In Reply to: RE: I see where you're coming from, but still. . . posted by Analog Scott on September 16, 2014 at 11:34:52:
You were give a specific statement by one musician. You chose to dismiss it. I suggest you go to a concervatory and talk to the teachers and the music students. You will get a good idea of the situation. Or you can go to concerts and see the audience reaction to concerts that are technically perfect vs. those that have extreme musical depth and get the general sense of the audience. But unfortunately to do this requires you to be able to distinguish musical depth when it happens. And I suspect that perhaps you find this difficult, otherwise you wouldn't be taking the position that you have.
This goes across other musical genres, but I used classical music and classical musicians, because that's what I am most familiar with, among other reasons being that I was married to a classical pianist for 43 years and had quite a few discussions on this subject. These came up frequently because we lived for many years under the dark era of Seiji Ozawa at the Boston Symphony Orchestra where we had technical mastery to be sure, but little musical depth throughout most of the repertoire.
Tony Lauck
"Diversity is the law of nature; no two entities in this universe are uniform." - P.R. Sarkar
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Follow Ups
- RE: I see where you're coming from, but still. . . - Tony Lauck 12:40:18 09/16/14 (4)
- RE: I see where you're coming from, but still. . . - Analog Scott 17:31:56 09/16/14 (0)
- I can't speak for Ozawa's live concerts in Boston (wasn't there). . . - Chris from Lafayette 14:23:48 09/16/14 (2)
- The birds didn't sing when Ozawa was conducting. - Tony Lauck 14:52:25 09/16/14 (1)
- I agree with you about DG SQ - the Ozawa/BPO Prokofiev series was better than most DG's however [nt] - Chris from Lafayette 15:55:36 09/16/14 (0)