Classical Court

From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

Return to Classical Court


Message Sort: Post Order or Asylum Reverse Threaded

A successful musician and teacher opines at the lack of

136.37.101.134

Posted on September 14, 2020 at 10:37:25
tinear
Audiophile

Posts: 65782
Location: Kansas City, KS
Joined: April 9, 2006
African-American membership in American orchestras. Interesting article. The other article deals with the fact that American classical music largely has ignored its musical roots; Dvorak showed the way--- and then it was quickly back to European traditions.
https://www.wbur.org/cognoscenti/2020/07/22/classical-music-racism-linda-katherine-cutting

Horowitz points to some formerly lauded pieces by black composers that I'd never heard of but now will take the occasion to explore. Spirituals, jazz, soul, R&B, rock and roll, funk--- much of value to mine for all composers. Why did so few?

 

Hide full thread outline!
    ...
African Americans have more relevant things to do.....?, posted on September 14, 2020 at 11:23:01
andy evans
Audiophile

Posts: 4378
Joined: October 20, 2000
There's no reason whatever that anybody of any colour or religion should not play and/or love classical music. But let's face it, classical music is largely a European tradition and doesn't suit everyone. There are other rich cultures - African music, Indian classical music, Chines and Japanese music, South American music etc etc.

And of course Jazz and Soul and all the music created and crafted by African Americans.

Isn't the simple answer that African Americans have other interests, other priorities and other forms of music they are supremely good at? Correct me if I'm wrong here, but I would have imagined that only a small percentage of African American musicians actually want to play European classical music?

 

THANK YOU! [nt], posted on September 14, 2020 at 11:27:34
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012

 

RE: African Americans have more relevant things to do.....?, posted on September 14, 2020 at 11:56:48
I don't know about priorities but there are certainly barriers

as a for instance: Misty Copeland became the first 'black' Prima Ballerina at the Met in 2015. that's pretty recent history eh?

that's dancing to classical but it's not a stretch to see that it applies to playing and conducting ... while writers fared a bit better, but not by much ... one could posit that since they're unseen they're more accepted

with regards,

 

RE: African Americans have more relevant things to do.....?, posted on September 14, 2020 at 13:59:14
Mel
Audiophile

Posts: 2993
Location: New York City Area
Joined: February 21, 2001
Just a slight correction. Misty Copland dances for the American Ballet Theater. They often take over the Metropolitan Opera house for their season in New York, and they dance elsewhere as well. The Met Opera has its own ballet company, which performs during the operas.

 

"Relevant?" Say, Marian Anderson, Jessye Norman,, posted on September 14, 2020 at 14:06:12
tinear
Audiophile

Posts: 65782
Location: Kansas City, KS
Joined: April 9, 2006
Leontyne Price, Kathleen Battle--- you're doing something irrelevant to your people!

That, of course, could be applied to Japanese, Chinese, S. American, and many others.

Until we have more educational opportunities in the arts for all American kids, I guess we won't know how many budding musicians are out there. I'm guessing you didn't bother to read either article I posted. You just might get a different view if you did...

 

RE: African Americans have more relevant things to do.....?, posted on September 14, 2020 at 14:08:56
thank you ... yes the ABT

the first black principal dancer performing at the Met in it's history

*sigh* the more you know the more you knew

with regards,

 

I love Jessye Norman, but that's not quite the point, posted on September 14, 2020 at 14:32:10
andy evans
Audiophile

Posts: 4378
Joined: October 20, 2000
By "more relevant things to do" the main point I wanted to make was this: If you are a creative musician living in September 2020 what form of music are you most likely to invest your creativity in?

This is a question which in itself isn't related to culture or race, it's more a question of what kind of music will give you the fulfilment you seek. Now it may be that this fulfilment could come within classical music. But that's a minority choice for musicians, as we well know. Musicians are much more likely to be active in other arenas - rock, jazz, soul, film music etc. That's simply statistically correct.

To back up what I mean, I'm pretty sure that if Mozart were alive today there's a strong chance he would have been a rock musician. Bach could very well have been a jazz improviser. And so on.

