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In Reply to: RE: Speaker Separation Distance posted by JBen on February 14, 2017 at 16:09:20
Yes, the Rooze never quite gets the pinpoint thing going and depth is hit or miss, but I had a Focal Nova Utopia owner over (would you believe I know two of them and both share the same first name) while I had the Rooze setup. He had been trying to optimize their location to obtain the kind of soundstaging he was used to from his old ML Summits.
I played him Tchaikovskys Francesca De Remini (sp?) and some Liszt solo piano and back to Tchaikovsky tone poems (Tempest). The Rooze setup was not great for the piano which was oversized and imaged the depth of the sounding board out through the front wall, but the orchestral pieces got to him. Next time I heard from him he had chucked the Focals and got a new set of big MLs.
Good to know your hearing is intact. Hopefully mine will stay so as well. It would pretty much be the only thing that still works properly without assistance.
Follow Ups:
Satie, this posting of yours stroked two nerves, because of two items. The first one actually made me rush to Amazon to undo a "nostalgic" loss.
In all the years I spent in a music school and a couple later in conservatory, Tchaikovsky's Francesca da Rimini escaped my attention. Then, one day in the mid 70's, while attending a Casals Festival concert, cellist Mstislav Rostropovich conducted a most passionate and mouth-watering rendition of some of Tchaikovsky's works. This included the overture to this symphonic work. It, and the whole concert, which included a Haydn cello concerto played by him, stuck to my heart. I even felt the urge to and did meet him in person at the time.
What I did not know then, and only learned decades later, was that this was among his first concerts after leaving the Soviet Union. No wonder the intensity! I did have a recording of the same work, later in his life, that impresses, though it lacks the same aura. Since I loaned the CD set and did not get them back, I just ordered an upcoming release of what looks like the same recordings (see below). Thanks for the reminder!
The other thing that came to mind is also, in part, related to Tchaikovsky. The opera I went to last weekend was Eugene Onegin. I was mighty pleased with the voices -- exquisite and precisely located on the stage. OTOH, I was furious that they mic'd the orchestra in the pit. An oboe five foot in diameter is not my recollection of real life. And I expect to hear the bass section mostly located where I am looking at it...and not at the other side of the hall. So, your comment about the piano size made me laugh.
That is a wonderful collection, isn't it Mono?
I played this version for my friend.
Yes, it is...well, if it turns out to be what I think it is. After posting, I found the original EMI issue but by that time, the order was already placed. And, for 19 bucks. The original is now $50. I'll take my chances.
It is stereo.
Yours looks appetizing...sent to "wish list" for later. Tks!
I moved my 1.7s in about 1' so now they are about 60% separated as the distance to the listening position.I toed them in so they cross about at my feet.I can say that I heard a big improvement in center sound stage as well as the perception that the sound stage extends out laterally beyond the speakers.My room is larger than I recalled.It is 30'9" and the speakers are pulled in 17' from the front wall.I have two M&K subs that are about 2' behind each panel.I'm looking forward to more listening Friday evening.
Thanks for all fr all of the good information.Perhaps I expect too much.Tomorrow I will move the speakers separation distance to 70% of the distance to the sofa center seat.I'll toe them in so they cross at my feet at the center seat.
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