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Technology as a driver of Law

Most of you have probably heard of this jury decision in L.A.

From this NYT piece this morning I read:

"Owing to the specifics of copyright law, the jury was instructed to base its decision on the sheet music, a fact that reflects how inadequate copyright law is when it comes to contemporary songwriting and production practices. In 2015, the arrangement of notes on a sheet of paper is among the least integral parts of pop music creation. We're decades beyond the time when a songwriter penned a tune on paper, then gave it to musicians to perform."

So popular music has been changed through technology to the point where the legal provisions pertaining to authorship and the attendant monetary rewards are seen as obsolescent.

This parallels the "illegal" download issue that seems to have been addressed by the official purveyors of music through a surrender of the position first taken to fight the phenomenon tooth and nail and then a major advertising and marketing push to get some money coming in as being better than no money coming in.

Where does that leave the people who create the music?

Should any conflict regarding rights to a song be decided by having a jury listen to the material and the testimony of those who were months on end in a studio creating it? If sheet music is passé are we back to an oral culture accepting that musicians are actually music-makers with little or no actual musical training? I thought that was quite all right at the level of creation and performance of popular music since some musically literate person would, scribe-like, put in writing, in some kind of mop-up operation, whatever piece was created.

There is a long history of the business people in popular music stealing with a fountain pen the rights or a percentage of the rights that should justly go to those who created the music in the first place. Are the creators now eating their own?




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Topic - Technology as a driver of Law - middleground 05:49:01 03/12/15 (29)

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