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RE: We're going to have to disagree about Pollini on this

The first two movements of the Fantasie are evergreens and they always sound fine in nearly all performances, where it gets tricky is the last movement, this is one of the most difficult of all Schumann compositions and very few pianist are able to maintain the poetry as well as the intense emotional drive that makes up the core of this very personal love episode.

I have many fine recordings that do a superb job with the first two movements but fall on their faces at the last movement.

To me Pollini and Parahia and Leif Ove Andsnes offer the best (INMO) interpretations of this work, Parahia has the best sound, it was recorded in 1986 in Troy Savings Bank Music Hall, NY, one of the finest recording halls particularly for capturing the sound of grand piano in its full glory, Pollini performance, recorded in 1973, suffers from a thin and dim DG recording on my early 80’s CD, it is high time for him to re-record the Fantasie as no amount of clever re-mastering is going to resurrect what was lost up in the first place.

Our musical tastes and preference vary a lot, if poetry is the prime consideration there are lots of performances to choose from, but if you want a performance that penetrates the very private and stormy world of Robert Schumann, a performance that leaves you emotionally drained, I would recommend either Pollini or Parahia.

The only other composer that has produced something similar to Opus-17 is Mahler, his Third Symphony’s last movement, there are unmistakable similarities between these two finale’s, same subject, same architecture and same structure and the same powerful emotional content.

Vahe


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