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It's all about the music, dude! Sit down, relax and listen to some tunes.

You pose a valid question, and the answers are found in the nature and history of the art form

You pose a valid question, and the answers are found in the nature and history of the art form.

To draw an analogy (Why, Hello, Ms. Sontag!), what we experience when we hear a recording of a concert performance of a sacred work such as Bach's "Catholic" Mass is similar to what we experience when we hear a recording of a concert performance of a suite taken from a ballet score.

In both cases, the recording we hear does not present the work in its originally intended context. However, in the same way that the conductor of a concert performance of a suite taken from a ballet score is under an obligation to conduct in such a way that dancers would find the music symbiotic with their dancing, the conductor of a concert performance of music meant to be embedded in a religious ritual has to be mindful of the missing context.

I am not saying that there is a magic formula. Slower is not always better. However, when a slower tempo allows the orderly and organic presentation of telling musical details, it is better. Celi is slow, but he never lets the pulse of the music die.

Another important aspect not to be disregarded is that the vocal soloists in sacred music should sound as though they believe the words they are singing (which of course is a different matter than whether they actually do).

ATB,

John


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