In Reply to: How fast can you play posted by ahendler on January 31, 2016 at 16:22:58:
And, with all due respect, you have to take the MM markings with a grain of salt.
Barber accepted a commission from a rich industrialist to write a concerto for his protege, and they thought the first two movements were too lyrical and not virtuoso enough, and so Barber apparently passive-aggressively for the third movement gave them what they said they wanted, and then they cried foul, and money might have been at stake.
So Barber grabbed a Curtis student at random and two days (or some short interval; I first heard this story nearly 40 years ago and it is in print in many places) later the random kid could play the third movement.
But at the end of the day, I myself (and we all know that I sleep under a bridge and keep warm by sucking Sterno® from a sock), think that it is more important to make the concerto hang together as a whole, than to obey a MM indication that might have been little more than a "Fuck you and your money."
jm
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Follow Ups
- I think I know all the available recordings of that piece; Elmar Oliveira's is still the best for me - John Marks 19:15:26 01/31/16 (0)