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In Reply to: RE: The classical music continuing struggle and the 800-pound gorilla in the room: posted by Rick W on April 19, 2014 at 23:49:25
Rick, thank you for the thoughtful comment. I don't disagree with anything that you wrote. The amount of incredible talent coming out of American music schools is truly amazing; and, not just jazz players but classical as well. Wether this, as you point out, translates into a healthier long term audience base is a different matter. Logic would tell me that it certainly helps. How could it not? Even so, my contention is that it is not necessarily that which most promotes the long term health of audiences; but, instead, the values taught which instill respect and appreciation for an art form that demands attention and appreciation for the absence of bombast (usually). It is my contention that a culture such as Japan's promotes this kind of mindset more so than America's. Combine that with the kind of support for the art that exists in the schools (10 years mandatory music ed !!!) and its not surprising to see the results that this article mentions:http://www.slate.com/articles/arts/culturebox/2012/02/can_asians_save_classical_music_.1.html
More on the subject:
http://www.fanfaire.com/japan/japanmusicmain.html
Now for stats:
http://www.princeton.edu/~artspol/quickfacts/audiences/classical02.html
Interestingly, (since we would assume that it is music ed in the early education years that has the greatest influence) these stats seem to contradict that idea. The stats suggest that it is wether the individual has received advanced (post HS) education that promotes a long term interest in classical music. Importantly, these stats apply to the USA only. Perhaps a stretch, but I would extrapolate from this that, since there has been a decline in mandatory music ed in American schools, while in Japan it has been ramped up, and since it is in the post HS years that any individual has the maturity to pursue interests that are not supported by popular culture, that this gives credence to my contention that a culture that emphasizes a certain set of values is far more likely to build a long term base for classical music audiences.
What I feel becomes clear is that Japan seems to have a winning combination of support for music ed combined (perhaps arguably) with a cultural mindset that is promoting long term support for classical music.
Edits: 04/20/14 04/20/14Follow Ups:
What you say does seem logical and sensible. Don't have time now to read what you linked, but I definitely will read them later.
Since I've seen/heard so many excellent young Japanese classical musicians here I disagree with David about their society not producing as many musicians as ours per capita, at least classical players in the last few decades. But I do agree with him about *creative* musicians.
Despite the existence of some examples of some amazingly creative Japanese musicians like the composer Takemitsu - whose music knocks me out BTW - I think American society has produced many more creative musicians who developed their own unique musical voices as both instrumentalists and composers. Of course I'm much more knowledgeable regarding this in jazz than I am regarding classical, though I believe its true related to Western Art music as well. As I think you mentioned in different words, we prize individuality more than Japanese society does.
I envy your trips to Japan! Still hope to get there and some other Asian countries some day.
Anyway, as I said, I'll check out what you linked later. Meantime, Happy Easter, Passover, or if neither applies, have a nice weekend.
During a recent visit with my piano tech of 20 years, who now is also a district rep for Young Chang, he related a situation in Salt Lake City. Seems a wealthy classical music lover offered to donate six piano labs, with six pianos in each one, to the local school system, for use in a school-time music education program.
His offer was refused because it would interfere with the kids' soccer practice. Doh...
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