What I'm saying is that whereas it may well be the case that classical music may be making it difficult for African Americans to opt into it, it's also the case that the majority of musicians are opting out of it for a multitude of positive reasons.

I'm not disagreeing with you - I'm just making a different point, which is equally a part of the big picture.

 

Why do you keep forgetting rap?, posted on September 14, 2020 at 14:40:06
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012
Rap has spawned a truly impressive variety of its own sub-genres:

  • Boom bap
  • Backpack
  • Cloud rap
  • "Conscious" hip-hop
  • Crunk rap
  • Emo rap (yes, I kid you not!)
  • Frat rap
  • Gangsta rap
  • Grime rap
  • Horrorcore
  • Hyphy
  • Jazz rap
  • Latin trap
  • Old school rap
  • Rap rock

. . . and much, much more! What are you waiting for, tin? Why do you care to know so little about all this? There's no doubt SO much of value to mine for all composers! Get studying! ;-)

 

What's the point you're making here, Chris?, posted on September 14, 2020 at 14:49:43
andy evans
Audiophile

Posts: 4378
Joined: October 20, 2000
OK - take my 30yr old son as an example. He's the son of a musician, he grew up hearing classical music and at the age of 6 he could tell a good Chopin pianist from a bad one.

He doesn't listen to classical music because it's not relevant to his life. He listens to Rap because it is relevant to his life. But he is a connoisseur of Rap - he knows its history, origins, most creative artists and he is particularly interested in French rap which is an interesting subculture of it with some excellent lyrics. He is intelligent, aware, has a degree in design and is a typical modern kid.

Is this something to make fun of as if it's some kind of aesthetic aberration? OK - Rap isn't my music but I've studied the artists my son has suggested to me and there are some very creative things going on there. There's also a lot of arrogant junk. But in any genre you'll find intelligent and creative musicians.

 

I think you may have missed a post below where tin. . . , posted on September 14, 2020 at 14:54:08
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012
. . . answered one of my posts with a no text subject line, as follows:

"Anybody that brings up rap when talking about A-A's in classical music has issues"

Just making some gentle fun out of all this - let's not take ourselves TOO seriously! ;-)

 

I'm sorry, but implying or making it very easy, posted on September 14, 2020 at 15:57:27
tinear
Audiophile

Posts: 65782
Location: Kansas City, KS
Joined: April 9, 2006
to do so, that rap somehow is where A-As belong is racial bias. Should Japanese stick to their native music?

Your post might be less inflammatory if posted in a vacuum, but injustice isn't some academic exercise.

Please answer this: do you think black folks somehow are innately unable to appreciate, perform, compose classical music? Is it a Chinese, Japanese thing, but not one for those of African heritage? Perhaps you feel the culture excludes it?

One mostly comes to love classical music from a family, a teacher, or a friend. What if a young person has none of those, through no fault of her own--- but otherwise, once given the opportunity, loves the music?

This isn't really about classical music, ballet, painting, or any other "high art." It's about access and opportunity to education and resources. You seem unaware of the past history of prejudice against women and Asians practiced by many (all) orchestras...

 

That exactly is the point. It doesn't matter, posted on September 14, 2020 at 16:03:06
tinear
Audiophile

Posts: 65782
Location: Kansas City, KS
Joined: April 9, 2006
how many this or that. It's whether folks HAVE A CHOICE. There are many obstacles for poor folks to hurdle--- and African-Americans are our poorest group. Yeah, a lot of kids choose popular music--- many white kids do, too. But they have (as pointed out by the author of my linked article) far fewer obstacles after attaining skills.

I have the awkward feeling that (not necessarily you) many have a stereotypical view of black people, that somehow "serious" art isn't for them, whether to appreciate or participate.

There is plenty of history of black Americans in classical music--- but nowhere near what it could or should be.

 

Why do I feel if we were discussing black acting 30 years ago you'd be mentioning, posted on September 14, 2020 at 16:03:39
tinear
Audiophile

Posts: 65782
Location: Kansas City, KS
Joined: April 9, 2006
minstrel shows?

 

Dunno, tin - maybe a deficiency in your analytic thinking? ;-), posted on September 14, 2020 at 16:09:43
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012
I swear, when you SJW types latch on to something, you DO get mighty righteous!

