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Then let's see how it...

...does here on "I've Got You Under My Skin" from her CD, "When I Look In Your Eyes".

It's she and her piano, with her combo, backed by an orchestra - one of my favorite audition cuts.

Can your system create the soundstage depth, width, separation, air, overtones and sparkle on this cut?

Massed strings sound edgy or smooth?

How about her voice - is it focused and nuanced?

And how does that piano sound? Tinkly or coherent like a live instrument?

Your Thiels and Manleys shouldn't have a problem...


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