In Reply to: Budapest Music Center label and Disbelief posted by Mike Porper on July 9, 2012 at 13:00:55:
Mike - Check it out for yourself: you can get this recording at Berkshire Record Outlet for only $5.99. It won't break the bank! ;-)
I don't agree with everything Kocsis does in his orchestrations - for instance, his use of xylophone touches in "Fantouches" seems to me very un-Debussy-like. But OTOH, Ravel's orchestration of Moussorgsky's "Pictures at an Exhibition" is very un-Moussorgsky-like - and yet very successful. Kocsis' orchestrations certainly show an excellent knowledge of the orchestra, and they are far from such "mustache on the Mona Lisa" monstrosities as Schoenberg's orchestration of Brahms's G-minor Piano Quartet, or Shostakovitch's re-orchestration of the Schumann Cello Concerto. Overall, I like Kocsis' orchestrations a lot - and I've just ordered the Hungaroton CD of his other Debussy-song orchestrations. (This disc also includes Kocsis' orchestrations of the two movements of "Le tombeau de Couperin" that Ravel didn't orchestrate himself. So Kocsis' putting himself up against one of the greatest orchestrators in the in the history of music shows some cojones at the very least!) ;-)
As for your other main point, I certainly agree about Ashkenzay (Barenboim too for that matter) - although he was already well on his way towards mediocrity by the time he took up conducting IMHO. Sad, because his early recordings (the ones on Testament) are so good. On the concert I saw at UC Davis, Kocsis was both soloist and conductor in the Liszt E-flat Concerto, and it seemed to me that there was no deterioration in his skills as a pianist.
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Follow Ups
- RE: Budapest Music Center label and Disbelief - Chris from Lafayette 14:39:23 07/09/12 (2)
- Thanks for the Berkshire Tip and that Schoenberg/Brahms - Mike Porper 07:44:06 07/10/12 (0)
- I have the Kocsis Hungaroton and it's good - srl1 16:41:02 07/09/12 (0)