 

Chris, fascinating list!, posted on September 14, 2020 at 16:15:02
jimbill
Audiophile

Posts: 3048
Location: Texas
Joined: May 31, 2004
Please give me you favorite "song" in each category!!!!

 

Oh Jeez - one of these posts. OK, here goes. . . , posted on September 14, 2020 at 16:34:20
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012
. . . [implying that] rap somehow is where A-As belong is racial bias.
Whoa! Did somebody do this? Show us where! I want to get to the bottom of this!

Should Japanese stick to their native music?
No. Are you promoting that idea or something?

Your post might be less inflammatory if posted in a vacuum, but injustice isn't some academic exercise.
I can practically feel your SJW juices flowing!

Please answer this: do you think black folks somehow are innately unable to appreciate, perform, compose classical music?
No. Where did you get that idea?

Is it [classical music] a Chinese, Japanese thing, but not one for those of African heritage?
Nope.

Perhaps you feel the culture excludes it?
And perhaps I don't. Again, where did you get that idea?

One mostly comes to love classical music from a family, a teacher, or a friend. What if a young person has none of those, through no fault of her own--- but otherwise, once given the opportunity, loves the music?
I would say, well done - yes, such people have overcome some formidable barriers, and, in a certain sense, have even shown great heroism - and I've never argued otherwise.

This isn't really about classical music, ballet, painting, or any other "high art." It's about access and opportunity to education and resources.
While I do not disagree at all with your point about the lack of access and opportunity to various societal advantages within the African American community, I still think it's possible (pretty certain in fact!) that, culturally, there are certain artistic preferences among various ethnic and racial groups - worldwide. Do you want to argue otherwise?

You seem unaware of the past history of prejudice against women and Asians practiced by many (all) orchestras...
I can see you're running out of steam here, but I'll put up my awareness of past history and prejudice towards whomever (including women and Asians) up against yours any day of the week. What else you got?

 

Sure thing, jimbill!, posted on September 14, 2020 at 16:48:49
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012

  • Boom bap: Gang Starr - "Just To Get A Rep"
  • Backpack: Mos Def - "Mathematics"
  • Cloud rap: Main Attraktionz - "Chuch"
  • "Conscious" hip-hop: Blackstar - "Definition"
  • Crunk rap: Lil Jon & The East Side Boyz - "Get Low"
  • Emo rap: Lil Peep - "Awful Things ft. Lil Tracy"
  • Frat rap: Huey Mack - "Call Me Maybe" (Remix please!)
  • Gangsta rap: Dr Dre & Snoop Dogg - "Deep Cover"
  • Grime rap: Dizzee Rascal - "I Luv U"
  • Horrorcore: Gravediggaz - "Burn Baby Burn"
  • Hyphy: Mac Dre - "Feeling Myself"
  • Jazz rap: A Tribe Called Quest - "Excursions"
  • Latin trap: Bad Bunny - "Caro"
  • Old school rap: Kurtis Blow - "The Breaks"
  • Rap rock: Beastie Boys - "No Sleep 'Til Brooklyn"

I can just imagine y'all thinking, "Wow! Chris sure does know his rap music!" ;-)

 

Thanks for the time, really. , posted on September 14, 2020 at 18:35:23
tinear
Audiophile

Posts: 65782
Location: Kansas City, KS
Joined: April 9, 2006
[implying that] rap somehow is where A-As belong is racial bias.
Whoa! Did somebody do this? Show us where! I want to get to the bottom of this!

YES, (EXCUSE THE USE OF CAPS BUT I DON'T KNOW HOW TO EMBOLDEN TEXT HERE), YOU DID. THE POST IS ABOUT CLASSICAL MUSIC AND RACIAL BIAS--- AND YOU ONLY SPEAK TO RAP. WHY DID YOU MENTION THAT, CHRIS?


Should Japanese stick to their native music?
No. Are you promoting that idea or something?

NO. BUT IF WE WERE SPEAKING ABOUT THE LATEST JAPANESE PIANO SENSATION AND YOU ASKED WHY I DIDN'T BRING UP SHOMYO... I'D FIND IT ODD.




