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In Reply to: RE: For which piece? I've told you a million times it's not a fixed number, chosen by a newey- approved conductor posted by jdaniel@jps.net on May 03, 2016 at 22:32:15
Yeah. You told me.
Cause, like, I didn't KNOW that. Ooooo. Thanks, Jiminy. You've just so informed me. Do we breath air here on earth? Tell me that too, cause I just don't know.
Give me a break, spin-liar boy. I know ALL of that shit, way more than you ever will.
So, tell me. TELL EVERYONE. WHY DID KARAJAN USE 10 BASES IN THE BPO???????
In any piece. WHY WHY WHY WHY WHY WHY WHY WHY WHY WHY WHY WHY WHY WHY WHY WHY
Severius! Supremus Invictus
Follow Ups:
What was she making?
Conductors size their orchestras based upon the music at hand, or the exigencies of the venue,and without that info, I can't tell you what karajan was aiming for.
You don't know.
And, you've just said that orchestral sonority is " not a worthy question as is. It's like asking why Martha Stewart used 10 eggs".
Nice shot, genius.
As I've stated in my post above, 8 or 9 basses are AUDIBLY different than 4 or 5. EXCEPT TO YOU.
"Conductors size their orchestras based upon the music at hand"
Such as who???
The question was SPECIFICALLY ABOUT KARAJAN. He used 10 basses. It wasn't for a joke. It wasn't for Martha Stewart". Why did he do that?
"or the exigencies of the venue,and without that info, I can't tell you what karajan was aiming for"
The BPO played in it's home concert hall. They recorded there, too, and afaik, stayed with 10 basses for recordings, too.
You can't tell - cause you HAVE NO FRIGGIN IDEA
Severius! Supremus Invictus
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