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BIS Sibelius #7 Vanska/Minnesota: Fabulous recording, unfussy interpretation, recommended!

My biggest worry about "modern" interpretations is fussiness in the name of freshness: abrupt tempo changes/accelerations, etc; turning the textures inside out, bizarre balances. micromanaging each note/phrase.

Thank Darwin, none of that here. For me, the make or break moment is the trombone solo. In Vanska's hands it's just right: the lead up isn't rushed, and, during the solo, orchestral support is IMHO perfectly balanced-- built from the bottom up, (bass). The massive shifting chords grind and gleam as they should, everything is weighty and resounding. Bravo here.

Considering complaints about BIS' dynamic range, the quiet opening was plenty fleshed-out. During the "stream of consciousness" half-hour that follows, there's not a dull stretch. That said, Vanska blessedly avoids mining this or that passage for "new meaning."

I'm assuming the orchestra was recorded in the same fabulous hall that Aubort/Nickrenz used for the Ravel Vox Box years ago. Yikes: decades ago. Very gratifying balance of detail and glow. Wide soundstage.

Anyone hear the other symphonies from this set? The 2nd and 5th have a lot of competition. It's hard for me to imagine Karajan being replaced in the 5th, or Barbirolli/Maazel/Szell for the 2nd, (though Szell just misses the transcendence of the final pages, as is his wont).

The other CD includes the 1st and 4th. IMHO Karajan's hard to beat in the 4th (the atmosphere!) but the 1st is pretty unbreakable: I've discovered I like the Davis/Boston, Berglund's first EMI, and Maazel's/VPO. Again, hard to ruin the 1st, unless too clinical and/or robbed of it's Tchaikovskian influence. (Of course, too much of a good thing is bad too.)



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Topic - BIS Sibelius #7 Vanska/Minnesota: Fabulous recording, unfussy interpretation, recommended! - jdaniel@jps.net 08:23:27 09/13/16 (35)

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