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Anyone upgrade the output transformers on their amps?

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Posted on August 11, 2015 at 00:45:35
morricab
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I was curious about people's experience with upgrading the output transformer on their SETs from an EI frame transformer to a double C core transformer.

 

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RE: Anyone upgrade the output transformers on their amps?, posted on August 11, 2015 at 02:17:08
Frihed89
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Yes, on the AN Conqueror to a Conqueror Silver (with HiB double c-core output transformers). The AN EIs are very good sounding. But I hear more detail in the c-cores, the soundstage is better defined, the bass deeper, the treble smoother, the mids richer. I had the same result with adding these OPTs to an AN Meishu.

I also upgraded OPTs on my Fi 2A3/45 monos from a standard Magnequest to one that was interleaved (but still EI). There I got a more present, "bigger" sound that seemed to give the music better pace and also made it more "accurate"-sounding.

 

RE: Anyone upgrade the output transformers on their amps?, posted on August 13, 2015 at 12:15:57
morricab
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I guess AN is one of the few companies where it is easy to compare. I am thinking of trying an Oto SE signature. My JJ has double Cs of very good quality (think SuperHiB) but my other amp has an EI design, but using exotic core materials. I was thinking of trying double C on that one as well...of suitable quality of course.

 

RE: Anyone upgrade the output transformers on their amps?, posted on August 13, 2015 at 15:30:34
Frihed89
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AN(UK) makes excellent double c-core OPTS. But a high quality EI OPT with "exotic core materials" can probably sound just as good as, or better than, a HiB or UHiB OPT, often at a lower price than these two AN(UK) OPTs. Moving up the AN(UK) OPT line costs a fortune (as if the HiB and UHiB were inexpensive).

I'd move up with caution on your other amp. Now tell me how that can be done and we'll both know!

 

Many Times..., posted on August 14, 2015 at 16:38:05
Interstage Tranny
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But, a few caveats are in order.

Best specs do not mean best sound.

Also, larger is not necessarily better.

Break-in time is essential. My double C-Core Partridges required many dozens of hours of music passing thru before I decided that the smaller E-I core devices sounded more natural in my units with my ears. They didn't look as cool as the top of the line Partridges; but they sure made listeners smile...

Due to the sometimes insane costs involved, you might try to find nearby experimenters who have already tried or are also thinking of trying similar experiments. Friendly audio folk are few and far between,(considering we are less than 1% of the normal population) but could be worth the trip...

 

RE: Many Times..., posted on August 14, 2015 at 16:52:55
Garg0yle
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Transformers do not need to break in.

You might prefer the sound of a narrow band transformer, but it cannot sound "better" then a full bandwidth transformer, simply because there are frequencies missing.
Apples and oranges type thing.



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RE: Transformers do not need to break in., posted on August 14, 2015 at 22:20:37
danlaudionut
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WOW
Your lack of knowledge is showing.

ALL wire needs to break in.
There is alot of wire in a transformer.
Let alone the insulation and solder joints.
All these things need break in.

As far as your "narrow band" comment ...
Then why does narrow band tube equipment
sound better than wide band SS equipment?
If specs meant everything then SS bests tubes.

DanL



 

RE: Transformers do not need to break in., posted on August 14, 2015 at 22:35:32
drlowmu
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I've always wondered, what the heck does an "infamous sockpuppet" precisely mean ??

This poster built his DHT amp in a cake pan.

OK, he probably means well Dan.

Jeff Medwin

 

RE: Many Times..., posted on August 16, 2015 at 12:05:42
cpotl
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"Transformers do not need to break in."

Gargoyle is quite right. There is no scientific basis for the claim that transformers need to "break in." Some audiophiles like to propagate myths about imagined subtle effects associated with "breaking in" components. These could in principle be tested by means of double-blind listening experiments, but those same people argue vehemently that such tests are worthless. In the immortal words of Mandy Rice Davies, "they would say that, wouldn't they."

Chris

 

RE: Many Times..., posted on August 17, 2015 at 11:14:55
Paul Joppa
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Let me make a small correction - "there is no KNOWN scientific reason ..." We don't know everything, and specifically we don't know what we don't know.

My experience is that caps and transformers sound pretty bad at first, and in most cases 50 hours or so of music will resolve the problem. I have on occasion listened to a new amp and guessed (correctly) from the sound that the transformer was not yet broken in. Similarly I have done break-in on the bench driving resistors, and heard the difference (5 minutes listening, then 50 hours silent breakin, then listening again) in order to eliminate the effect of becoming gradually accustomed to the sound. On a couple occasions I have not listened at all until the 50 hours breakin was over, and then heard no problems and no change over the next 50 hours. So I at least am convinced something is going on, and while I have no explanation, I can use this knowledge to correctly predict what will happen.

 

RE: Many Times..., posted on August 17, 2015 at 18:15:49
Garg0yle
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It's not alchemy.
No sense in pondering anecdotal what ifs and then lumping them together with capacitors.

If there was some substantial break in factor it would be easily identifiable.

The first place I would look is the laminates, are they being excited any differently then when first manufactured?
Are the laminates holding a magnetic field?

By the very nature of the design, the poles need to flip instantaneously.

Do they flip better after some use?
Again, is practical use enough to overcome parameters instilled during the comparatively extreme manufacturing process?

Same with the copper, does your transformer reach 800 or 1000 degrees?
If not then it is very unlikely 50 hours of use is going to do anything to change the composition of the wire.

Is there some sort of static capacitor being formed by the materials used in construction the transformer? Plausible, however this that and the other would have come up in conversation by now, I know they have only been making them for 135 years.

The one thing you notice about "breaking in" claims, is that the proclaimer always states that its for the better.
Why do things never seem to sound worse after "break in"?

Placebo, that's why.


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RE: Many Times..., posted on August 18, 2015 at 10:35:41
cpotl
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"Let me make a small correction - "there is no KNOWN scientific reason ..." We don't know everything, and specifically we don't know what we don't know.

My experience is that caps and transformers sound pretty bad at first, and in most cases 50 hours or so of music will resolve the problem."

I hear what you say, and I would certainly respect your opinion and beliefs. However, from my point of view I face a dilemma, for the following reasons. I personally am unable to hear any of the subtle effects that you and others speak of, when it comes to break-in of wires, joints, capacitors, resistors or whatever. I know my hearing is not very good, and so I could just put it down to my poor hearing.

On the other hand, as a scientist I am always naturally sceptical of claims, and I always like to make order-of-magnitude estimates of claimed effects, to try to judge whether they are plausible. On that basis, it has to be said that there do not, in general, seem to be plausible effects that are likely to be of sufficient magnitude to account for an audibly-different sound resulting from, say, a freshly-soldered joint versus a joint that has passed small audio currents for a few hundred hours. Likewise with a bit of interconnecting wire, or even a whole transformers-worth of wire. If there were such effects that could exceed the human threshold of audibility, they would easily be measurable by precision instruments. Unless someone can produce verifiable measurements that support the claim of audibility, I would have to remain sceptical.

Yet another point is that there are, on the other hand, extremely well documented experiments that indicate that the human brain is very easily tricked into "seeing" things that are not there, or not seeing things that are there, and likewise with other senses including hearing.

Thus for someone like me, who never has and never will be able to hear any of these alleged subtle effects for himself, an overwhelmingly more likely explanation for the seeming disconnect between the scientific implausibility of there being a real audible phenomenon and the apparent ease with which some people report hearing such effects is that what is going on is at the psycho-acoustic level rather than at the objective level. In other words, there seems to be very little scientific basis for claiming that the breaking in of wire or joints would lead to audible effects. But, on the other hand, there is plenty of evidence to support the idea that such effects may be "heard" by individuals, based, perhaps, upon their expectations. I don't doubt the sincerity of the person reporting the phenomenon, just as I don't doubt the sincerity of the person who watches the video of dancers on a stage and who swears blind that no gorilla walked across the stage during the performance. (I presume you have seen the video in question.) But unless there are genuine and rigorous double-blind listening tests that unambiguously demonstrate the audibility of the breaking-in of wire or joints, I personally find the psycho-acoustic explanations are much more plausible.

Chris

PS: I think Gargoyle makes an interesting point, about the curious fact that the "break-in" effects always seem to be for the better. Wouldn't that be a bit strange, for the changes always to be in the same direction? Unless, of course, they were psycho-acoustic in origin...

 

RE: Many Times..., posted on August 19, 2015 at 01:20:06
SETdude
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Your mind is already made up. No problem. My experience mirrors Paul Joppa's and after some hours the sound did change. Yes, there was an improvement over the initial sound but sometimes the caps were pulled because they did not work for me in my gear.

 

RE: Many Times..., posted on August 19, 2015 at 12:06:52
gusser
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"The one thing you notice about "breaking in" claims, is that the proclaimer always states that its for the better.
Why do things never seem to sound worse after "break in"?"

Great point! Beyond normal tube and electrolytic capacitor aging, I too have never heard negative reports of break-in, always positive.

That in it's self defies many laws of nature and science.

 

RE: Many Times..., posted on August 19, 2015 at 12:13:06
gusser
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Thank god the people who do believe in this nonsense are not employed to design and engineer mission critical, or worse yet, life critical electronic systems.

Imagine a nuclear reactor control system or MRI machine based on this audiophile nonsense!

And I do acknowledge that there are accredited electrical engineers that do buy into these audiophile claims - some even author them. But they are always without exception small garage tinkers who build audiophile stuff for a living. You never seem to find engineers in the legitimate commercial industry subscribing to this nonsense.

At least we can sleep good at night knowing critical industries still value formal education and science.

 

NO,, posted on August 19, 2015 at 12:22:26
gusser
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Your empirical observation proves to you that wires and solder joints improve audio quality with a break-in cycle.

That however is hardly scientific proof of such a phenomenon. You have offered nothing beyond your personal listening experience to prove this.

