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Re: Most engineers record drums out of phase....

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Assuming that the polarity of the whole audio chain (including the mike) is correct, phase-inverting the tom and snare mikes makes a increase in definition, slight but audible. I am a drummer and I've tried this myself after producer/engineer Jay Graydon told me about it.

Phase-reversal only makes sense with close-miked drums, close-miked meaning a distance of 1 to 3 inches. Drumheads move inwards when struck by a drumstick, and the resulting air-pressure makes the microphone membrane move outwards, and ultimately, the speaker cone to move inwards. Overhead mikes, which I call "distance mikes" are not as fast as the individual close mikes, and absolute phase becomes unimportant. The sound from these mikes are much more of a blend between reflected and direct sound, than the close mikes which is mostly direct sound.

Best regards,

//Peter


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