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Deutsche Gramophone LP records sound quality
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Posted on February 18, 2017 at 18:36:40 | ||
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Do people mostly collect DGG records for music and performance merits rather than sound quality? I have a fairly large collection of DGG, spanning from early tulips to digital in the 1980's. But I have never been impressed by their sonic virtues. They are not necessarily bad, but generally are just mediocre compared to other leading labels. Occasionally one gets something like Bernstein's recording of the complete opera Carmen, which sounds fantastic, but from a sonic perspective, it is so uncharacteristic of DGG. It seems odd that the recording engineers in Hanover were just way behind those at Decca, EMI, or RCA and Mercury. Did they just not care much about sonic qualities but focus more on music instead? But I thought people like Karajan cared a lot about sound, and he had DGG record most of his recordings for decades! But his better-sounding recordings are typically from Decca and some from EMI. |
No argument here. I love the Weisberg ensemble's Nonesuch LPs.nt, posted on February 19, 2017 at 12:06:47 | |
RE: Exactly. It seems people occasionally need to be reminded about this. nt, posted on February 19, 2017 at 15:48:13 | |
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Location: Western Mass. Joined: April 29, 2000 |
RE: Polarity really matters with DGs, posted on February 19, 2017 at 16:34:58 | |
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Joined: April 23, 2007 |
Very interesting Dave.....I'll try it and listen. Thanks |