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RE: Measurements are not equivalent to perception

In my book the reference, in the sense of faithfulness to the original, is indeed the recording, not the live event. But whatever your reference is, the technical goals for loudspeakers should be clear: flat response, correct time alignment, low distortion, live-like SPL possible.

How are orchestras recorded? Close mike for every instrument, one mike for each instrument section, one or more mikes at different positions in the audience, what? Is the final mix representative of a particular seat in the hall?

Klaus


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