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Khatia Buniatishvili..... Zubin Mehta's 80th Birthday..... [yt]

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Posted on April 26, 2016 at 00:23:16
Todd Krieger
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Pianist and conductor teamed up the Israel Philharmonic to perform Tchaikovsky's First Concerto.......

This was a unique performance.... Khatia took an unorthodox approach to the concerto, and it came out all Tchaikovsky..... More frenetic than deliberate, a good thing with this composer..... Zubin got a Concertgebouw-like cohesiveness from the Israelis, the whole turned out to be far greater than the sum of its parts.

This is not a performance for the note-perfect crowd. Ms. Buniatishvili plays as if her favorite pianist was Horowitz.... The explosiveness and passion are rare nowadays..... I was in love.

Khatia responded to the rhythmic applause from the audience with an enthralling encore of Liszt's Hungarian Rhapsody #2.

And finally, a celebration of Zubin Mehta's 80th birthday..... This took place roughly two weeks ago.

 

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Khatia is definitely not a partisan of the "every note in its place" school!, posted on April 26, 2016 at 09:39:08
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I love how, at the beginning, she comes in noticeably faster than the tempo that Mehta has set, as if to say, "C'mon, let's move this thing along!". And her short-changing of the longer notes in this opening section gives a feeling of impetuousness (or perhaps merely a sense of impatience!). And on the very last note in the piece, I love how she plays a tremolo instead of the written octave. Lots of stray notes, but you're definitely right that, overall, she conveys the "explosiveness and passion" of the concerto. I still think she's one of the most interesting pianists around these days.

Even so, the encore (the Liszt - and not the original in the "friska" - fast - secion, but some other arrangement. I haven't kept up, so I don't know whose it is) has too much junk in it (wrong or poorly articulated notes) for me. I still love Khatia anyway, and I can't deny the excitement she creates, wrong notes and all. (BTW, I was getting what sounded like overload distortion in the louder sections of the concerto.)


(Khatia with Chris from Coldplay - I guess she played on their latest album. I don't know if she played in that bathrobe she's wearing, or if the gown underneath was just too revealing - LOL!)

I also finally found where there's a hi-rez (24/192) download of Khatia's latest album. It's at Acoustic Sounds - I'll try to download it today and report on it.



Khatia's latest ablum - 24/192 download at Acoustic Sounds

Finally, here's a recent recital that Khatia gave in Paris, including an unexpected (from her anyway) Haydn Sonata (the C-minor) and the same Liszt Hungarian Rhapsody No. 2:

 

Yes - A nice visit to the studio improves everything!, posted on April 26, 2016 at 20:56:17
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Amazing playing - and I say that even though I don't agree with all the details. In fact, there's one detail in the "Con mortuis in lingua mortua" section of "Pictures at an Exhibition" which sounds to me like a complete misreading (unless I'm out of my mind!): when the ghostly transformation of the Promenade theme comes in below the tremolo right hand, she plays it in the major, rather than the indicated minor. I just checked the Pavel Lamm edition again on IMSLP, and, sure enough, it should be MINOR. WTF? I'll check again tomorrow, but this seems crazy right now.

As for everything else: Fearless Virtuosa is right!

ADDENDUM: I just checked with some spectrograph software, and it doesn't look as if there's much above 16KHz in terms of musical signal. That seems to be the nature of piano recordings anyway, but 24/192 sure does seem like overkill. But no matter: the SQ is excellent in any case.

 

RE: Khatia is definitely not a partisan of the "every note in its place" school!, posted on April 26, 2016 at 20:58:44
Todd Krieger
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It's her attitude..... I like people who do it their way..... Not just for the sake of it, but believing it's a truly a better way.....

Too many timid musicians in recent time.... This was so refreshing.

 

RE: Yes - A nice visit to the studio improves everything!, posted on April 26, 2016 at 23:41:59
Todd Krieger
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Khatia plays without fear.... It's a rare trait for any classical musician.... George Szell would have gone zonkers over her...... (The only other musician who I thought played fearless to this level was former Cleveland orchestra trumpeter Bernard Adelstein.)

Link is Rachmaninoff Three..... It seems like she can command extra focus from a youth orchestra (accompaniment)...... Some might not like her selection of tempi, which happens to be "white hot"..... But unlike a lot of "fast" performers (most notably Martha Argerich), Khatia does not lose articulation...... This performance would make Vlad Horowitz smile in his grave.

 

Listened again - That IS a crazy misreading of that section, posted on April 29, 2016 at 20:30:20
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What I can't figure out is why SOMEONE involved with this recording didn't point this out to her (i.e., that the transformation of the Promenade theme in the "Con mortuis in lingua mortua" movement - just before Baba Yaga - should be in the MINOR mode and not, as Khatia misreads it, in the MAJOR mode) - are they clueless too? No one on Amazon has noticed this yet? No reviewer has noticed this? I mean, this is basic stuff.

Or maybe there's some new crazy new edition out now? (Not!)

 

Watch out if you think you are the only person who is right! :) nt, posted on April 30, 2016 at 06:58:36
srl1
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nt

 

Yeah - I heard that "This American Life" program earlier today! [nt] ;-), posted on May 1, 2016 at 00:30:46
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