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Upsamplers, DACs, jitter, shakes and analogue withdrawals, this is it.

RE: Thanks!

"The old Cool Edit pro (now Adobe audition) shows the reconstructed approximation, unlike Sony Sound forge.(which does not)"

iZotope RX also allows such a plot. It is only an approximation as the peak factor depends on the reconstruction filter. With a perfect SINC filter there is no worst case bound for an infinitely long signal, but it can be over 10 dB for a CD track. (You wouldn't want to listen to such a recording even if it were reproduced "undistorted".)

"I tend to set the recorders to peak around a -10 on the loudest of sounds."

Sounds about right to me. Pink noise at -23 dB RMS (-20 according to the mathematically ignorant AES) peaks about at that level. This signal comes in around 0 VU according to the Nordic scale for digital audio, so there is comparable headroom here as with magnetic tape. The actual values vary a bit depending on the "crest" factor of the signal, which will depend on the musical instruments playing, the frequency response of the microphones and their location and the room acoustics.

I had one live recording where all but one of the peaks were around -15 dBfs that digitally clipped when a wind gust collapsed the performance tent. Sometimes there are worse problems than digital clipping. In this case the recording continued and a few minutes later the music resumed. :-)


Tony Lauck

"Diversity is the law of nature; no two entities in this universe are uniform." - P.R. Sarkar


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  • RE: Thanks! - Tony Lauck 11:01:06 03/25/12 (0)

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