Until you and others start showing some numbers in the form of properly formatted and executed test results, such claims are only a personal opinion or observation based on unknown external influences.

 

RE: Many Times..., posted on August 19, 2015 at 12:30:56
cpotl
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"Your mind is already made up. No problem. My experience mirrors Paul Joppa's and after some hours the sound did change."

Yes, I have reached my own conclusions. I'm not sure about your use of the word "already," though. How many years is one supposed to contemplate such matters before the "already" would be omitted?

I have observed for myself that I hear none of these alleged effects. I have considered the underlying physical principles, and I can see no reason why there should be effects of sufficient magnitude to be audible to the human ear. I have, on the other hand, read of and indeed experienced all manner of instances where the brain is deceived into thinking something happened that actually didn't, or thinking that something didn't happen that actually did.

And to cap it all, one can amuse oneself by browsing in the Tweakers' Forum, where people report (no doubt sincerely) hearing all kinds of effects due to crystals, flashing lights, blue pens, quantum fuses, or whatever that are obviously complete nonsense.

So yes, I have made up my mind. But "already"? I don't understand what you mean by that word in this context.

Chris

 

RE: Many Times..., posted on August 19, 2015 at 14:12:58
Donald North
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I, too, have heard components change to the better and to the worse after break-in. These are mostly subtle effects but noticeable to an astute listener with sensitive hearing.

 

Many variables, posted on August 19, 2015 at 14:25:23
gusser
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What was the operating temperature at these different times?

How about the line voltage otherwise is the B+ stable?

Is there an RFI situation at different times of the day?

There are many more possibilities why you may have heard a difference. That's why measurements need to be made before we can assume the components are actually changing the sound by themselves based on aging.

 

RE: Many Times..., posted on August 19, 2015 at 14:25:38
Donald North
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I have heard components and products, including feedback based solid state designs, start out sounding alive and engaging and become dull and boring after warm up.

Don't let someone older than you tell you what you can't hear.

 

RE: Many variables, posted on August 19, 2015 at 14:30:09
Donald North
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I agree, there are many variables and would like to quantify through measurements these effects. While our measurement systems are becoming more sensitive, I do not know of one yet with the artificial intelligence logic and algorithms to replicate the selective human hearing process.

 

RE: Many Times..., posted on August 19, 2015 at 14:40:22
gusser
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"I have heard components and products, including feedback based solid state designs, start out sounding alive and engaging and become dull and boring after warm up."

And I would expect to easily see that with a series of spectrum analyzer grabs. And then further pin point the circuit design problem that is causing it.

Point is we should be able to easily measure this.

 

Quite true, posted on August 19, 2015 at 14:43:52
gusser
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Computer technology has not advanced enough to simulate the placebo effect. To do that requires free form intelligent thought. No machine can yet do that.

I don't want a machine that can do that either. I want the plain raw facts.

 

Let's step out of audio for a minute!, posted on August 19, 2015 at 15:00:48
gusser
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Consider a low frequency transformer used in the auto pilot system of a plane. Now any drift could seriously effect the system accuracy with devastating results.

So...

1) Are these transformers required to have a specific burn in beyond reliability testing to ensure that doesn't happen. Where is that specification documented?

2) If said transformer is field replaced from inventory, is there a burn-in cycle required before the system can be released for public flight? Again if this is true, it would be documented by the FAA.

Don't like planes, then substitute another area of precision electronics, medical, nuclear, spacecraft.

Why don't these industries find this same burn-in phenomena the audiophile industry has discovered? Why is this only relevant in audio entertainment equipment and void in other highly precision areas of electronics?

In all my years as an IEEE member I have never read about this issue outside of standard reliability burn-in and well documented component aging, eg, tubes, batteries, and capacitors. Why is that?

 

RE: NO,, posted on August 19, 2015 at 19:03:41
danlaudionut
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I really don't care if you want to stay ignorant.
Not my problem.

DanL



 

RE: NO,, posted on August 20, 2015 at 01:19:36
cpotl
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"I really don't care if you want to stay ignorant."

That is a strange choice of word, and also completely inappropriate. Ignorant of what, exactly?

Much of what is written by those whom you would, I think, be calling "ignorant" is concerned with requests for evidence and proof, and with estimates of the orders of magnitude of physical effects. This is not "ignorance," this is just a healthy skepticism and enquiry about improbable-sounding claims.

Let us consider one of the wilder claims that one might find in the Tweakers' Forum. Would you say that anyone who questions that claim is also guilty of "ignorance"?

One of the things that troubles me about some of the claims, such as the audibility of the breaking-in of wire, is that those who make the assertions seem to have so little curiousity, and are seemingly so ready to attribute what they hear to effects that lie outside the realm of currently understood science. If the wire itself really were causing the change, then as gusser says it should show up in spectrum analysis. And as he says, it would be something that was well known and documented from experience in other branches of electrical engineering that are far more challenging than in humble home stereo systems.

We are talking here about alleged changes in the electrical response characteristics of an amplifier. If these changes are occurring, then the reliable way to verify that is by subjecting it to detailed electrical measurements. We may not be able to explain or predict exactly what psycho-acoustic effect a particular change in the electrical characteristics will produce. But we can be absolutely sure that if the most sensitive measuring instruments fail to demonstrate any change in the electrical characteristics that is anywhere near the threshold of audibility, then there will be no genuine audible effects. If, on the other hand, the measurements revealed changes that could be above the threshold of audibility, then that would provide solid evidence supporting the claim. But then, as gusser has said, why are such effects not known and studied in other branches of electrical engineering?

Or one could sidestep the use of precision measuring apparatus by instead conducting rigorous double-blind listening tests, to see whether those who claim to have golden ears really can reliably discriminate between, say, new wire and broken-in wire. Such tests could provide useful information. of a kind that is lacking in anecdotal reports of situations where the listener knew exactly what he was listening to.

As I have remarked before, the Tweakers' Forum provides a nice illustration of the fact that people can sincerely believe they hear differences where none exist. Surely this should give anyone who thinks they hear differences that "cannot be explained by known science" pause for thought and reflection?

Chris

 

RE: Let's step out of audio for a minute!, posted on August 20, 2015 at 01:41:16
morricab
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Because the subtleties of perception are changes on a scale that most likely has no impact on the performance in non-perception related areas. You are trying to equate other fields with human perception and that is really apples to oranges.

"1) Are these transformers required to have a specific burn in beyond reliability testing to ensure that doesn't happen. Where is that specification documented?"

Are you sure that is the only reason people burn-in transformers? I have not tested transformers but I can imagine some change in fundamental parameters after a failure test burn-in. In amplifiers, JA in Sterophile sometimes gets a different distortion result in an amplifier before and after he stresses it.

"2) If said transformer is field replaced from inventory, is there a burn-in cycle required before the system can be released for public flight? Again if this is true, it would be documented by the FAA."

If they are required to have a burn-in prior to getting approval for use then there would be no need to burn it in again, would there?


All of this is academic though because you cannot equate stable operation with changes in perception. Changes inconsequential to the basic OPERATION of the transformer could still have perceptible impact on an audio signal passing through the transformer. Never forget that in many cases a transformer in industry has a more or less constant load, whereas an audio transformer has an ever changing load, so things like permeability, hysterisis etc. take on different meanings beyond static values that most transformers are subjected to.

 

RE: Many Times..., posted on August 20, 2015 at 01:51:42
morricab
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So you think that effects in a transformer such as hysteresis saturation, eddy currents etc. are not audible as long as the bandwidth of the two transformers is the same?

I would not be surprised at all that these effects are VERY audible.

I do not have first hand experience though with changing transformers thus the reason for this thread. I do however, have experience with capacitors and that is very audible...and not always for the better.

Some guys have upgraded their AN amps (see above) as that company is firmly in the belief that better parts makes better SET amps. THey report improvements as one improves the parts...especially caps and transformers. Since I hear this clearly with caps I wondered how big a deal it is with transformers as they are usually far more expensive items in an amp (usually the most expensive part).

 

RE: Many Times..., posted on August 20, 2015 at 02:15:26
cpotl
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"So you think that effects in a transformer such as hysteresis saturation, eddy currents etc. are not audible as long as the bandwidth of the two transformers is the same?"

I would simply say that if such effects are really audible, then they will correlate with measurements that could be made, and which would shed much more light on what was going on than subjective listening reports.

The discussion in this thread has probably veered off the original topic a bit, and I think most of the recent comments have been concerned with changes in the performance of the amplifier over time (i.e. "breaking in"). The claim has been made that not only transformers, but also wire and even solder joints, need to "break in."

I don't find it totally implausible that the performance of a transformer could change over time, although I would find it much more convincing if a claim to this effect were backed up by measurements, rather than anecdotal reports of a "richer sound" or whatever. I have much more difficult believing that a connecting wire could "break in" in an audibly perceptible way.

I have no difficulty at all, however, in believing that somebody could believe that they hear an audible effect of a wire "breaking in."

Chris

 

RE: Many Times..., posted on August 20, 2015 at 07:03:40
morricab
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"
I would simply say that if such effects are really audible, then they will correlate with measurements that could be made, and which would shed much more light on what was going on than subjective listening reports.
"

Which measurements would you propose? Hysterisis is already measureable and I would assume so are eddy currents and for sure saturation is.

BTW; Saturation shows up as a clear increase in both THD at low frequencies and with a broad spectrum of harmonics. So that one is easily measurable AND audible.

Hysterisis is measureable but its impact on the audio signal would be subtle and interesting. Reistance to changing of magnetisation polarity would impact things not easily measureable like low level signal transmission and smearing of the sound. The lower the hysterisis the more responsive the transformer will be to small changes.

Eddy currents are a known phenomenon and the whole reason that transformers are built up from thin laminations rather than solid chunks. It appears that the thinner the better. The transformers in one of my amps has 0.13mm laminations in a Double C core configuration (they weigh a good 7 or 8 Kg each). That is not the thinnest but getting close. Wire material and insulation materials also seem to matter greatly as does the winding technique. Probably this manifests itself in an increase or decrease in measureable distortion. One would have to swap in and out different trafos, with the same basic specs, made with different combinations on an otherwise identical circuit to really tell for sure.



