Home Music Lane

It's all about the music, dude! Sit down, relax and listen to some tunes.

On the other hand...

It's a safe guess that at least 80% of each nite's audience (at the Met, Covent Garden, LaScala, you name it) are seeing an opera production for the first time, or maybe the second. At $200+ per seat, they don't feel jaded quite yet and expect a reasonable facsimile of the composer's intentions. This is particularly true of, and important with Wagner, whose stage directions must be followed explicitly, or the story and music don't fit together and the evening makes no sense.

A recent SFSO Rheingold had Fafner kill Fasolt with a sword (while the music clearly describes heavy blows from a cudgel). Later, the Gods pass into Valhalla through what appears to be a wedding portal. That's right, no Rainbow Bridge. One of the greatet moments in opera becomes pointless puzzlement.

Bayreuth has been an expensive travesty for decades now. Having a backdrop of flashing red LED's stand in for the fiery end of the Gods and overflow of the Rhein? Just for the sake of what, novelty?

We shall see how adaptable Mozart staging can be with this new LA production. I hope I won't feel shortchanged like so many operagoers nowadays.


This post is made possible by the generous support of people like you and our sponsors:
  Signature Sound   [ Signature Sound Lounge ]


Follow Ups Full Thread
Follow Ups

FAQ

Post a Message!

Forgot Password?
Moniker (Username):
Password (Optional):
  Remember my Moniker & Password  (What's this?)    Eat Me
E-Mail (Optional):
Subject:
Message:   (Posts are subject to Content Rules)
Optional Link URL:
Optional Link Title:
Optional Image URL:
Upload Image:
E-mail Replies:  Automagically notify you when someone responds.