In Reply to: RE: Ok posted by stehno on November 15, 2014 at 12:47:25:
The dynamics, particularly the intial attack of a note induced by a strike, a pluck, or blatt, is not the same as the dynamic range of an entire musical pieceIt would seem we have a different definition to the word dynamic. Here's what I find in the dictionary:
relating to the volume of sound produced by an instrument, voice, or recording.
Volume. Contrast between loud and soft. Do you refer to transient response?
What's yours?
Electronics and/or a not very-well-thought-out pb system can more easily cause the initial attack of a note (not the entire note) to sound as though it's in-your-face or inches from your ear.
That seems to be more imaging related than to that of dynamics. Or, driver overload.
And if so, then it could stand to reason that an amplified gain stage captures most of that recording mic diaphragm's overexcitement
A "diaphragm's overexcitement"? So, you find speakers that are faster than the instruments themselves? I sure haven't experience that and I use full range electrostats whose moving mass is less than the air around them. i enjoy the fact that the sound of a twelve string guitar has the speed and attack of the real thing. Like you find with Micheal Hedge's work. Or the percussive attack of a piano. For me, the ability for the signal chain to respond quickly renders a more natural result.
I've encountered that very unnatural sound in my system in a big way with high-powered amps and amplified gain stage.
That is quite understandable. I've heard plenty of mediocre high powered amps. :)
Edits: 11/15/14
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Follow Ups
- RE: Ok - E-Stat 13:15:04 11/15/14 (1)
- RE: Ok - stehno 14:01:04 11/15/14 (0)