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RE: Telltale signs of compression?

The simplest and quickest way is to find the loudest part of a track and then adjust the volume control until the volume sounds about "right". Then take a look at the setting of the dial. The comparison will usally be valid across recordings from the same musical genre and the same instrumentation, but won't necessary be valid when comparing different genres or instrumentation. In the case of pop or rock, one needs to compare classic recordings in their original CD mastering with modern mastering of the same or similar recordings. This isn't a strictly reliable method, as the volume setting of two recordings with identical (e.g. no) compression may differ if one was "normalized" to a different peak level. But this method gives a quick 10 second "in your face" indication that something is drastically wrong with a recording. Or, if the volume control appears to be set very low because you had been playing a crappy loud recording it gives you a wake-up call that there may be hope for the new recording.

The best audiophile recordings may require over 20 dB more gain with the volume control than crappy recordings. (Often about 10 clicks with discrete volume controls.) When these recordings are played back with the volume control set too low or on a system that lacks sufficient headroom in the amplifiers and speakers they can sound anemic. Should this happen, it's not the recording's fault, it's the user's fault for not turning up the volume loud enough or not having an adequate system for the scope of music involved. (Some excellent audiophile recordings have gotten a false rap because they were not played back properly.)





Tony Lauck

"Diversity is the law of nature; no two entities in this universe are uniform." - P.R. Sarkar


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  • RE: Telltale signs of compression? - Tony Lauck 12:17:44 03/11/12 (0)

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