Home Digital Drive

Upsamplers, DACs, jitter, shakes and analogue withdrawals, this is it.

RE: Mastered for iTunes Critic Used Flawed Test to "Say BS"

"Hypothesis #2. To get an objective measure of correlation, I mixed aligned versions of all WAV/AAC pairs (one in-phase, the other phase-inverted) and calculated the RMS volume of the resulting difference wave. That is, on average, how audible the difference is between the WAV file and AAC file tested. Results below."

The use of RMS differeneces to evaluate errors produced by complex encoders that are based on psycho-acoustic principles is invalid. This is akin to comparing distortion in amplifiers by a single "THD" number.

There are two main suggestions in Apple's recommendation: keep levels safely below maximum and use 24 bit input to the encoder. Both of these have been known for some time, at least by those engineers who would rather try and avoid having anything to do with AAC or MP3. The errors caused by overloaded encoders and decoders can be gross. The differences gained by encoding with 24 bit audio are subtle, more akin to the differences between 24 bit and 16 bit uncompressed PCM at 44 kHz. Even if both suggestions are followed the results will still be rotten, it's just a question of the degree of stench. If Apple were really interested in sound quality they would be offering lossless downloads in the iTunes store.

Tony Lauck

"Diversity is the law of nature; no two entities in this universe are uniform." - P.R. Sarkar


This post is made possible by the generous support of people like you and our sponsors:
  Atma-Sphere Music Systems, Inc.  


Follow Ups Full Thread
Follow Ups

FAQ

Post a Message!

Forgot Password?
Moniker (Username):
Password (Optional):
  Remember my Moniker & Password  (What's this?)    Eat Me
E-Mail (Optional):
Subject:
Message:   (Posts are subject to Content Rules)
Optional Link URL:
Optional Link Title:
Optional Image URL:
Upload Image:
E-mail Replies:  Automagically notify you when someone responds.