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Welcome Licorice Pizza (LP) lovers! Setup guides and Vinyl FAQ.

Ok I'll try, but it's not eays

Decca’s were my favorite cartridges of my early audiophile years. In the early 70’s, I had already fallen in love with the Decca London cartridges. They were the only cartridges I know of that had no cantilever, in the conventional sense. This gets rid of what Decca called “cantilever haze.” Once you hear vinyl without this haze, it’s hard to go back. The minute I heard the Decca I knew I had to have one.

The Decca cartridges of my youth were amazing. They were immediate sounding, and had the deepest, tightest, and most powerful bass I have ever heard (or that’s the way I remember them). The only problem was they didn’t sound good for very long and no two Decca’s sounded exactly the same. I remember going to Dallas and listening to a dozen of the cartridges at Hillcrest Hifi and picking out the four best: two for me and two for Gene. Why did we buy two? Well it was quite simple; you needed one to listen to when the other one was on its way back to have the suspension redone. You could extend the time before sending them back by removing the top plate and then using the smallest jeweler’s screwdriver you could find; you could tighten the tiny screws that controlled the tension on the thread that held the stylus in place. After a while, though, it just would not track and you had to send it back. To be honest, at their best, the Decca’s wouldn’t track the last track on most records unless you had a damped tonearm.

The cartridges are very picky about tonearms and just don't track that well in the long run. Still they are as addictive as hell.

theaudiobeatnik.com


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