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In Reply to: RE: Video: The Distortion of Sound... posted by Todd Krieger on July 20, 2014 at 23:04:12
It may not be recorded at 16/44, but it must be reduced to 16/44, with steep filter, when cutting a CD.
But that filtering is done digitally, which allows you to implement it in ways that you can't do with analog.
Follow Ups:
" It may not be recorded at 16/44, but it must be reduced to 16/44, with steep filter, when cutting a CD.But that filtering is done digitally, which allows you to implement it in ways that you can't do with analog."
That's not the point... The point is mastering to a CD requires steep filtering (to prevent components > 22 kHz from reflecting into the audible band), where mastering for vinyl LP does not require bandwidth limiting filters at all. (Although vinyl does require RIAA equalization.)
Edits: 07/21/14
That's not the point... The point is mastering to a CD requires steep filtering (to prevent components > 22 kHz from reflecting into the audible band), where mastering for vinyl LP does not require bandwidth limiting filters at all. (Although vinyl does require RIAA equalization.)
Show me that it matters to human beings.
With a CD you can hear the music without having to put up with groove noise!
JE
With a CD you can hear the music without having to put up with groove noise!
Well yes, there is that. ;-)
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