Your post might be less inflammatory if posted in a vacuum, but injustice isn't some academic exercise.
I can practically feel your SJW juices flowing!

YES, I SUPPOSE SOME FIND AMUSEMENT A GOOD DEFLECTION.

Please answer this: do you think black folks somehow are innately unable to appreciate, perform, compose classical music?
No. Where did you get that idea?
BECAUSE YOUR ONLY COMMENT ABOUT THEM WAS TO BRING UP RAP. WHY DID YOU?


s it [classical music] a Chinese, Japanese thing, but not one for those of African heritage?
Nope.

OKAY.
Perhaps you feel the culture excludes it?
And perhaps I don't. Again, where did you get that idea?

AGAIN, YOU NEGLECTED THE TWO ARTICLES AND THE THRUST OF MY POST TO OUT-OF-THE-BLUE(S) BRING UP RAP.

One mostly comes to love classical music from a family, a teacher, or a friend. What if a young person has none of those, through no fault of her own--- but otherwise, once given the opportunity, loves the music?
I would say, well done - yes, such people have overcome some formidable barriers, and, in a certain sense, have even shown great heroism - and I've never argued otherwise.

This isn't really about classical music, ballet, painting, or any other "high art." It's about access and opportunity to education and resources.
While I do not disagree at all with your point about the lack of access and opportunity to various societal advantages within the African American community, I still think it's possible (pretty certain in fact!) that, culturally, there are certain artistic preferences among various ethnic and racial groups - worldwide. Do you want to argue otherwise?

You seem unaware of the past history of prejudice against women and Asians practiced by many (all) orchestras...
I can see you're running out of steam here, but I'll put up my awareness of past history and prejudice towards whomever (including women and Asians) up against yours any day of the week. What else you got?

I'm done! Gonna listen to some Entremont, Chopin mucis.

 

What about Country? "Don't Touch My Truck" was the first Country Song I Ever Downloaded. nt, posted on September 14, 2020 at 18:44:10
.

 

That's sad if true. I'm still waiting for the perfect Rite of Spring. nt, posted on September 14, 2020 at 18:56:50
.

 

the article is complete bullsh**, posted on September 14, 2020 at 20:01:17
Analog Scott
Audiophile

Posts: 9933
Joined: January 8, 2002
The entire opening statements of fact are for the most part objectively incorrect. And you can't build a meaningful concept or argument on false premesises. Apparently the author has not done all that much research on key points of basic fact and doesn't realize that classical music is a world wide institution. American orchestras are comprised of international musicians. Seems the author doesn't know the difference between "white" and "American." And I guess Asians just don't count. As for conductors, even more so. I guess he sees a white guy and assumes they are American. How often is that actually the case? And his whole thesis on Dvorak somehow seems to assume that Dvorak's particular take on American music is some kind of objective truth.

 

"There's no reason whatever that anybody of any colour or religion should not play or love classical music", posted on September 14, 2020 at 20:05:56
Analog Scott
Audiophile

Posts: 9933
Joined: January 8, 2002
Yes and no. Yes it is a matter of cultural interest. But it is also a matter of opportunity. And the reality is African American kids largely do not even have the opportunity to learn about or participate in classical music. Cultural influences should be left alone IMO. But opportunity should be maximized and we are failing to do that.

 

RE: "There's no reason whatever that anybody of any colour or religion should not play or love classical music", posted on September 14, 2020 at 20:33:17
'do not even have the opportunity to learn about or participate in classical music. Cultural influences should be left alone'

Scott, can you square that up please?

the statement seems to contradict itself

thanks,

 

Sorry, tin - you don't even remember your "facts" right, posted on September 14, 2020 at 20:46:45
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012
My ORIGINAL comment wrt to rap music (in the thread below) was: "Why isn't there an outcry for more white people to be represented in the rap music industry?" [In the context of the outcry about more African American representation in symphony orchestras.]

The question (quoted in its entirety above - notice there's no reference to black people in it!) was part of a two paragraph post, so your claim that I was speaking only about rap music there is absolutely untrue. There's a link to the whole post below.

My post about rap music IN THIS THREAD was in response to your subject line response below to one of my posts: "Anybody that brings up rap when talking about A-A's in classical music has issues." Ah! The absolute certainty of the zealot! (More about this later.)

