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Stockhausen!



OK, I've been holding off on commenting about Vanessa Benelli Mosell's new Decca recording featuring the piano music of Karlheinz Stockhausen. As I never tire of quoting, Stockhausen himself claimed that "she [Vanessa] has the ability to make people like my music." But having lived with this recording for over a month now, I'm not so sure the composer's optimism was warranted. Listening to the Stockhausen works on this album is the most concentrated immersion in Stockhausen's music I've experienced so far, and yet I'm still more convinced than ever by the apocryphal story attributed to Sir Thomas Beecham, who, when asked if he had heard any Stockhausen, is said to have replied, "No, but I believe I have trodden in some." (The source for this is Lebrecht - which means it is almost certainly NOT true. Nevertheless, it's something that Beecham SHOULD have said!)

On a more realistic note, there's Robert Craft's 1968 interview with Stravinsky, who stated:
I have been listening all week to the piano music of a composer now greatly esteemed for his ability to stay an hour or so ahead of his time, but I find the alternation of note-clumps and silences of which it consists more monotonous than the foursquares of the dullest eighteenth-century music.
Later, it was claimed that Stravinsky was referring to the academician followers of Stockhausen, but IMHO Stravinsky's words could just as easily apply to the music of Stockhausen himself.

And what is one to say of all the rock and jazz performers who claim Stockhausen as an influence? (People like Frank Zappa, The Grateful Dead, and even the Beatles, who pictured Stockhausen as one of the personages on the cover of their Sgt. Pepper album!) Well, bless their hearts! I can't help but think these folks were so eager to establish their "rebel" and "maverick" credentials that they tried to grasp at the most avant-garde names in culture without knowing very much about what it was that they they were grasping. Sure, I know about "A Day in the Life" and "Revolution No. 9", but these examples seem so trite and beside the point in those songs as a whole that it's impossible for me to consider these "influences" as anything other than trivial.

The one saving grace is that when I listen to this album, I'm using HQ Player as the playback software for the 24/96 file I downloaded, and it allows me to blow up the album cover to almost the full size of my 65" Panasonic plasma - Yowza!



As for the rest of the album, the Beffa suite is not bad, although I can imagine it sounding too "conventional late 20th century" for some. And as for the Stravinsky "Petrouchka" scenes, I was looking forward to having a "battle of the babes" between Vanessa and Yuja - but then I found to my dismay that I don't actually have Yuja's recording. (I must have heard Yuja on Spotify - which I no longer subscribe to anymore.) There's no one who enjoys a good "battle of the babes" competition than I do, but the Vanessa/Yuja competition in "Petrouchka" will have to wait until I can get a good quality incarnation of the latter's recording!


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Topic - Stockhausen! - Chris from Lafayette 20:59:33 08/31/15 (32)

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