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RE: And that's where ambiguous polarity comes from ...

The moment one deals with multi mic recordings (ie about 95% of all records) the issue of overall polarity becomes completely intractable to the end user.

You may prefer it one way or the other but that in no way means that one way is correct and the other wrong, it merely means that one way sounds better to you. No more, no less.

Consider a drummer: What he hears when playing is effectively polarity-inverted to what his audience hears because the drum skins move away from him when he hits it but moves towards the audience. Which is right and which is wrong? Does it sound any different for either?

Bottom line we can't even tell correct polarity when there are no mics or electronic gizmos involved at all.


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