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Leinsdorf had his moments

I know what you mean about his cavalier attitude towards Dvorak's New World Symphony - in the 60's, I saw a TV broadcast of Leinsdorf conducting this work (Tanglewood perhaps? - I don't remember), and on the last chord, where Dvorak asks for the entire orchestra to die down to a p/pp ending, Leinsdorf kept the dynamic level up at fortissimo! The Composer's Advocate? LOL!

OTOH, I've heard some good Leinsdorf recordings too. I'm among the admirers of his Sheffield/LAPO recordings of Wagner, Stravinsky, Debussy, and Prokofiev, although I agree that his BSO Wagner and Prokofiev performances were also very fine. I thought his BSO Haydn symphonies were good too.

As I've posted over on the Music forum a couple of times, Phyllis Curtin regaled us (in one of her master classes) with horror stories of recording with Leinsdorf and the BSO early in the Dynagroove era - where the engineers forced her to stand and record 60 feet away from the conductor, thus destroying the normal communication she would have had with him in a normal (much closer) concert environment.



Edits: 06/26/15 06/26/15 06/26/15

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