OK - on to the rest of the line items:

IF WE WERE SPEAKING ABOUT THE LATEST JAPANESE PIANO SENSATION AND YOU ASKED WHY I DIDN'T BRING UP SHOMYO... I'D FIND IT ODD
Huh? OK, I give you full marks for complete off-the-wallness here! ;-)

I SUPPOSE SOME FIND AMUSEMENT A GOOD DEFLECTION
Huh? Deflection from what?

YOUR ONLY COMMENT ABOUT THEM [African Americans] WAS TO BRING UP RAP. WHY DID YOU?
First of all, that's not true: you seem to have conveniently forgotten that that I also asked for your words of wisdom about African Americans living in non-slave states, as well as pointing out that many northern soldiers in the Civil War gave their lives to help rid the country of slavery. There were other comments too, but you were obviously so triggered by my reference to rap music that you couldn't think clearly - even though that comment itself (quoted above in this post) was made WITHOUT a reference to black people. All I referred to was rap music and WHITE people. It was simply an attempt to suggest looking at the situation from another (a kind of opposite) point of view. But no! We can't have that now, can we?

YOU NEGLECTED THE TWO ARTICLES AND THE THRUST OF MY POST TO OUT-OF-THE-BLUE(S) BRING UP RAP
If you're talking about THIS particular thread (rather than the thread below where my original reference to rap music appeared), then, yes, my "out of the blue" rap reference (here in this thread) was intended as a "reveal" of your own lack of knowledge about African American culture and your hypocrisy in attributing the deficiencies which you're afraid will be exposed about you to someone else (moi!). (Jung called this kind of thing your shadow.) Nevertheless my original rap post in this thread was intended to have a certain humorous aspect to it, and was taken that way (I think?) by jimbill.

OK, I think that's a. . . uh. . . wrap! Enjoy your Entremont!

 

Naw - I respect my betters when it comes to Country [nt] ;-), posted on September 14, 2020 at 20:50:03
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012

 

"the statement seems to contradict itself", posted on September 14, 2020 at 21:13:13
Analog Scott
Audiophile

Posts: 9933
Joined: January 8, 2002
My statement " Most African American children do not even have the opportunity to learn about or participate in classical music. Cultural influences should be left alone'

A perfect example of a cultural difference. If you are 6'2" tall 220 lbs 5% body fat, run a 4.2 40 and grew up in America. Good chance you played football as a kid and maybe even persued a pro football career. If you were the same stature and speed and grew up in New Zealand good chance you played rugby and persued a position on the All Blacks.That is a cultural difference and I believe in leaving those alone.

If you were a kid in either country who was never allowed to play sports you were denied an opportunity to be an athlete.

Classical music is a patron art. For kids to learn about it and participate in a meaningful way costs money. And there in lies the problem.We do all kids a disservice by not providing funding for these opportunities. But it does not hold back kids of people with money. Money is opportuniy and people with money can give their kids all the opportunities they need or want. Most African American kids simply don't have that. We need look no further than the horrible country of Venezuela to see this is plainly true. there is one thing that country does do right. Classical music out reach.

 

Jazz is "serious art" and so are other forms of music, posted on September 15, 2020 at 01:00:14
andy evans
Audiophile

Posts: 4378
Joined: October 20, 2000
"I have the awkward feeling that (not necessarily you) many have a stereotypical view of black people, that somehow "serious" art isn't for them, whether to appreciate or participate. "

Nothing could be further from the truth. I've been a working freelance musician all my life, and most of it playing jazz, and this alongside a lot of black musicians.

You're going to tell me jazz isn't a "serious art". Surely not........

 

Access to money....., posted on September 15, 2020 at 01:20:27
andy evans
Audiophile

Posts: 4378
Joined: October 20, 2000
"Classical music is a patron art. For kids to learn about it and participate in a meaningful way costs money. And there in lies the problem.We do all kids a disservice by not providing funding for these opportunities. But it does not hold back kids of people with money. Money is opportuniy and people with money can give their kids all the opportunities they need or want."

