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General audio topics that don't fit into specific categories.

Both...........

High-resolution analog, there are no artifacts or side effects that would compromise the sound.... 30 ips tape is still the best medium, if one can source music and maintain the playback source..... Vinyl, with exacting alignments, a resolute and linear pickup/step-up, and a stable platform, does well too.

But with digital audio, there are both side effects and overkill to high-resolution playback.

Each digital audio bit switching on and off generates pulses, whose bandwidth goes all the way to RF. The more resolution, the more bits switching and with greater time density, the greater the RFI emissions..... I've never heard a high-resolution digital source (higher bitrate than CD quality) that I thought was truly enjoyable, from a music standpoint.

The overkill in digital audio is from the bit word length. 16 bits is 96 dB dynamic range, 18 bits is 108 dB, 20 bits is 120 dB. And 24 bits, the "standard" for high-resolution playback, is 144 dB. The problem is for music performance, the noise floor is *rarely* over 100 dB. So in my opinion, 18 bits would be ideal for digital audio. Anything over that, the least significant bits will be acting on noise, not the signal. And again, those extra bits also means extra RFI emissions. This is why high-resolution digital audio has so underachieved, for both mainstream consumers and audiophiles.


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