As to break-in, you realize that as a transformer heats and cools, heats and cools, it is expanding and contracting probably by a significant amount. A SET amp in particular has substantial current running through it all the time and they warm up. Over time this will probably change the winding tension and other physical paremeters the COULD result in subtle variation in electrical behavior. Things are not as static as you would seem to believe.

 

RE: Anyone upgrade the output transformers on their amps?, posted on August 20, 2015 at 07:12:03
morricab
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So would you say that in your specific case going from AN EI to AN HiB C core made a huge leap in transparency, soundstage, detail etc.? What about tonality did it lean out just slightly by going to the new transformer? I ask because one of my amps, the JJ 322, has JJs equivalent to a Super Hi B double C core (grain oriented Si steel with thin laminations of only 0.13 - 0.15 mm) that also weigh a quite a lot (probably at least 7kg) and it is probably one of the most tonally neutral 300B amps I have heard. Only a bit warm but with a lot of resolution and quite well resolved and powerful bass.

The other amp(s) (monos) with the more exotic metals but EI frame have a bit more tonal richness through the mids and bass is similar. Highs are similar. That might not be the trafo but I suspect it is. I had a look under the cover...it is fairly big but needs to be given the amount of current running through it (2 x 6C33C have about 500mA bias current on the plate at 210V).

BtW, have you heard the OTO SE signature, which I believe uses a similar HiB C core (pretty big one from the pictures)? I was thinking about that amp a bit as there is an AN dealer nearby where I live.

 

RE: Let's step out of audio for a minute!, posted on August 20, 2015 at 07:30:04
gusser
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"All of this is academic though because you cannot equate stable operation with changes in perception. Changes inconsequential to the basic OPERATION of the transformer could still have perceptible impact on an audio signal passing through the transformer. Never forget that in many cases a transformer in industry has a more or less constant load, whereas an audio transformer has an ever changing load, so things like permeability, hysterisis etc. take on different meanings beyond static values that most transformers are subjected to."

So you think audio is the only application that subjects a transformer to a varying load? The world has only two types of transformers, audio and power transformers?

Let's look at just my small slice of the electronics industry - broadcast engineering. Back in the analog days we had video isolation transformers that went from a 10hz to 10mhz* within 0.1db at a 1 volt max operating level! Think that silver wound tube output transformer is expensive! Inside broadcast grade analog VTRs we had many precision transformers both on the RF/video path as well as the servo systems that controlled the rotating heads and linear tape speed. Speaking of rotating heads, the head disk had four RF transformers that had to endure 14,400 rpm on the old 2in machines. Then there was the rotary transformer, yes a transformer that spins! Even you old VHS machines had one of those. Oh, yeah, the audio section of the VTRs also had a few crude transformers in comparison for the audio path.

I studied servo system engineering in college based on my fascination with VTR servo systems at the time. Back in the early 1980s analog servos still ruled. Differential transformers in sensor circuits were very common. The precision of these circuits made audio in comparison look like tin cans and a string.

And while I only have a cursory knowledge of related fields, I do know that many other areas of electronics have precision transformer requirements with voltages in the nanovolt range. A colleague of mine worked on gun targeting systems in the Navy. He once told me about precision transformers that putting a VOM across on the x1000 scale would vaporize the coil.

The point here is that transformer design has for many, many years, advanced far beyond the rather basic requirements for HiFi audio reproduction. Stability over time, temperature, and most other external influences are proven and well documented.

The issue is not about stability per se, the issue is about measuring it. And based on my experience, any parameter change that would result in a perceived difference in audio reproduction can certianly be measured quite easily with rather low cost test equipment to boot.

As for the audibility of fresh solder connections vs 100hour old solder connections, well that's just silly and has no room for discussion in formal electronics circles.

*to be fair these transformers did have an LC EQ network internally to meet this flatness spec. They were in fact lossy by a db or two which required a downstream amplifier to compensate as well as DC restoration.

 

RE: NO,, posted on August 20, 2015 at 07:30:22
danlaudionut
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When the preponderance of experience
of so many people and your own ears
tell you something is true and
you refuse to believe it until
someone with a PHD proves it
I would call it ignorance.
I was really skeptical too
until I heard the difference.
Then I learned.
Refusal to learn IS ignorance.

DanL



 

RE: NO,, posted on August 20, 2015 at 07:38:35
gusser
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We are not doubting you can hear the differences between wire and solder connections. I for one am quite sure you do.

What some of us are asking for is documentation of this phenomena. Surely based on known documented human hearing thresholds, such a change would be clearly reflected in voltage levels at certain frequencies within the signal chain.

And it doesn't take a Phd to measure that either. A cheap 5mhz Heathkit scope should be more than sufficient to measure this voltage change.

So after all these years of these claims, where is this data?

WE DO IN FACT WANT TO LEARN! Please show us some standard learning material and not your personal perceptions which we cannot experience ourselves or verify.

 

RE: NO,, posted on August 20, 2015 at 07:56:06
cpotl
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Location: Texas
Joined: December 6, 2009
"When the preponderance of experience
of so many people and your own ears
tell you something is true and
you refuse to believe it until
someone with a PHD proves it
I would call it ignorance.
I was really skeptical too
until I heard the difference.
Then I learned.
Refusal to learn IS ignorance.

DanL"

So would you apply the same argument to say that if lots of tweakers report hearing the effects of crystals on top of the coffee table, or whatever, then we should take that seriously also, and that to do otherwise would be ignorance?

And by the way, the experience of my own ears does not tell me that I can hear audible effects of the break-in of wire or solder joints. Quite the contrary. That is one of the reasons why I find the psycho-acoustic explanation for the reported effects to be the more likely one.

Chris

 

RE: Many Times..., posted on August 20, 2015 at 08:14:02
cpotl
Audiophile

Posts: 1002
Location: Texas
Joined: December 6, 2009
"Which measurements would you propose? Hysterisis is already measureable and I would assume so are eddy currents and for sure saturation is. "

I would start with measurements with oscilloscopes, spectrum analysers, etc., just in order to be sure that there actually is a real breaking-in phenomenon that needs discussing. But as I said in my last response, I don't find it totally implausible that there could be genuine breaking-in effects with transformers, for some of the reasons you have mentioned. Improbable, perhaps, but not totally implausible.

By contrast, I find it highly implausible that there could be breaking-in effects for pieces of interconnecting wire, or for solder joints. Thus I would tend to give more credence to reports of breaking-in effects for transformers. But if there are such effects, at levels that are coarse enough to be able to be sensed by the human ear, it should be easy to demonstrate the associated changes in the electrical transfer characteristics of the amplifier by means of electrical measurements. It should be possible to do better than anecdotal reports of listening impressions. There are much more precise ways of tracking changes in the transfer characteristics of an amplifier than by playing the signal through a loudspeaker and a pair of ears.

Chris

 

RE: NO,, posted on August 20, 2015 at 08:38:16
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
Science always lag behind experience.
Science eventually comes up with
a way to quantify what we hear.
To discount, out of hand, experience
because science hasn't caught up yet
is just foolishness or ignorance.

I don't count Tweakers Asylum because
they are too willing to find magic beans.
They are the other extreme from your ilk.
I refer more to the Cable Asylum and
their cable cookers and cryo treatments.
They trust what the hear and don't worry
about science to prove what they hear.
Science will eventually catch up.

"If an audio component really does sound bad and
you can't find something to measure that will explain it,
you are probably measuring the wrong thing."

DanL



 

RE: "break-in" effects always seem to be for the better., posted on August 20, 2015 at 08:47:46
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
I had an experience with an amp that
sounded great at 50-100 hours but
got worse after that.
In fact there was one evening that
it was awesome but the next day
it was not there anymore and
was never like that again.
Dissapointing to say the least.

DanL



 

It's been 35 years now!, posted on August 20, 2015 at 09:00:24
gusser
Audiophile

Posts: 3649
Location: So. California
Joined: September 6, 2006
More or less since these audiophile cable claims started.

How much longer do we have to wait for science to catch up?

I guess you do acknowledge that standard measurements fail to reveal any audio related differences between you cables and solder joints?

 

RE: NO,, posted on August 20, 2015 at 09:09:47
cpotl
Audiophile

Posts: 1002
Location: Texas
Joined: December 6, 2009
"I don't count Tweakers Asylum because
they are too willing to find magic beans.
They are the other extreme from your ilk.
I refer more to the Cable Asylum and
their cable cookers and cryo treatments.
They trust what the hear and don't worry
about science to prove what they hear.
Science will eventually catch up."

Well, there is the problem; it is all a matter of degree, and where one draws the line. For you, magic beans are one side and cooked cables are the other side. For someone else, the dividing line comes somewhere else.

My view, since I cannot personally hear any of these alleged effects, is to use a common-sense application of understood scientific principles, and to be skeptical of claimed effects that don't accord with those principles until such time as they can be proven to occur. The proof could consist of electrical measurements that demonstrated that the alleged effect did in fact lie above the threshold of hearing. Note that I am not saying that one could necessarily predict from the measurements exactly what change the listener would "hear." But I would say that since one could easily measure electrical signals at the nanovolt level, and so on, it would be easy enough to estimate whether any measured changes could conceivably be audible to the human ear or not.

Or alternatively, the proof could consist of rigorously-conducted double-blind tests that established that there did indeed exist people who could reliably discriminate between the before break-in and the after break-in sounds. Just having people who know what they are listening to report that the sound has changed doesn't really cut the mustard. If one accepted such anecdotal reports as evidence, then one would have to accept what the magic-bean tweakers reported also.

