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Upsamplers, DACs, jitter, shakes and analogue withdrawals, this is it.

RE: Many theories, no conclusions.

I suppose that's true of most things in audio. Trying to prove that A is better than B is a difficult task when you can put 20 engineers in a room and say here is $20,000 build me what you think is the best sounding loudspeaker and you get 20 completely different products. ESL, Active, Ribbon, line array, open baffle, T-Line etc etc etc.

At some point virtually all of them (that bother to listen not just read graphs) will "make a call" on how the thing sounds and if the superior sound comes from something detrimental to the measured result then a decision is made. At Audio Note the decision is made on the sound. Many companies may make the decision based on a future soundstage or Stereophile review measurements and or which one makes them the most profit margin. Knowing that good measurements is the only way to get a class A designation = more sales they may opt for the better graph over what they actually hear.

I suppose we're left with blind level matched preference based tests. Stick 30 classically trained musicians in a room and see how many choose the NOS versus the "jitter to zero at all costs" units. But even this doesn;t prove much - if it is 16/14 or even 29/1 there is still the chance you'd agree with the 1.



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