Yes, of course money influences the forms of music that exist in any culture. A classical orchestra is money, an opera house is money.

At the most basic level musicians used the instruments they could afford. Including nothing, with a cappella folk music. Go back a while and African Americans mostly played guitar since they didn't have pianos in their parlour, because they didn't have parlours in the first place. But poverty was never a purely A-A phenomenon, though it was a noxiously bad example of it.

Fast forward to society in Europe and the states just after WW2. On a huge scale the guitar replaced the piano in people's homes. So did the kids play Bach on their classical guitars? Hell no - they bought amplifiers and played Strats or took guitars to the beach and played blues, folk songs and Beatles tunes. The rise of the guitar was a big factor in the music kids played and transformed the music scene. The guitar was "relevant" to people's lives - it was everywhere.

Now we're in 2020 and the most "relevant" instrument in people's homes isn't a guitar, it's a computer. So we get techno music, rap, and everything else you can programme into a computer, either with a keyboard or with loops and samples.

You can't assess the classical music scene without looking at the obvious factors about what's "relevant" in young people's lives. Young people are just as clever and in love with music as their elders who grew up with classical music. They just live in a different world.

I grew up with a Bechstein grand in the living room because my father was a doctor. If my father was a miner it would have been a guitar. My son grew up with a computer. Or to be more relevant still, a mobile phone which has replaced computers in terms of time spent using it. Times change. The world changes.

 

Probably the same stuff happens in Indian music..., posted on September 15, 2020 at 01:58:12
andy evans
Audiophile

Posts: 4378
Joined: October 20, 2000
I think the nuts and bolts of what we're talking about - culture, poverty, "high art" etc - happens right across the globe.

I don't know much about the Indian music scene but I imagine we have the same elements in place - a caste system, access to "high art" instruments like sitars, rich families and poor families, a culture built around film music and so on, high and low dance forms........

Maybe somebody who knows Indian music better than I do can elaborate.

 

An intro to hip hop!, posted on September 15, 2020 at 02:30:29
andy evans
Audiophile

Posts: 4378
Joined: October 20, 2000
Here's an email my son sent me. I think it gives you a very good idea of how an aware and musical 20-something year old sees the world of music....

"So as I said in our call, there are quite a few sub genres in Hip Hop and different sounds that come along with that. I also think it's a good idea to share with you the whosampled links for each track, as this will also give you an idea of what music served as their inspiration.

I guess we should start with the origin of the hip hop sound, which came from New York. The two most successful artists from this time were Grandmaster Flash and Afrika Bambaataa. They had differing styles - one being straight from the streets and the other being... well basically from outer space.

Afrika Bambaataa - Planet Rock
https://www.whosampled.com/Afrika-Bambaataa/Planet-Rock/

Grandmaster Flash & The Furious Five - The Message
https://www.whosampled.com/Grandmaster-Flash/The-Message/

Pete Rock is a universally respected producer of hip hop that came onto the scene pretty early on and has made beats for a huge variety of artists, mostly from New York and the East Coast. Here are a few examples of his sound.

Pete Rock & CL Smooth - Escape
https://www.whosampled.com/Pete-Rock-%26-C.L.-Smooth/Escape/

Pete Rock & CL Smooth - T.R.O.Y. (They Reminisce Over You FYI)
https://www.whosampled.com/Pete-Rock-%26-C.L.-Smooth/They-Reminisce-Over-You-(T.R.O.Y.)/

DJ Premier Is another big name from New York, who is so ubiquitous to Hip Hop production that his reach is global, rather than being considered strictly East Coast. Has pretty much worked with every big name.

Nas - N.Y. State of Mind
https://www.whosampled.com/Nas/N.Y.-State-of-Mind/

Mos Def - Mathematics
https://www.whosampled.com/Mos-Def/Mathematics/

Gang Starr - Above the Clouds
https://www.whosampled.com/Gang-Starr/Above-the-Clouds/

Again staying in New York (in case you can't tell I have a huge bias between the 2 coasts), We have 2 completely different sounds, that are forever linked for one reason. November 9, 1993. On this day 2 of the biggest and most important hip hop records of all time were released - Wu Tang Clan - Enter the 36 Chambers alongside A Tribe Called Quest - Midnight Marauders. They couldn't be on more opposite ends of the spectrum.