Chris

 

DBT's don't work!, posted on August 20, 2015 at 09:33:20
gusser
Audiophile

Posts: 3649
Location: So. California
Joined: September 6, 2006
Haven't you heard the latest audiophile theory against DBT's.

Such testing is believed to be too stressful on the subject. The intense pressure due to the risk of being proven wrong creates an anxiety to where the subject can no longer focus on the subtle differences and thus hears no difference.

And the key word there is "subtle"!

When these outlandish claims are first presented, the reports are always "huge, ground breaking, night & day, my IPOD listening spouse even heard the difference".

But when pushed for measurements or DBT's, these "huge" differences suddenly become to small to measure or detect by controlled testing.

There is just no end to the BS and probably never will be.

 

RE: It's been 35 years now!, posted on August 20, 2015 at 10:52:50
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
How long did it take for science to measure
THD, IMD and difference between harmonics?
How long did it take science to discover
that the world isn't flat?
That the Earth is not the center of the universe?
These take as much time (and therefore money) as
there is interest in the discovery of the truth.
There is always a majority that does not
want to see the truth, let alone prove it.
They want to live with their dogma.

DanL



 

RE: NO,, posted on August 20, 2015 at 10:55:30
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
So since you cannot hear a difference
therefore there must not be one.
Better to believe you are not
missing out on something than
to give credence to those that do.
Interesting

DanL



 

RE: NO,, posted on August 20, 2015 at 10:58:22
cpotl
Audiophile

Posts: 1002
Location: Texas
Joined: December 6, 2009
"So since you cannot hear a difference
therefore there must not be one.
Better to believe you are not
missing out on something than
to give credence to those that do.
Interesting

DanL"

But the magic-bean tweaker would use exactly the same argument against you.

Chris

 

RE: It's been 35 years now!, posted on August 20, 2015 at 11:00:45
gusser
Audiophile

Posts: 3649
Location: So. California
Joined: September 6, 2006
"There is always a majority that does not
want to see the truth, let alone prove it.
They want to live with their dogma."

And there you go! The truth is that the formal electronics industry does not support your claims. There is absolutely no credible evidence wire and solder joints have a "sound signature".

You are the one who won't accept the truth and are sticking to dogma!

What professional journals do you read to keep up with where electronics measurement technology is at?

And before you say "Stereophile", anything you can buy at a supermarket magazine rack ain't no technical journal!

 

RE: It's been 35 years now!, posted on August 20, 2015 at 11:15:36
SETdude
Audiophile

Posts: 3944
Joined: January 20, 2000
Various IC's etc. sound different to me and I don't know or want to know why. That said, I don't spend a lot of $$ on it.

 

RE: "break-in" effects always seem to be for the better., posted on August 20, 2015 at 11:19:13
SETdude
Audiophile

Posts: 3944
Joined: January 20, 2000
I have had a similar experience with some tubes that were settling in. A few hours of hot aural sex then...poof.

 

Nobody here ever said tubes don't need break in. (nt), posted on August 20, 2015 at 12:17:23
gusser
Audiophile

Posts: 3649
Location: So. California
Joined: September 6, 2006
z

 

RE: NO,, posted on August 20, 2015 at 12:34:54
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
You have stated that you have hearing loss.
I still hear above 20KHz - Big Difference.

DanL



 

RE: It's been 35 years now!, posted on August 20, 2015 at 12:41:43
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
WRONG !!!
Truth is TRUTH
No matter where found or from whom
TRUTH is an absolute
If not absolute then it is not TRUTH
Science nor anyone owns truth
Science has been wrong many many times
Each time they had a "logical" stand
Science is blind leading the blind
Sometimes they eventually get it right
Mostly they have bad guesses
that they proclaim as truth

DanL





 

RE: It's been 35 years now!, posted on August 20, 2015 at 12:43:28
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
That is a whole different can of worms.
I have been down there on the asylum too
and I don't want to start again. 8^D

DanL



 

RE: NO,, posted on August 20, 2015 at 12:49:13
cpotl
Audiophile

Posts: 1002
Location: Texas
Joined: December 6, 2009
"You have stated that you have hearing loss.
I still hear above 20KHz - Big Difference."

Well, if you could demonstrate in properly-conducted double-blind listening tests that you were able reliably to discriminate between the sound of a newly-soldered joint and a joint that had "broken in," then I would be happy to concede the point. I would be willing to bet that you would not succeed, though.

Chris

 

RE: It's been 35 years now!, posted on August 20, 2015 at 13:13:36
Garg0yle
Audiophile

Posts: 859
Joined: December 1, 2014
What would we gain from this?

There are many more things that need attention, things that actually have tangible effects.

Heck I would even give Drlowmu some potential credit with his wild bypassing escapades, but this is out there.

Much bigger effects come from Placebo or Sensory Adaptation.
Slight variations in the way we hear at a given point of time depending on the environmental conditions leading up to that point in time.

Other senses we have that also adapt, are things like touch and smell.
That is why you are able to slowly slip into a hot bath, or why the presence of perfume seems to fade over time.

So in summary, swapping a part like an output transformer could quite possibly sound like it's breaking in, but only if the design parameters are substantially different enough, which they usually are when somebody is "upgrading". (Or changing some other part that is measurably and significantly different.)

However, you can't really account for that, quite often you have to make your selection based off of parameters ahead of time and fingers crossed benefit from the selection after purchase.

△This message will self destruct in 10 seconds△

 

RE: It's been 35 years now!, posted on August 20, 2015 at 13:14:17
gusser
Audiophile

Posts: 3649
Location: So. California
Joined: September 6, 2006
Except that nobody in the professional electronics industry represented by the IEEE is practicing what you say, not even showing any remote interest.


 

20khz at 57 years old?, posted on August 20, 2015 at 13:19:41
gusser
Audiophile

Posts: 3649
Location: So. California
Joined: September 6, 2006
Your membership profile says you were 51 in 2009.

I know audiologists have different measurement scales than we use in electronics but I have to ask how far down in db or the sister audiologist scale is that 20khz?

I crudely tested my hearing a few months ago with an oscillator and it is gone around 14khz. I am 55 years old and from what I have read, 14khz is considered good at that age. Again this was hardly an official calibrated hearing test.

I'm not doubting you, but if you have flat hearing to 20khz at your age, you are part of a very small group based on standard hearing vs age scales.

 

RE: It's been 35 years now!, posted on August 20, 2015 at 16:27:03
Donald North
Manufacturer

Posts: 1296
Joined: February 8, 2001
Possibly because they're all old and can't hear well like a teenager can when I first got into audio. What financial gain is there if many people cannot hear it or appreciate the difference. Hence the proliferation of solid state, digital, MP3, etc.

I will say it again, don't let someone older than you tell you what you can't hear.

 

RE: It's been 35 years now!, posted on August 20, 2015 at 17:00:28
deafbykhorns
Audiophile

Posts: 1067
Location: Florida
Joined: October 17, 2003



.

 

RE: 20khz at 57 years old?, posted on August 20, 2015 at 17:42:50
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
I am also very sensitive to peaks.
I still can't handle metal domes.
Their HF resonance gives me headaches.

DanL



 

RE: It's been 35 years now!, posted on August 20, 2015 at 17:44:18
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
Never did it and never will.

DanL



 

RE: It's been 35 years now!, posted on August 20, 2015 at 17:47:36
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
More of what they are not doing
rather than what they are doing.
No interest is the thing.
No interest in finding a way.
No interest in spending the money.

DanL



 

RE: It's been 35 years now!, posted on August 20, 2015 at 17:48:13
Garg0yle
Audiophile

Posts: 859
Joined: December 1, 2014



.
△This message will self destruct in 10 seconds△

 

RE: 20khz at 57 years old?, posted on August 20, 2015 at 18:07:30
Tre'
Industry Professional

Posts: 17302
Location: So. Cal.
Joined: February 9, 2002
"Their HF resonance gives me headaches."

Me too and I only hear to 14kHz.

Tre'
Have Fun and Enjoy the Music
"Still Working the Problem"

 

RE: It's been 35 years now!, posted on August 20, 2015 at 18:39:19
Tre'
Industry Professional

Posts: 17302
Location: So. Cal.
Joined: February 9, 2002
single malt scotch?

Tre'
Have Fun and Enjoy the Music
"Still Working the Problem"

 

RE: It's been 35 years now!, posted on August 20, 2015 at 19:46:35
danlaudionut
Audiophile

Posts: 5480
Location: Schenectady
Joined: June 6, 2002
Actually I stopped drinking 35 years ago.

DanL



 

RE: It's been 35 years now!, posted on August 21, 2015 at 06:59:11
cpotl
Audiophile

Posts: 1002
Location: Texas
Joined: December 6, 2009
"single malt scotch?"

"Actually I stopped drinking 35 years ago."

Maybe that's my problem! But all things considered, if it comes to a choice between the single malt scotch or being able to hear the breaking-in of solder joints, I'll settle for the single malt!!!

Chris

 

Agreed, that has been my experience. because science is ignorant @ present, does NOT make it so-nT, posted on August 21, 2015 at 08:36:15
Cleantimestream
Audiophile

Posts: 7551
Location: Kentucky
Joined: June 30, 2005
!
The Mind has No Firewall~ U.S. Army War College.

 

RE: Many Times..., posted on August 21, 2015 at 08:58:57
TonyB
Audiophile

Posts: 239
Location: Toronto
Joined: October 23, 2000
I would not mind trying the Partridges if somebody does not like them. :-)

 

RE: Let's step out of audio for a minute!, posted on August 21, 2015 at 15:18:18
morricab
Distributor or Rep

Posts: 9178
Location: switzerland
Joined: April 1, 2005
"So you think audio is the only application that subjects a transformer to a varying load?"

No, I think it is the only application that subjects a transformer to a varying load where human perception is directly involved.

"And based on my experience, any parameter change that would result in a perceived difference in audio reproduction can certianly be measured quite easily with rather low cost test equipment to boot."

