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In Reply to: Re: You just burned Rembrandt's "The Night Watch": posted by Dmitry on October 20, 2000 at 14:21:30:
***I don't understand how somebody would argue with most of what you said in your post. Every substantial work of art has something "behind the canvas", otherwise we might as well be watching goldfish in a tank. They say it's therapeutic.The big question here is just what determines what is "substantial". It is hard to argue that the fashion is often more important than the artistic merit, and that some works that one finds in many modern art galleries SHOULD be questioned.
No matter what the history behind the work, I tend to draw the line someplace. We got in a fight with a nice lady in a museum in Dusseldorf once, she was trying to explain to us that the single yellow dot on a 6' x 10' canvas was indeed not just a yellow dot, but a conglomeration, a compressed view of the artist's whole biography, his whole life.
Just recently petew dropped a great quote by Kubrick in the film forum. That has been my sentiments for many ears too.
Information and feelings are NOT mutually exclusive, but close to that.
Follow Ups:
"The big question here is just what determines what is "substantial"."Rather not "what" determines it, but "who". And that who is me. Or you.
"Information and feelings are NOT mutually exclusive, but close to that."
At times, sure, if we get into the nitty gritty of it. Remember,"Kogda-b vy znali iz kakogo sora rozhdaiutsa stihi"="If only you knew from what refuse the poetry is born",etc. On the other hand, there are dozens of forms and styles of visual art - a nice still life from Monet and a "Phenomena" panel from Tchelitchew, or whatever. Both and all have reasons to exist. And do. No reason to put all in the same book. Sorry for being a bit heavy on quotes, but "At the end of game all figures, pawns and kings, all go into the same box."
It was a nice conversation; we should've had it inside a museum.
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