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Active/passive MMG help
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Posted on March 30, 2017 at 12:24:45 | ||
Posts: 5
Location: Hudson Valley, NY Joined: March 30, 2017 |
So I've gotten into some woodworking lately and thought I'd try the MMG sandwich frame mod. Came out really well, still lots of finishing work to be done but thought I'd give the functional product a run first. Bought an ART CX311 active crossover to start with. Certainly added detail but it is very thin sounding. Highs are muted, whole range is just veiled and lacks dimension. I assumed its the CX311 so I rigged up some crossover components temp style on a chunk of wood and sure enough, much more full sound. Forgive me I'm new at this and hope I'm describing things well. Few more details then my real questions. From tons of reading here and elsewhere I used a 1.5mh inductor and 15uf cap in my temp 1st order crossover becasue some ideas called for lower inductors and some higher so I thought I'd try in the middle as a starting point. The cx311 was bi-amped but not this passve Xover. Too much midrange, so I grabbed the 12uf stock cap and made the low pass portion into a 2nd order by using it as a bypass cap. It helped but not enough. Now before continuing on and throwing money at things I'm looking for advice. I'd really like to bi-amp, so should i attempt changing internal components in my CX311, opamps and what not, or is the 24db LR crossover in such a device just not a good fit for the MMG's? Should I get a miniDSP and mic to help me learn and have more ability in tailoring the xover and other features? The miniDSP concerns me in final sound quality because at its price the A/D to D/A double conversion theoretically (and from some but not all reading) seems like a bad idea. If not using either of those how do I split my signal to bi-amp with passive xovers? I can't just use a Y-adapter on the rca right? I mean, wouldn't that split my voltage and force me to increase gain before the Y? Sorry for the wall of text I'm just inundated with info and scenarios trying to gain some experience in all this. |