Maybe so, why don't you show us how easy it is? I have already mentioned several ways I think it COULD affect the sound and most are measurable. However, I don't think you or anyone else can PREDICT what the impact on sound will be because no one has done any kind of correlation study.


"As for the audibility of fresh solder connections vs 100hour old solder connections,"

Why? You don't think oxidation and other potential chemical/physical transformations couldn't impact the sound? A thin layer of oxide makes already a fairly good resistance.

The fact is that these devices are not perfect and are in some cases quite lossy and that lossy behavior will be most severe when SMALL changes are required of the transformer. Hysteresis and eddy currents will work against small changes due to resistance to change. This is why top audio designers like magnetic cores with high permeability for sensitive signals (like output of phonocartridges, for example). However, for a power amp it is more complicated because it has to handle power and the balance between responsiveness and saturation is just that...a balance.

How can you say things like this are not audible when in digital audio, for example, it has been shown that timing errors in the PICOseconds have audible consequences. Picoseconds!! No one would have imagined a prior that it would be possible to hear such a small timing error.

It seems that sensitive humans can also tell the insulation materials around wires. Malcolm Hawksford looked into this and it seems consistent with signal transmission theory given the way electromagnetic radiation doesn't really travel through a wire, it more travels around a wire. Even at audio frequencies there is some of this skin effect going on.

Linear distortion (like speaker frequency response) seems to be far easier for humans to adapt to than non-linear distortions...particularly when they change with frequency and/or amplitude. Transformer distortions are distinctly non-linear, once we get beyond the obvious FR.

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 21, 2015 at 15:20:15
morricab
Distributor or Rep

Posts: 9178
Location: switzerland
Joined: April 1, 2005
Why should a transformer be different then? Both are metallic and both undergo heating and cooling so physical parameters can easily change and lead to sonic parameters changing as well.

 

RE: Many Times..., posted on August 21, 2015 at 15:28:44
morricab
Distributor or Rep

Posts: 9178
Location: switzerland
Joined: April 1, 2005
"at levels that are coarse enough to be able to be sensed by the human ear,"

I think this is your gap in understanding. The human ear/brain, once trained, is a very subtle and sensitive sensor. There is plenty of evidence to support this.

Is a scope more sensitive, yes but the mistake is that the meter reader is making prejudgment on how low is too low to hear.

The problem comes with repeatability. Humans are very poor at it. A side effect of having a "wet chemistry" computer I guess. It is also trickable. It is also HIGHLY variable from individual to individual and this makes people used to instruments that are all the same crazy. It is why correlations in psychological science are poorer than in "hard' sciences like chemistry and physics where things are highly repeatable.

 

RE: It's been 35 years now!, posted on August 21, 2015 at 15:40:21
morricab
Distributor or Rep

Posts: 9178
Location: switzerland
Joined: April 1, 2005

"The truth is that the formal electronics industry does not support your claims. There is absolutely no credible evidence wire and solder joints have a "sound signature"."

You keep saying this but who else except the audio industry is trying to hear it?? Not the aerospace industry, not the car industry, not the oscilloscope industry or GPS industry...take you pick. The truth is they don't know or care because they are not trying to listen to the sounds of things. So you are putting a big strawman up and keep knocking it down but it is IRRELEVANT!

Who says that audio electronics are not part of the "formal" electronics industry? You? Just because the circuits outwardly lack the sophistication of a missile guidance system you are missing just how subtle they have to be to not damage the precious signal because human perception is so sharp for some kinds of distortions.


"You are the one who won't accept the truth and are sticking to dogma!"

No that would be you, sorry. This whole "The formal electronics industry" schtick is evidence enough. Nevermind that the subtler points of audio design are simply not taught in engineering school because they are not "Formal" enough.

"What professional journals do you read to keep up with where electronics measurement technology is at?"

What kind of professional, unamplified concerts do you attend to sharpen your listening skills?

I have in my lab a LeCroy 12bit scope with 2G/S. It has FFT functions among a myriad of other things. I have used 100K HP network analyzers to measure return losses on coax cables in high voltage systems with signals in the hundreds of MHz. i think for audio the tools are probably good enough but the ANALYSIS of that data is what is lacking and the correlation with listening. Humans should be the standard and the measurements used to support what we hear and that correlation used to make better SOUNDING (not necessarily measuring) gear.

 

RE: Many Times..., posted on August 22, 2015 at 02:07:44
cpotl
Audiophile

Posts: 1002
Location: Texas
Joined: December 6, 2009
Up to a point, I think you are making some reasonable observations. However:

"I think this is your gap in understanding. The human ear/brain, once trained, is a very subtle and sensitive sensor. There is plenty of evidence to support this.
Is a scope more sensitive, yes but the mistake is that the meter reader is making prejudgment on how low is too low to hear."

I don't see a gap in understanding here. We all agree that there has to exist some threshold below which the human ear will not be able to perceive a sound. There is in fact a lot of research done on where these thresholds lie, how they change with age, etc., etc. Actually what is more relevant for the "breaking-in of components" discussion is not so much the absolute threshold of hearing, but the ability to hear a tiny change superimposed on a large background signal. And, what is more, to be able to remember how it sounded a few weeks previously, prior to the "breaking in." There can be no doubt, and I think probably you are not disputing this, that the sensitivity of precision measuring instruments exceeds the relevant thresholds of audibility.

This brings us to another key point, which you alluded to when you said "However, I don't think you or anyone else can PREDICT what the impact on sound will be because no one has done any kind of correlation study."

I absolutely agree with this, and I am always careful to distinguish between two totally different issues in discussions like this. I strongly maintain that a claim of an audible difference, resulting from some particular change of component, is logically capable of being disproved by means of electronic measuring apparatus, if it can be shown that the change in the charactersitics of the audio signal is unambiguously below any conceivable threshold of audibility. (And we don't need to descend into the kind of hopeless, helpless viewpoint of someone who says that we can't ever know anything about anything here! A lot is known and well documented about what the ear can and cannot hear.) A *totally different* question, and one that I would certainly never make any claims about, is the question of whether one could *predict* from measurements how something would actually "sound" to the listening subject. That is a much more difficult question, and one that I would not want to get into. For the present discussion, I only want to emphasise the point that sometimes one may be able to disprove an assertion about a claimed audible change by demonstrating that the change in the output from the amplifier is so much below the threshold of audibility that one can unambiguously rule out the assertion of a real, as opposed to imagined, effect. I think that the alleged "breaking in" of a solder joint would almost certainly fall in this category.

On the subject of solder joints, you said in defence of the claim that "A thin layer of oxide makes already a fairly good resistance." However, unless we are talking about a shoddy dry joint or something like that, in a properly done solder joint the oxidation would be taking place on the outside of the entire joint, and would not be interfering with the electrical flow through the joint itself.

In any case, if somebody were able to demonstrate by means of measurements that the signal voltage did indeed change significantly (i.e. above the threshold of audibility) as the solder joint broke in, then I would (obviously) have no hesitation at all in accepting that the effect would be audible. My experience, and my deductions based on order-of-magnitude estimates using standard physical principles, leads me to conclude that the effects would be way too small. Thus, when confronted with someone who claims that they do hear the effects of breaking-in of solder joints, I think it is more reasonable that I treat it with the same kind of skepticism that I have about claims that crystals sprinkled on the coffee table will affect the sound. In each case, the person reporting the effect is probably being perfectly sincere, but the explanantion for their perception is overwhelmingly more likely to be based on imagined psycho-acoustic phenomena than on actual facts.

Chris

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 22, 2015 at 13:01:09
gusser
Audiophile

Posts: 3649
Location: So. California
Joined: September 6, 2006
It's a matter of scale. The internals of a tube are many times hotter than a functioning transformer ever gets. Also the metallurgy of the tube elements are directly producing and manipulating the electron flow.

There are volumes of data on tube break in and aging over the past 100 years. And that information has been certified as well.

There is no such formal information on transformer break-in as it relates to audio sonics. And audio transformers have been around for 100 years as well.

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 22, 2015 at 21:36:48
Tre'
Industry Professional

Posts: 17302
Location: So. Cal.
Joined: February 9, 2002
I thought the biggest thing that needs to break-in with tubes is the cathode coating.

As I understand it new tubes have uneven electron emissions until the cathode coating burns in.

I once asked the guy at Jensen transformer about the burn in period for they excellent MC SUTs.


He just laughed.

Tre'





Have Fun and Enjoy the Music
"Still Working the Problem"

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 23, 2015 at 01:22:42
morricab
Distributor or Rep

Posts: 9178
Location: switzerland
Joined: April 1, 2005
"Also the metallurgy of the tube elements are directly producing and manipulating the electron flow. "

And the metallurgy of wire does something less than that? Not to mention the effects of insulation.

"There is no such formal information on transformer break-in as it relates to audio sonics. And audio transformers have been around for 100 years as well."

So, to you if there is no formal information on something then it doesn't exist? Maybe the transformer is the victim of pre-conceived notions and not many people decided to find out if there was a break-in effect?

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 23, 2015 at 10:47:33
cpotl
Audiophile

Posts: 1002
Location: Texas
Joined: December 6, 2009
"So, to you if there is no formal information on something then it doesn't exist? Maybe the transformer is the victim of pre-conceived notions and not many people decided to find out if there was a break-in effect?"

I think there is sometimes a tendency to fantasise that things are more profound and complicated than they really are. It is maybe nice to dream that one's home stereo amplifier is going to reveal deep truths about fundamental electrical principles that have been overlooked by all the EE experts for decades. But maybe a home stereo amplifier really is just the rather simple piece of electronics that others say it is. It doesn't have to deal with the demanding circumstances of high frequencies or high currents that EEs have learned how to cope with in much more challenging areas in electronics. Perhaps it really is just a rather trivial application, after all.

