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Good question, but on the first three tracks. . .

. . . there's not enough sustained writing for the strings for me to tell whether what I'm hearing is a special effect he's using just for certain spots (and that would be OK), or is a pervasive (and, as I say, perverse) mannerism of the whole performance. I'll have an update later today when I'm able to listen to the whole album.


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  Kimber Kable  


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