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In Reply to: RE: Entitled to an opinion! posted by Disbeliever on June 26, 2014 at 08:07:32
"What I am complaining of is that on some BIS SACD discs( which I do not experience on the other brands to the same degree) listening at a normal level when the quiet passages arrive I have to turn up the volume which makes the louder passages far too loud so I am continually having to adjust the volume levels."
Monsieur Jourdain in Moliere's Bourgeois Gentilhomme spoke prose without knowing it. You complain about dynamic range without knowing it.
Tony Lauck
"Diversity is the law of nature; no two entities in this universe are uniform." - P.R. Sarkar
Follow Ups:
I see it as bad engineering rather than too much dynamics
Edits: 06/26/14
Call it by another name. Deny what you, yourself, have described in detail. See it as you wish. But, since you know nothing about engineering, your opinion, as usual, is worthless.
With continuous deliberate misinterpretations in your posts your opinions are totally worthless as far as I am concerned . I have spent over 50 years in the Hi-Fi Industry as Manufacturer, Retailer also with considerable experience of Live v recorded sound. Whilst I am not an engineer and have never claimed to be one I have been in communication with the Industries top audio consultants over the years when needing advice. I recommend that you read Doktor Brahms posts again re the problems with BIS which you ignore but are happy to continually attack me. They say attack is the best means of defense.
Edits: 06/30/14 06/30/14 06/30/14 06/30/14 06/30/14 06/30/14 06/30/14 06/30/14 06/30/14 06/30/14 06/30/14 06/30/14
Gosh, I am all broken up about your low esteem for my opinions.
It is really quite sad to see someone become all washed up and a has been like you are. Although given your track record here and elsewhere, I have little doubt that you are considerably embellishing your supposed credentials. There is no evidence whatsoever that you are in touch with reality, let alone the art and science of modern recording or even, unfortunately, basic sanity.
It is quite amazing that you do not see how negatively others view you. Most silently look on either laughing at you or incredulous as you twist and turn, repeat and repeat yourself, go into tirades and rants, usually over insignificant matters. Yet, you absorb nothing, not even from recognized experts like Erdo Groot, Robert Von Bahr, Kal Rubinson, etc. You argue and argue as if you are someone so important and gifted who knows better than anyone, but your words and demeanor betray you for what you are, as here once again. I have seen no evidence whatsoever in any forum that anyone, not just me, believes you have any credibility at all,
I did not start this thread it was Doktor Brahms, so like any AA Forum member I can make my contribution . it makes no sense that you keep on accusing me of repeating myself even if this is the case, because you do so yourself.I could not care less that you object to my opinions just as broken up as you are ha..Interesting to find that you still continue to ignore/avoid the main point of the thread the problem of BIS sound not being as heard by Dok. Brahms in the Concert Hall ,( you always profess to be well versed in Concert Hall sound) because I agree with Doktor Brahms you are only interested in attacking me as a diversion refusing to address the BIS problem It is you who are showing you have no credibility.Robert von Bahr does not produce SACD,s that I want to purchase.As for Erdo as a recording engineer he records to the ITU standard, all I am saying is that I do not find this standard suitable for reproduction in a typical domestic environment . Penguin Guide says rear speakers need only be small, again I agree.As for Kal I fully recognise that he is a very accomplished technical reviewer but as for SQ I do not always have to agree with his opinion especially on speaker SQ.
Edits: 06/30/14 06/30/14 06/30/14 06/30/14 06/30/14 07/01/14 07/01/14
The best stereo recordings involve no engineering other than placing two microphones at the right place and setting the volume level correct one time and never changing it. IMO this is the only way to get an excellent stereo recording, but it can be a crap shoot, unless one is blessed with an excellent venue and first class musicians. (I leave out the bit about selecting the equipment and making sure it is running properly.)
Tony Lauck
"Diversity is the law of nature; no two entities in this universe are uniform." - P.R. Sarkar
Not Stereo recording, surround sound is probably more difficult.
Edits: 06/26/14 06/26/14
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