If those who speak of all these subtleties in audio reproduction were able to demonstrate in proper double-blind testing that they could actually hear the effects they claim to hear, then it might be more convincing. But evidence from such tests seems to show that people, even "pros," are hard pressed to distinguish between *any* pair of amplifiers that have reasonably low THD if their frequency responses have been matched if necessary by means of simple RC networks.

Chris

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 23, 2015 at 14:21:32
gusser
Audiophile

Posts: 3649
Location: So. California
Joined: September 6, 2006
I have to ask what is the depth of your education and training in electronics or electrical engineering?

It's one thing to question proven theory after you have not only deeply studied the material, but also practiced the science.

But how can you question proven established theory and practice if you do not understand the material?

 

RE: Anyone upgrade the output transformers on their amps?, posted on August 23, 2015 at 16:33:44
RGA
Reviewer

Posts: 15177
Location: Hong Kong
Joined: August 8, 2001
Audio Note is the easiest company to go and listen to and do direct comparisons - the M3, M5, M6, M8, M10 preamps are all exactly the same in internal design the difference is solely the quality of the internal parts and transformers - the M3.

Virtually all of their power amplifiers have 2-3+ versions and again the exact same design with the transformer changed to varying degrees of C-Core quality over the EI transformers found in level 3 and below. In Hong Kong - I can audition the M3 versus the M6 or both OTOs and the OTO is probably the easier amp to get a back to back audition. The new OTO with the C-Core is less veiled than my 12 year old OTO (but I have new tubes). It's pretty noticeable - now whether one is totally convinced the Sig is better depends on what you're after - the OTO original being a bit darker and warmer and more stereotypical "Tubey" sounding has some advantages and one of the HK dealers here in HK prefers it. More beauty than truth - the OTO Sig is more truth than Beauty. But to be fair I only heard the OTO sig once and it was fairly new (not broken in).

 

RE: Let's step out of audio for a minute!, posted on August 23, 2015 at 17:46:46
gusser
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You are reading too many audiophile magazines. Why not trying some electrical engineering texts if you really want to learn this stuff.

1) Yes, I have seen those jitter demonstrations from audiophile magazines. One I remember in particular showed jitter causing inter modulation components, which is what jitter does. However it was 140db down from reference level. Now if the magazine author and the audiophiles who soaked it up were to have studied electrical engineering, they would realize no human can hear -140db from reference. No speaker ever made is that sensitive either. And no power amplifier has a noise floor even close to that - especially a tube amp, and a SET is worse yet in terms of noise floor.

2) Malcolm Hawksford discovered nothing that has not been known since at least the 1920s. Skin effect is well known and does occur above DC, even at 0.1hz. However did the audiophile rag where you read that show any quantified numbers. If you do the math and understand electrical engineering basics, you will easily see how skin effect at 20khz is irrelevant.

 

RE: Let's step out of audio for a minute!, posted on August 24, 2015 at 02:31:04
morricab
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"You are reading too many audiophile magazines. Why not trying some electrical engineering texts if you really want to learn this stuff.
"

I believe the jitter issue has been addressed in the AES so I will see what I can find...not just audiophile magazines.

Again, I will see if I can find the information because it was not in an audiophile "rag" as you put it.

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 03:54:27
morricab
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"I think there is sometimes a tendency to fantasise that things are more profound and complicated than they really are."

I disagree. THere is a tendency by engineers to oversimplify when things related to human perception are actually quite complicated.

"that have been overlooked by all the EE experts for decades"

Not overlooked but observed and disregarded because of the oversimplification tendency above.

"But maybe a home stereo amplifier really is just the rather simple piece of electronics that others say it is."

Simple, yes on the surface, but in the details not simple at all. I recently changed the power supply capacitors in my preamp...changed the sound significantly. I didn't measure though before and after to see if there was a measureable difference...maybe there was and maybe not.

"If those who speak of all these subtleties in audio reproduction were able to demonstrate in proper double-blind testing that they could actually hear the effects they claim to hear, then it might be more convincing."

I am a research scientist for a big Pharma company and I can tell you that double-blind is not a suitable test for audio. It is difficult enough to do these studies correctly with human biology let alone to do them correctly with human psychology. Messy doesn't begin to cover it. Perhaps this is what bothers the engineers so much because it is so easy to show repeatable measurements (I should know, analytics is my speciality) but how they relate is another story (we often have difficulty demonstrating In vivo/In Vitro correlation for drug dissolution...you think auido is easier???).

I am a MEASUREMENT scientist and have a lot of experience professionally measuring not only chemical responses with sensitive instrumentation also measuring the performance of the instruments themselves (I co-designed and built some highly sophisticated mass spectrometers). We use high precsion electronics on a daily basis. However, in the pharma industry it is difficult but required to demonstrate some kind of correlation between drug MEASUREMENTS and clinical behavior.

There have been some more recent attempts to correlate audible issues with measured types of distortions with some success. It should be noted that in those more recent attempts it did not come down in favor of the ultra low THD crowd.

Based on your comments it seems that you would favor rather than a SET (this is the SET forum you are commenting in afterall) but rather a ultra low THD SS amp...is that correct? Those are, afterall, "properly" designed based on "known" engineering principles and fully worked out theories, right? Some even measure, for the most part, below "audibility".

Trust me, as a scientist and part-time engineer, I would love to see amps with virtually "zero" distortion sound the best...it would fit with logic as far as the assumption is that non-linear devices can be forced into linearity. However, all is not quite as it seems and this is where the scientist in me takes over and tries to dig into the root causes of sound. This is where the "simplicity" of audio engineering veers away from the "tried and true" path obviously taught in school...it simply doesn't deliver the sonic goods!

Before you go off thinking I only like euphonic sounds and that realism is not what I seek I would refer you to some articles. One is by Keith Howard where he manipulated sound files by computer. He naturally found the unadulterated file to sound the best (this would be the theoretical perfect amplifier that doesn't exist) but he found that certain distortion patterns were far less objectionable than others. You can find the article in Stereophile.

Likewise, Cheever found that a distortion pattern that mimics what he defines as "Aural harmonics" at all levels (it is a level dependent metric...therefore also depends on the speaker attached) will be inaudible as it will be thoroughly masked by the listner's ear/brain mechanisms. Break with the pattern and bad things start to happen.

 

RE: Many Times..., posted on August 24, 2015 at 04:08:47
morricab
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"but the ability to hear a tiny change superimposed on a large background signal. "

Depends on the nature of that signal. I can, for example, see a very tiny emission in a huge background if the detector is atuned to that tiny emission (perhaps you are familiar with ICP-OES for the detetction of metals?). I can detect sub parts per billion if the conditions are right. A human can tune into extremely small sound changes when it is correlated with the music. You can hear well below the actual noise floor in some cases.

"I only want to emphasise the point that sometimes one may be able to disprove an assertion about a claimed audible change by demonstrating that the change in the output from the amplifier is so much below the threshold of audibility that one can unambiguously rule out the assertion of a real, as opposed to imagined, effect. I think that the alleged "breaking in" of a solder joint would almost certainly fall in this category.
"

Fair enough but where is that unambiguous limit? And if a lot of people hear it despite the cliam it can't be possible?? Then what? Mass delusion is what you would assert?

"My experience, and my deductions based on order-of-magnitude estimates using standard physical principles, leads me to conclude that the effects would be way too small"

Maybe you are right but how are you making thes estimates? Gut feeling? How do you know what the human psyche drills in on and get's annoyed with. Haven't you ever noticed the effect that all is fine and then someone points out something to you that you never noticed before and then you find it impossible to tune it out after that (not just audio but also visual or personal)? I find in audio that when people are ignorant of certain effects they simply gloss over what we hear very easily. Once down that hole you cannot go back and "unlearn" the training. You are sensitized. Things to others that seem "trivial" or "inaudible" are no longer the case. Where are your orders of magnitude then? Is it all in their heads as some claim? I don't think so in many cases (for sure in some though).

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 04:25:28
morricab
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I have a Ph.D in analytical chemistry, which included quite a fair amount of formal training in electronics. However, my real training came during my Ph.D where I co-designed laser Mass Spectrometer systems. I worked on mechanical design, lasers and optics as well as digital and high voltage (up to 15KV) electronics. I also had a lot of practical experience in the optimization of the signal transmission from the detectors to the high speed oscilloscopes (>1Ghz) that were capturing the signal. This was because of high capacitance in the dectors and having to pass through the high voltage section, which required blocking caps as well. Because of the high frequencies we had ringing from the signal bouncing up and down the coax cable due to impedance mismatch. This required months of optimization and measuring return loss with a $100K HP network analyzer. We eventually redesigned the circuit to deliver more than 40db return loss (originally was only 6db). Nothing of the actual circuit elements were changed though, only the geometry of the parts layout (funny stuff RF). I also learned how to trouble shoot and repair $500K laser systems when their power supplies blew up. For digital, we designed a digital counter that took inputs from laser light scattering as a trigger to start, to stop and to count down, without interferrence from other scattering events. This required a sophisticated blocking circuit that I designed using differnt logic gates. This was all done with TTL logic chips and originally hand wired (clock speed of 20Mhz). The counter would then latch and could be read by the computer and then a reset command from the computer reset all the locked gates.

Since then my work has taken me to build charge/voltage amplifiers to measure electrostatic discharge on aerosol particles, Charge detection systems for powders (have an internal patent on that one) and some devices for audio (loudspeakers mostly but also my own direct drive TT with servo motion control system using an optical encoder.

However, I am a scientist and not a fully professional engineer (although I have done a fair amount of engineering on very sophisticated equipment) and as such I make measurements for a professional living. Correlation between measurements and a human response is one of the most diffcult things to do and so it is no wonder to me that the correlation between numbers and perception are limited and often contradictory.

So, I am keenly interested in the CORRELATION between measurements and subjective results. This is the final frontier for audio IMO. It is the most difficult part...not designing an amp with "inaudible" distortion numbers.

