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Upsamplers, DACs, jitter, shakes and analogue withdrawals, this is it.

RE: he's not completely wrong ...

TBone:
While I don't really disagree, your point raises another interesting question. Why do some (too few) CDs sound genuinely good, while so many more continue to offend? What technologies or techniques are responsible for the difference, and why haven't those become standard practice in the studios? If it's possible to produce one truly good sounding CD, then it seems that it should be possible to consistently do so. Is it just fortunate happenstance when a good sounding CD is produced?
_
Ken Newton



Edits: 03/13/12 03/13/12 03/13/12 03/13/12

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