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Wrong - For Bruckner Himself - Every One of His Symphonies Was Important

Sure, you may think, would'nt that be true of every composer. Well, maybe. Maybe not. In the 19th cent, lots of low rank Russian composers churned out pieces that they called symphonies which, at least technically, were hardly more than tone poems to a greater or lesser degree, and certainly less than symphonic according to standards practiced at the same time elsewhere. You may take Ippolitov-Ivanov or Arensky as examples.

In the 20th cent, when you'd have thought that the form would've disappeared under the assault of every stripe of 20th cent "modernism" [now very old fashioned], tons and tons of symphonies were produced. I had acquired many of the American ones on Louisville Records and CRI Records back in the vinyl days. Almost all were mediocre efforts by now long forgotten "talents", and some were created in a deliberately off-hand, or even contemptuous, manner.

Bruckner, OTOH, devoted all of his energies to each and every single symphony he created. For him, each one was an effort of his whole being. Of course, he got better at the form as he went on. Just as with Mahler, every work counted.

Also, you're completely incorrect that Bruckner didn't compose much. He composed quite many motets and other church works. Sure, he didn't churn out 110 symphonies, 230 string quartets, and 553 piano sonatas as was typical for some powdered-wig era Haydnesque machine composer, but that's because of the intellectual/emotional cost required of a Romantic era symphony in general, and a Bruckner symphony in particular.

On another note, one of my bucket lists is to hear all of the Bruckner symphonies in concert performance [excepting the Study Symphony, but not excepting the underappreciated Nulte]. So far, I've heard:

#2 - Muti
#4 - Dohnanyi
#5 - Asahina [wow]
#7 - Barenboim
#9 - Asahina [wow]
#9 - Haitink

Severius! Supremus Invictus


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