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Well, I don't want to get into a technical pissing contest, but there's nothing inherent about Class AB push-pull that makes it high-distortion. Granted, you tend to get higher-order kinks in the transfer function, but it's all a matter of choosing your operating point carefully. The distortion spectrum is very different with push-pull, and you may very well prefer the sound of single-ended (or push-pull Class A). But on an absolute magnitude scale, you need a hell of a lot of crossover distortion to make up for the reduction in even-order distortion that push-pull affords you. Somewhere in my files I have a couple of articles on this. Whether or not you get enough gain from a single stage depends on the sensitivity of your output tubes and how much power you want to get out for a given input voltage. I like my amps to have 30dB of gain, which coincidentally corresponds to a voltage gain of 30. This is borderline attainable in a zero-feedback design, depending on what you're trying to achieve. With respect to phase splitters, the current-sourced long-tail pair is pretty damned good. IIRC, Allen Wright had a zero-feedback 300B push-pull design with a cascade differential driver, and I assume it was very good. I've seen other push-pull zero-feedback amp designs as well. I think the general consensus is that tube distortion is benign enough that you can pass a signal through several stages without issue. Most phono preamps are open-loop and run three stages, yet still sound good if designed properly. Overall, I have to agree with the statement made here recently by someone else, that the biggest problem with negative feedback is instability. My experience with tube amps having modest amounts of feedback is that they sound like crap if they aren't stable, but absolutely amazing once the loop is stabilized properly. I really don't see this "orthodoxy" thing. All tube amp designs are orthodox (or at least the ones that get talked about here). I don't have a personal beef with you so don't get me wrong. I just think, in a way, that feedback-bashing has kind of become the new hi-fi orthodoxy. Feedback is a tool, and one that most people really don't understand. -Henry
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