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It's all about the music, dude! Sit down, relax and listen to some tunes.

RE: What's wrong with the eight others?

Szell's Beethoven I'd call "stiff".... And obscuring melodic line in favor of background details.... Somehow, the B-7 was totally devoid of that....

I recently posted comments of Szell's B-2, with those citations. But his "stiffness" is consistent throughout. His read of the B-9 is indistinguished... The contrast between the nuance of the light melodies and horrific darkness is blunted. Too "monotone" and "autopilot" for my tastes. The B-8 final movement, B-4 opening movement, B-4 final movement, B-3 third movement also show Szell's characteristic "stiffness". I think Szell may have had some conceptions of how Beethoven should sound like, which I disagree with. (Contrast to Dvorak, which I think he's absolute tops.)

If Szell was tolerable with other Beethoven symphonies, the First and Fifth.... The Fifth only because it is so interpretation-friendly. His B-1 is OK as well (the final movement saves him). (The Cleveland Orchestra was also the perfect type of orchestra for the B-1.) So I'll give you those. But I don't like Szell at all with any of the others.


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