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In Detective Krieger's defense. . .

. . . I don't think it's necessary to be able to point to each and every (unprocessed) note and state whether it's flat or sharp in order to be able to tell whether autotune is being used. My beef with Todd is that he asserts that the tool has been used many times in classical music - which in most cases is an impossibility, given the way that classical is recorded (i.e., no isolation chambers, no multi-track isolation - there's always spillover of the sound even if the recording is made with a lot of directional microphones.)

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