit about MQA, and their decision. At least they are not playing games.
High resolution is a sick fetish, we are all mentally ill and sick.
I agree. The largest part of my music collection is 16/44.1 ripped from CD, then 24/96 downloads, a small handful of 24/192, and then just a couple DSD albums. My sweet spot is 24/96 PCM although the CD rips are not at all shabby. But I'm in it for the musical enjoyment so I play it all.
There is a lot of very high quality digital music available at 96/24. It would be a rare case where an inferior production would exceed this level of quality by virtual of being distributed in a higher resolution format. However, the recordings that I have with the very best sonics are invariably at higher resolution formats. IMO 96/24 is roughly equal in resolution to 15 IPS 1/4" 2 track reel to reel tape.
Tony Lauck
"Diversity is the law of nature; no two entities in this universe are uniform." - P.R. Sarkar
Edits: 05/27/16
In the 60's we were already recording at 30ips 1/2 track. Also we dumped Dolby A pretty fast because we were starting to record parts of an album at different studios and not all studios had dolby. Even if they did they would not track the same from one unit to another. That is why we went to 30ips. Plus it sold a lot of tape
Alan
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