What is your background? Professional engineer? Wannabe? What is your system? It is not posted. Are you on the SET forum just to cause trouble? If you think SETs are great sounding but that one can't hear subtle things this is more than a bit contradictory.

 

RE: Anyone upgrade the output transformers on their amps?, posted on August 24, 2015 at 04:37:18
morricab
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Yeah, I wanted to go hear the difference between a Meishu and Meishu Silver as well as an Oto SE and an Oto SE signature but I didn't get around to it.

I am on hold with my preamp upgrade for the moment because I am not sure it will deliver what I want and the cost is not inconsequential.

I may try upgrading the output transformers on my monos someday as well (they have EI at the moment but I would like to get double C on them someday).

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 05:02:53
cpotl
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"I am a research scientist for a big Pharma company and I can tell you that double-blind is not a suitable test for audio."

Yes, one hears such assertions, but what is the real basis for saying this? A chap claims he hears a "night and day" difference between amplifier configuration A and amplifier configuration B. He's then tested in a double-blind listening, and he fails to be able to distinguish them. What is the flaw in making the deduction that he was imagining the differences in the first place?

"Based on your comments it seems that you would favor rather than a SET (this is the SET forum you are commenting in afterall) but rather a ultra low THD SS amp...is that correct? Those are, afterall, "properly" designed based on "known" engineering principles and fully worked out theories, right? Some even measure, for the most part, below "audibility". "

I like making and using tube amplifiers largely for nostalgic and aesthetic reasons, I suppose. I don't have particularly strong feelings or opinions one way or the other about whether they sound better, or worse, than solid-state amplifiers. According to what one can read (for example in the accounts of the Richard Clark "amplifier challenge"), even alleged experts are unable to distinguish between the sound of a tube amplifier and a solid-state amplifier, provided that neither has particularly large distortion, and provided that the frequency response of (typically) the solid state amplifier is downgraded with simple RC networks (and maybe a series resistor on the output) to match that of the tube amplifier. I have never tried such experiments myself, and so I do not know for sure that I too would fail to be able to discriminate between them, but I have no reason to think I would do any better. Of course, if one knows what one is listening to, it is very easy to hear differences that accord with one's expectations or prejudices, and I have most certainly experienced that myself.

I sympathise with people's desire to imagine an intricate world of ultra-fine nuances in the sound that their favourite amplifier produces. And in fact, it may be that in a sense their imagining these nuances does actually bring them into being, via the incredibly complex interplay of the senses and the human mind. But if theses nuances cannot be demonstrated and verified in objective listening tests, it is surely more honest to recognise them for what they evidently are, namely imagined effects that exist in the mind of the listener?

Chris

PS: My homemade amplifiers are mostly OTL, and one is an ultra-linear push-pull. I'd like to try an SET some time, which is why I like to follow the SET forum too. Some would say, I think, that SET may give distortions, or perhaps colourations is a nicer word, that would exceed the bounds allowed in listening test like the Richard Clark amplifier challenge, and such that even a dyed-in-the-wool objectivist like myself could hear a difference. So I'd be interested to try that.

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 08:40:49
morricab
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I won't debate double-blind here with you because it has been done ad nauseum. Suffice to say that I don't think it applicable to audio testing and you apparently do think it appicable.

I have heard things that stunned the hell out of people...ones who were totally unbiased or in fact biased towards the amp that sounded attrocious. They were not audiophiles...just seeking my help for a decent system. We first got new speakers and a cd player (they didn't have one) and then we went looking for an amp. After hearing a few and looking at the prices they asked, "Can't we just keep what we have?". I said sure, but let's just have a couple of the ones you liked there for comparison. They hooked up the Cary CAD572SE (nice amp actually) with a Transcendent Sound GG preamp and were groving to the sound. Then we hooked up their Denon integrated...and the smile ran away from their faces...like instantly. The girl, "OMG, that sounds bad!"...the guy "It is so gray and dead". I said nothing, except "should we try the other amp again?" They said yes, music returned and they bought the Carys and Transcendent and gave the Denon away. The speakers were the tube friendly AudioPlan Kontrast IIIs. Nice two-ways, easy impedance moderate sensitivity. I know it's anecdotal but after having SO many of these kinds of experiences with non-audiophiles hearing differences for the first time like that as well as my own extensive experience in Single blind studies (did it with cables and with preamps mostly), I don't think there is much doubt in the difference in the sound of electronics.


"I like making and using tube amplifiers largely for nostalgic and aesthetic reasons, I suppose. I don't have particularly strong feelings or opinions one way or the other about whether they sound better, or worse, than solid-state amplifiers."

You expect me to believe this? I don't. You make them and use them because you obviously prefer the sound to SS amps...or you would be making and using those too, no? Do you even own a SS amp?

"According to what one can read (for example in the accounts of the Richard Clark "amplifier challenge"), even alleged experts are unable to distinguish between the sound of a tube amplifier and a solid-state amplifier, provided that neither has particularly large distortion, and provided that the frequency response of (typically) the solid state amplifier is downgraded with simple RC networks (and maybe a series resistor on the output) to match that of the tube amplifier. "

IMO, once you start modifying the amps to "match" you can call the whole thing off. That would be like me saying "let's add a bit of active compound to the placebo to make them more similar" or some such nonsense.

One should simply use a loudspeaker where the impedance of the speaker is high enough not to impact the FR significantly. You could even have one high and one low sensitivity if you think that this matters.

"I sympathise with people's desire to imagine an intricate world of ultra-fine nuances in the sound that their favourite amplifier produces. And in fact, it may be that in a sense their imagining these nuances does actually bring them into being, via the incredibly complex interplay of the senses and the human mind. But if theses nuances cannot be demonstrated and verified in objective listening tests, it is surely more honest to recognise them for what they evidently are, namely imagined effects that exist in the mind of the listener?"

Stop playing with OTLs, they are apparently too good for your needs.

"My homemade amplifiers are mostly OTL, and one is an ultra-linear push-pull"

I have had both. Neither was fully satisfying so far. I will try SET OTL at some point though just to see. Most PP ultra-liner amps simply don't sound right; either too lean (too much feedback usually) or too warm (transformer saturation) or a combination of the two (both problems). The VAC 30/30 is a really nice sound PP Triode amp though...not too warm and great bass and extension in the highs without glassiness.

THe Trnascendent Sounds were not stable on my Acoustats so they didn't stay long (would oscillate after a few mW). The Silvawelds made the room too hot to stand but were stunning in their transparency. However, they were a bitch to keep biased AND they did not have the coherence of a top SET (of course if you don't accept that these things are audible it is not really possible to discuss this nuance with you). It is perhaps something that is only really an issue with a time coherent, single driver speaker (like my Acoustats). The other issue was that tonally they were somewhat leaner than I hear in real-live concerts (of the unamplified sort). I heard just the other day a small concert with accordian, guitar, violin and bass. I stood 2 meters away. The sound was powerful and harmonically RICH...even a bit lush. No amps or speakers just instruments. It was unlike anything I have heard from a SS amp driven system.


" I think, that SET may give distortions, or perhaps colourations is a nicer word, that would exceed the bounds"

Based on my research, really top SET amps are LESS colored in the ways that are most objectionable to listeners. People are so used to bleached out sound that they think the SET is "adding" euphonic colorations.

"and such that even a dyed-in-the-wool objectivist like myself could hear a difference"

I find it hard to believe you are a "dyed-in-the-wool" objectivist when you use "bad" measuring tube amps.

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 09:06:26
Garg0yle
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I agree that SETs are not necessarily as coloured as made out to be.

The strong point in my opinion, is the ability to convey realistic sibilance.

The last few days I had been listening to my SS receiver while I cleaned up a bit.
When I put the SETs back in the system, the improvement in coronal consonants was immediately apparent.

As many have found over the years, despite measuring slightly worse then modern SS gear, the good old SET is still king when it comes to rendering believable acoustical textures.

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RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 09:19:35
cpotl
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"You expect me to believe this? I don't. You make them and use them because you obviously prefer the sound to SS amps...or you would be making and using those too, no? Do you even own a SS amp?"

I do have a rather old commercial SS amp (Yamaha something or other, I can't quite remember what); it sounds perfectly fine to me, but I just got into the amplifier-building habit a few years ago (revival of my hobby from younger days). Since then, I've hardly used the Yamaha. I did also build a MOSFET circlotron a couple of years ago; a class A beast with giant heatsinks. It's OK, but somehow the OTLs with 6C33C tubes from MIG fighters create more of a talking-point in the living room! So, do I prefer the sound of the tube amps? No, I don't think so particularly. I do prefer them as objects to enliven the room, though.

"Stop playing with OTLs, they are apparently too good for your needs."

Haha! Nice observation!!!

"IMO, once you start modifying the amps to "match" you can call the whole thing off. That would be like me saying "let's add a bit of active compound to the placebo to make them more similar" or some such nonsense."

Well, I think Richard Clark's point was that any audible differences between one amplifier and another, as long as their THD wasn't too big, could be taken care of with a couple of dollars worth of resistors and capacitors. That's quite a stunning claim, really! And apparently, he put his money where his mouth is, and offered a substantial prize to anyone who could prove him wrong. And nobody managed it.

"I find it hard to believe you are a "dyed-in-the-wool" objectivist when you use "bad" measuring tube amps."

I'm a dyed-in-the-wool objectivist who doesn't believe there's enough objectively audible difference between the performance of reasonably respectable tube vs SS amps to make it worth having strong preferences one way or the other.

"Based on my research, really top SET amps are LESS colored in the ways that are most objectionable to listeners. People are so used to bleached out sound that they think the SET is "adding" euphonic colorations."

The thing is, though, that all the prior N stages in the progress of the audio signal from the recording studio to the listener's living room will have come through solid-state equipment which you would presumably say will have also "bleached out" the sound? If the SET amplifier in the very final stage of the signal's journey ends up making it sound to be not bleached out, then that surely suggests it is *adding* something euphonic? You seem to be saying the SET amplifier can compensate or "correct" for umpteen previous stages of bleaching. There is nothing wrong with that, if it adds enjoyment for the listener. And indeed that's why I'd be quite interested to try one for myself.

