In Reply to: RE: Herbert Blomstedt posted by Russell on April 19, 2014 at 23:36:39:
. . . is that I felt the Philips recordings he made with the SF Symphony were very overmiked and artificial sounding: at that time, I had a student who sang in the women's chorus of the Elly Ameling recording you cited (in Debussy's "La damoiselle élue"). I asked her how many microphones were used in that recording. "At least 30" was her answer! Same with the Kocsis Rachmaninoff piano concertos: excellent performances undone by artificial sounding engineering. Too bad.I liked Edo, and I've been surprised that he didn't land a higher profile position after he left SF. The three symphonies I've heard from his complete Mahler symphonies with the Netherlands Radio Phil suggest that it might be one of the great unknown sets of those works. OTOH, my wife didn't care for him - but I think some of this had to do with an interview she heard where she felt that Edo was not being respectful to the interviewer.
Edits: 04/20/14
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Follow Ups
- The trouble with Edo. . . - Chris from Lafayette 00:33:38 04/20/14 (5)
- RE: The trouble with Edo. . . - Russell 11:44:40 04/20/14 (0)
- Seem to recall he was here... - Ivan303 07:46:33 04/20/14 (3)
- The Hall still has issues - Chris from Lafayette 10:21:04 04/20/14 (2)
- RE: The Hall still has issues - Ivan303 17:52:26 04/20/14 (1)
- Love that shot - Thanks! [nt] - Chris from Lafayette 00:13:36 04/21/14 (0)