Home Vinyl Asylum

Welcome Licorice Pizza (LP) lovers! Setup guides and Vinyl FAQ.

FYI, normalization is *completely* different from dynamic compression

A brief explanation of normalization in the context of a 16-bit system...

Suppose the peak amplitude of a digitized signal is -3dBFS which equals a sample value of approximately +/-23,200. The approximate maximum possibly sample values (0dBFS) are +/-32,800.

What normalization does is find a factor (call it X) that it can multiply the peak signal value by that will result in the maximum value allowed. In this example, the number would be:

X = 32800/23200 = 1.414

Now... the software will multiply EVERY SAMPLE in the recording by the SAME factor X which results in uniform amplification of the signal. It's just like turning up the volume, so theoretically it's a benign process.


That said I never, ever, use normalization when recording live with microphones or transcribing an LP at the 16-bit level. Instead, I make use of the converter's available resolution in it's entirety. If the OVER lights don't blink occasionally, the recording levels aren't high enough. Digital clipping is not a bad thing so long as it's limited to a few samples (literally) here and there on large transients. Why handicap an entire recording's resolution for a few samples that won't be missed?

My philosophy: Be smart with recording levels and don't dick with the data!

-Anthony



This post is made possible by the generous support of people like you and our sponsors:
  Schiit Audio  


Follow Ups Full Thread
Follow Ups


You can not post to an archived thread.