Chris

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 09:49:33
Garg0yle
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Chris you raise a good point about previous audio stages being SS etc.

The main difference, IMO, is that small signals are not nearly as demanding of an application compared to the large signal's requirements to couple to a mechanical device of varying impedance while maintaining fidelity.



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RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 09:58:56
gusser
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"I disagree. THere is a tendency by engineers to oversimplify when things related to human perception are actually quite complicated."

Fine. Then go publish a paper with your finding and prove us all wrong!

Your background is quite impressive as written. However I have a problem with your measurement skills as demonstrated here.

If you do perform scientific measurements as stated, then why do you support the idea if skin effect in audio cables? Ditto that for jitter in DAC circuits. Yes both of the phenomena do exist but countless qualified measurements clearly show the effect is well below established human hearing abilities. Furthermore as I pointed out above, Some of the jitter measurements are below the noise floor of most power amplifiers.

So if you have this deep background in precision measurements, why do you seem to have no comprehension of scale when it comes to electrical measurements.

I think what you are saying is the sensitivity of human hearing is grossly under estimated. Again, do some qualified research based on your credentials and publish your findings in accredited journals subject to peer review.

 

RE: Let's step out of audio for a minute!, posted on August 24, 2015 at 10:04:23
gusser
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Yes, it has been covered by AES and other standards bodies.

The issue is in the numbers. The scale of magnitude. "Throwing deck chairs off the Titanic" or the more modern version, "throwing file folders out of the WTC" comes to mind.

Please do research the AES. You will find they stick to standard established electronic theory as a large majority.

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 10:20:12
gusser
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It seems to me after reading this that a bunch of brilliant chemistry and physics Phd's took on an electronic design project thinking, "hey, we are Phd's, not lowly engineers. Surely we can build this rig ourselves".

Did you have a competent EE on your team? It doesn't look that way to me. These are very basic problems that should have been caught early in the blueprint phase.

" This was because of high capacitance in the dectors and having to pass through the high voltage section, which required blocking caps as well."

So you had to decouple the high voltage DC in that area? OK, the person that design that circuit didn't know that while it was in the blueprint stage?

"Because of the high frequencies we had ringing from the signal bouncing up and down the coax cable due to impedance mismatch. This required months of optimization and measuring return loss with a $100K HP network analyzer. We eventually redesigned the circuit to deliver more than 40db return loss (originally was only 6db)."

This is basic transmission line theory. As an RF engineer myself I find it hard to believe an experienced engineer wouldn't know to properly terminate coax cables in an RF application within the design stage.

"Nothing of the actual circuit elements were changed though, only the geometry of the parts layout (funny stuff RF)."

Yeah, what can I say. RF is tricky yet many engineers have mastered this so called black art.

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 11:04:38
Garg0yle
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Gusser is right.


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You set a high standard for yourself!, posted on August 24, 2015 at 11:11:39
gusser
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By disclosing your education and experience, we certianly can't write you off as some weekend audio hobbyist just learning basic electronics as is often the case with these outlandish claims.

So if you want to promote the idea that 100hr old solder joints sound different than fresh solder joints we expect a properly formatted report of such phenomenon.

And we expect you to submit that report formally to the scientific community for peer review.

As for my submitting a report that there is no difference, we both know that straw man argument is void. Extraordinary claims require extraordinary proof. The ball is in your court.

If you are so sure solder joints sound different or transformers break in, that why not put your career on the line. If you do find proof, you will reap great rewards. If you don't your will be labeled a fool by your professional peers.

Go ahead, prove your claims.

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 11:40:55
morricab
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"So you had to decouple the high voltage DC in that area? OK, the person that design that circuit didn't know that while it was in the blueprint stage? "

Please don't try to reverse engineer what you don't understand, ok? Obviously it was known but what wasn't known was the degree to which we would be having problems with signal reflections. Do you not understand how a Ph.D. is done? We don't have teams of EEs hanging around to sort out every problem (as if professional EEs forsee every potential design issue...LOL!). Let't not think about cost overruns and other issues big companies face or do you have the illusion it is all "first time right"??

"Yeah, what can I say. RF is tricky yet many engineers have mastered this so called black art"
Once again, did I say I was employed as an engineer for Siemens or HP? We sought the help of professional RF engineers...how do you think we got access to an HP network analyzer...it was not as trivial you would like everyone here to believe.

However, I understand a bit more why you are dismissive about audio engineering...nothing more or less than professional arrogance because you think your kind of EE is superior.

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 11:47:05
gusser
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I am not dismissive about audio engineering at all. Quite the contrary.

But reinforcing claims that 100hr solder connections sound different than fresh solder connections is hardly audio engineering. It falls under "audiophile voodoo".

Ditto that for most of the burn-in theories.

If you are so confident that exist, then prove it. Because the professional audio community as a majority does not subscribe to these claims. That is a fact.

You are just as arrogant to come into a field to which you have no professional experience and try and tell us our 100year old proven theories and concepts are based on shoddy information. Again prove it! Because otherwise nobody in a position of authority in the AV business is listening to you.

 

RE: You set a high standard for yourself!, posted on August 24, 2015 at 11:49:29
morricab
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So if you want to promote the idea that 100hr old solder joints sound different than fresh solder joints we expect a properly formatted report of such phenomenon.

I never said whether this is true or not. I was only commenting on how I think that break-in of transformers and capacitors is likely an audible phenomenon. I said it might be possible for soldering to also be audible on break-in but I haven't really tried to hear that myself. Given the amount of material in a transformer that can expand and contract and perhaps loosen up, it is not so far fetched to think it might affect the sound. It might also be measurable.

"And we expect you to submit that report formally to the scientific community for peer review."

WHo is we and why should I consider you my peer?

"If you do find proof, you will reap great rewards. If you don't your will be labeled a fool by your professional peers."

And i guess you would be the arbiter, right? LOL get real! I never made hard claims that for sure it happens but I took an opposing position because of your absolutist attitude that there is no way it can happen despite other experienced engineers noting the effect. You who would deny scientific method because he "knows" it can't be true...typically narrow thinking. A lot of important discoveries would pass you by because of your orthodoxy...

 

Thats' not what I said!, posted on August 24, 2015 at 11:57:16
gusser
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Location: So. California
Joined: September 6, 2006
"And i guess you would be the arbiter, right? LOL get real! I never made hard claims that for sure it happens but I took an opposing position because of your absolutist attitude that there is no way it can happen despite other experienced engineers noting the effect. You who would deny scientific method because he "knows" it can't be true...typically narrow thinking. A lot of important discoveries would pass you by because of your orthodoxy..."

That's not what I said. I said to submit your finding to the community as is done with all scientific claims. You should know that. You're right, I am not the sole arbitrator, where did I say that. If you don't consider me a peer fine, but what about the rest of the engineering community? Anyone that disagrees with you is not a peer?

FTR, I didn't say transformers don't burn in. I said there is no documented evidence I could find that such a phenomenon occurs with audio transformers. And to date nobody else here has found anything either. As for "other engineers noting the effect" where is the research documented? "Stereophile"? What are the credentials of those who have experienced this?

You seem fine with promoting FUD but when pressed to offer some data you balk.

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 12:01:08
morricab
Distributor or Rep

Posts: 9178
Location: switzerland
Joined: April 1, 2005
"You are just as arrogant to come into a field to which you have no professional experience and try and tell us our 100year old proven theories and concepts are based on shoddy information."

THe funny thing is that you think it is me saying...I am getting this information from your own engineering community! I merely read and synthesize the information. I am not doing experiments in my basement laboratory on most of this stuff...just making a DD turntable with optical encoder feedback control at the moment is about it.

I know orthodox views on this stuff...it is the bulk of what's out there. But they were largely wrong about amp design and sound, to my ears, in the last 50 years so I can imagine they are largely wrong about break-in and parts audibility...I can also think of mechanisms for how those things might change...I too do not believe in voodoo but I am more respectful of human hearing than you seem to be...

 

Largly wrong about amp design?, posted on August 24, 2015 at 12:09:06
gusser
Audiophile

Posts: 3649
Location: So. California
Joined: September 6, 2006
So now you are saying (to your ears) that audio amplifier desing for the past 50 years is flawed?

How?

Explain what lacking improvements are needed?

Now I am not going to be foolish to state amplifiers are perfect. But for PRACTICAL audio reproduction purposes, they are damn near straight wire with today's electronic components.

Also what is so special about an analog audio amplifer that is not relevant in other precision analog applications. Are you saying audio represents the most critical electrical noise and distortion floor?

 

RE: Nobody here ever said tubes don't need break in. (nt), posted on August 24, 2015 at 21:11:08
cpotl
Audiophile

Posts: 1002
Location: Texas
Joined: December 6, 2009
"Chris you raise a good point about previous audio stages being SS etc.

The main difference, IMO, is that small signals are not nearly as demanding of an application compared to the large signal's requirements to couple to a mechanical device of varying impedance while maintaining fidelity."

Well, that is a possible explanation. On the other hand, by the standards of what solid-state devices handle in other more challenging situations in electronics, the signals involved in a home stereo amplifier are really pretty minuscule, even in the output stage driving the loudspeaker. It does seem a bit of a stretch to suppose that the solid-state devices in the prior stages in the signal path handle things perfectly well, without "bleaching out" the sound, but that suddenly in the final stage (and the only one that happens to be under the control of the audiophile himself), their ability to handle the signal properly breaks down.

It seems to me that a much more economical explanation (in the sense of needing to invoke fewer additional assumptions of questionable plausibility) would simply be that the SET amplifier "removes the bleached out" sound precisely because it adds in colourations that are pleasing to the human ear. It is, after all, typically rich in second-order distortion, which apparently the ear finds attractive.

Chris

 

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