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I would like to know if it would be worth swapping out my passive with a tube preamp.
My setup:
Magnepan MG .7
Mod Squad Line Drive passive preamp
Bryston 4b-st amp
Rythmik f12 sub
Bluesound Node
Tidal streaming
My budget on a preamp would be $1k on a used tube preamp. Would such a purchase be a worthwhile addition?
thanks
Adam
Follow Ups:
I tried the same Mod Squad passive for a while with my 3.6s and modified Adcom GFA585 Special Edition amp. CD player was a Rega Apollo. There just didn't seem to be any "there" there. No oomph. I finally switched to a Dared 2000 tube preamp and the difference was palpable. I've since gone to a Conrad-Johnson Classic and theres been even more improvement. For me, a passive preamp seemed like a good idea, it just didn't sound very good.
All this talk about using a pre which is a valve sounding much better when used in conjunction with maggies is not something that I really subscribe to.
My feeling has always been that a a pre, regardless of the electronic architecture should be as neutral as possible.
I was speaking to a colleague the other day who spent 10k for a valve pre - Audio Research Reference - because he liked the warmer valve sound.
I remarked to him that he preferred the sound to be coloured. He agreed.
So he sold his Lightspeed LDR passive pre, which is about as neutral a pre as you will get because it was in his eyes a bit too raw for him. Speak to other people and the LDR gives an amazing combo with maggies.
Years ago, I went in the opposite direction, replacing my Conrad-Johnson PV-5 with a passive pre that I built myself. I never looked back. However good it is, an amplification device can only add distortion and coloration and so will never sound as good as a passive pre unless you have other problems in the chain such as inadequate gain to drive the power amp to the desired level, an impedance issue, or anemic output stages that distort at higher levels.
I was huge passive guy. Tried so many of them at all budget levels and finally when bought a phono preamp from Keith Herron, he suggested that it sounded better with a tube preamp and I bought an old model used for like $1200 and it totally changed my view. There's just a spacial aspect that you can't get with a passive that tubes bring you and if you're careful with tube choice, you don't give up resolution.
If you can find a used Herron VTSP-1, that's a great place to start.
Hi Adam. It depends on what you are looking for. If it is just the "tube" sound, you could simply keep the best of both worlds. Units like Schitt's Saga and the Freya would do this very well. They both allow switching to/from the tube stage easily, and changing inputs also, via a remote.
Now, these don't offer amplification, they are no gain, with buffer stages.
I married the perfect woman. The downside is everything that goes wrong is my fault.
Yup, I stand corrected. It's only the JFET stage in Freya that has no gain. It does have balanced in/outs, which the Saga does not. The Saga is the one where both modes are 0 gain.
Oh yeah, if the opinion is yes then any recommendations would be appreciated
If you have any local shops or acquaintances that would allow you to try some different tube preamps do it. The reason I am suggesting this is that system synergy and personal taste is important. I have had a half dozen tube preamps in my system and what I liked was different from others that have posted. And the difference between some of them wasn't subtle, if your experience is anything like mine it will be well worth your time and effort.
I would say "no"......unless you have some sort of objective that you didn't state.
Do you need more voltage gain?
Is your intention to introduce some distortion?
Etc.
Etc.
Dave.
I'm currently running .7s with a Rogue Pharoah integrated that has a tube preamp component. I'm very happy with the results. Before the Pharoah, I was using a Rogue Metis preamp and Class D Audio amplifier. I never tried that combo with the .7s but I'm a big proponent of the tube preamp/solid state (or class d) combo.
BTW, the Metis is currently sitting on the shelf in my closet ;)
I found a mint used Conrad Johnson PV12 with phono stage for under $1K. I highly recommend it.
Yes, it is usually very useful to have an active preamp, and the more complementary ones for Bryston and maggies are tube types.
Current production would be the Doge 8 and Rogue RP1 and Vincent, and the Schiit line of headphone amp/preamp.
Classics include the Melos SHA Gold,, particularly with the Maestro or Reference mod package, Bruce Moore designs from Audible Illusions (Uranus, Dual Mono, Saturn Modulus) MFA (Magus and Luminescence).
Lesser values - Most of the ARC line stages, and those from CAT, BAT, CJ, VAC, VTL and Manley . VAC and BAT being particularly expensive.
On the DIY side, the Bruce Herran line single ended non feedback line stage is great/
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