The Wu Tang Clan, led by the RZA, are inspired by Shaw Brothers Kung Fu movies, producing a raw, rugged sound.

Wu Tang Clan - C.R.E.A.M. (Cash Rules Everything Around Me in case you were wondering)
https://www.whosampled.com/Wu-Tang-Clan/C.R.E.A.M./

GZA - 4th Chamber
https://www.whosampled.com/GZA/4th-Chamber/
Just a side note, GZA (AKA Genius) is an interesting figure, who just happens to be part of the American science community and good friends with Neil Degrasse Tyson.

A Tribe Called Quest are what you would call high brow hip hop and have very eclectic samples. They are a founding member of the Soulquarians, who strived to present an intellectual and Afrocentric view on life in the USA in the 90s. The Soulquarians include such luminaries as The Roots, De La Soul, Common, Mos Def, Talib Kweli, Erykah Badu and a certain J Dilla (we will get to him later).

A Tribe Called Quest - Electric Relaxation
https://www.whosampled.com/A-Tribe-Called-Quest/Electric-Relaxation/

A Tribe Called Quest - Award Tour
https://www.whosampled.com/A-Tribe-Called-Quest/Award-Tour/

Here we are, time to look at J Dilla. Mr. No Quantize. We've already spoken quite a bit about this guy. He is widely considered the greatest Hip Hop producer of all time. The fact he passed away in his 30s only adds to the sense of awe people have when regarding his body of work. Originally from Detroit, he has made music all over the world and is pretty much above regional styles.

Common - The Light
https://www.whosampled.com/Common/The-Light/

De La Soul - Stakes Is High
https://www.whosampled.com/De-La-Soul/Stakes-Is-High/

The Pharcyde - Runnin'
https://www.whosampled.com/The-Pharcyde/Runnin%27/

The Pharcyde - Drop
https://www.whosampled.com/The-Pharcyde/Drop/

MF DOOM (to quote a track listed below: Remember ALL CAPS when you spell his damn name) is bizarre, unique and my personal favourite because of his absolutely ridiculous choice of samples. Frank Zappa, Steely Dan, random episodes of Ironside. Nothing is off limits for this guy. He also refuses to be seen in public without wearing a metal mask inspired by a comic book villain named Doctor Doom. All of his music is produced under the guise of his numerous alter egos (DOOM, Viktor Vaughn, Madvillain, King Geedorah to name a few) and he is known to send impostors in masks to live performances instead of going himself. Absolutely. Bat Shit. Insane. How can you not love a guy who released an album called Vaudeville Villain.

Viktor Vaughn - A Dead Mouse
https://www.whosampled.com/Viktor-Vaughn/A-Dead-Mouse/

MF DOOM - Gas Drawls
https://www.whosampled.com/MF-DOOM/Gas-Drawls/

Madvillain - ALL CAPS!
https://www.whosampled.com/Madvillain/ALL-CAPS!/

Madvillain - Meat Grinder
https://www.whosampled.com/Madvillain/Meat-Grinder/

There is so much more to explore, but I feel we should cut this short. There is one more sound that immediately comes to mind - West Coast G Funk. Think Parliament, George Clinton, Zapp. Dr. Dre was one of the pioneers and Hip Hop's first billionaire. You may recognise his name from the headphones 'Beats by Dre' which sold to Apple a few years back in a massive deal.

Warren G and Nate Dogg - Regulate
https://www.whosampled.com/Warren-G/Regulate/
This track defines G Funk

2Pac - California Love
https://www.whosampled.com/2Pac/California-Love/

Dr. Dre ft. Snoop Dogg - Nuthin But a G Thang
https://www.whosampled.com/Dr.-Dre/Nuthin%27-but-a-%27G%27-Thang/

I hope this serves as a good intro to Hip Hop. We're just painting with broad strokes here, some very important sounds and artists are not included.

