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It's all about the music, dude! Sit down, relax and listen to some tunes.

The trouble with Edo. . .

. . . is that I felt the Philips recordings he made with the SF Symphony were very overmiked and artificial sounding: at that time, I had a student who sang in the women's chorus of the Elly Ameling recording you cited (in Debussy's "La damoiselle élue"). I asked her how many microphones were used in that recording. "At least 30" was her answer! Same with the Kocsis Rachmaninoff piano concertos: excellent performances undone by artificial sounding engineering. Too bad.

I liked Edo, and I've been surprised that he didn't land a higher profile position after he left SF. The three symphonies I've heard from his complete Mahler symphonies with the Netherlands Radio Phil suggest that it might be one of the great unknown sets of those works. OTOH, my wife didn't care for him - but I think some of this had to do with an interview she heard where she felt that Edo was not being respectful to the interviewer.



Edits: 04/20/14

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