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Any love for Leinsdorf?

Until a few days ago, I had none. I wanted to like him, because of his association with Toscanini, and his book "The Composer's Advocate, but didn't. I saw him perform with the SF Symphony once when he lead an extremely disappointing performance of Dvorak's 9th, and I was not fond of his leadership of the Decca/RCA Die Walkure. I also read Paul Henry Lang's now ancient survey of Beethoven symphonies for High Fidelity, where he is dead on in his review of the Toscanini and Szell sets, and he was generally dismissive of the Leinsdorf set.

But I recently read Canarina's History of the NY Phil from Bernstein to Maazel, in which Leinsdorf was one of the heroes, and my buddy and super record collector Bruckner9 has been singing Leinsdorf's praises to me for some time, especially his Mahler.

I recently acquired most of the volumes of the Franklin Mint's Great Conductor series (only Marriner to go), and decided to give the Leinsdorf set a spin, starting with the Mahler 1 he did with the Royal Philharmonic (originally a Phase-4 release). Imagine my surprise to hear a beautiful, vital and subtle reading (and well-recorded too!), one that made me interested to hear more. Next up was the Brahms Second Piano Concerto with Richter- also well played, and then the Beethoven 4th piano concerto with Rubenstein. Interesting contrast, because Rubenstein seems to lack innigkeit while Leinsdorf's contributions are more than solid. (Listen to Rubenstein's opening phrases, and then the orchestra's response, in the first movement - quite a contrast).

So, huh. I'll need to spin the Walkure again soon, and there are still two records in the Great Conductors set I haven't heard yet. But, as I told Bruckner9, it was time to eat some crow.


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Topic - Any love for Leinsdorf? - TGR 12:56:05 06/26/15 (27)

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