 

RE: "the statement seems to contradict itself", posted on September 15, 2020 at 09:29:09
'We do all kids a disservice by not providing funding for these opportunities'

I applaud this ... along with not just opportunities

but essentials and some sense of direction and community

good man Scott! and we need more good men

since the child is father to the man that's an obvious place to invest

best regards,

 

Possibly - I'm completely unknowledgeable about Indian music myself [nt], posted on September 15, 2020 at 09:59:41
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012

 

Wow - impressive!, posted on September 15, 2020 at 10:06:59
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012
Who knew we had this kind of expertise (even though it's a little indirect) within our humble forum! ;-)

Anyway, thanks!

 

"they bought amplifiers and played Strats" - yes! Certainly true of my kids!, posted on September 15, 2020 at 10:49:51
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012
And now they have all this computer music stuff (software and hardware add-ons) which I wouldn't have the first clue (at least right now) as to how to employ! Since one of them (my kids) lives in Hollywood (actually North Hollywood), he's being encouraged by his brother (who once guested with the Van Halen tribute band, The Atomic Punks - LOL!) to make contacts there to actually monetize what up until now has been more or less just a hobby for both of them. They're both 38 (twins) and, although they both work in the "financial industry" (of necessity!) they are also constantly drawn back to their love for music. They respect the classical music which Ms. CfL and I listen to, but they're not really into it. And I can say the same about their favorite genre (it's jazz fusion now) - I do respect it, but I'm just not into it, despite trying.

One funny thing happened when they were still living here: they suddenly decided to go up to a middle school in the nearby town of Moraga and just start "jamming" (in their Van Halen wigs, no less!) with the other two members of their band to see what kind of audience they could get just from the passers by. However, somebody called the police on them. According to our kids (biased of course!), the police got there are were rocking out to their music for quite a while before they (the police) reluctantly told them they had to stop because of the complaint! (And, before tin pulls out his rhetorical question as to what would have happened if that band had consisted of black kids, yes, I can very well imagine what might have happened once the police arrived - alas.)

 

RE: "they bought amplifiers and played Strats" - yes! Certainly true of my kids!, posted on September 15, 2020 at 11:24:24
the police have never made a very good audience in my experience

what would have happened if those kids were Jamaican?

NATTY DREAD!

 

"African-American membership in American orchestras"?, posted on September 15, 2020 at 14:31:09
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012
How 'bout the "music industry" in general?? Kanye, "the new Moses", reveals the truth to us (via Twitter)!
I need to see everybody's contracts at Universal and Sony

I'm not gonna watch my people be enslaved

I'm putting my life on the line for my people

The music industry and the NBA are modern day slave ships

I'm the new Moses

In addition, Kanye also stated that he will allow none of his new musical material to be issued until he's released from his existing contracts! Right on, Kanye! Truth to power!

 

RE: "African-American membership in American orchestras"?, posted on September 15, 2020 at 14:35:48
'he will allow none of his new musical material to be issued until he's released from his existing contracts!'

that's some of the best news I've seen today!

I hope his label has better lawyers

 

Wiggle, wiggle, wiggle. And then the gratuitous Kanye post. Hmmm... nt, posted on September 16, 2020 at 16:12:08
tinear
Audiophile

Posts: 65782
Location: Kansas City, KS
Joined: April 9, 2006
f

 

That's the spirit!, posted on September 16, 2020 at 17:11:26
Posts: 26432
Location: SF Bay Area
Joined: February 17, 2004
Contributor
  Since:
February 6, 2012
I'll leave it for others to judge how gratuitous the Kanye post was. After all, we were discussing the African American experience in the music of America, weren't we? And now, here's The Man trying to deprive Kanye of his anticipated rightful earnings from his music! As I said in that post, truth to power! ;-)

 

RE: That's the spirit!, posted on September 16, 2020 at 17:39:00
boohoo .. read the contracts you sign first

that goes for anyone contracting for anything always

regards,

 

Stereotypes Die Hard...... [yt], posted on September 19, 2020 at 02:42:08
Todd Krieger
Audiophile

Posts: 37333
Location: SW United States
Joined: November 2, 2000
The socio-econonomic conditions don't expose people to the classical performances...... It's not that they don't want to or they can't, it's that they don't know that it exists.

If the conditions do expose minority people to classical performances, the result could be breathtaking.......

 

Page processed in 0.038 seconds.