Posts: 222
Location: Atl
Joined: April 29, 2011
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I also don't know Rogue's reason for changing from 6sn7 to 12au7, but that's in line with their top M180 and Apollo monoblocks. They also claim to be using better parts quality in this new ST100, including Mundorf EVO coupling caps, which even my Hera II and Apollo don't have (just the Mundorf M-Cap and standard Supreme). I know that the 6sn7 should be electrically superior to any 12au7, and I'm no big fan of the 12au7, but I've been far more disappointed by the 6sn7. Every piece of gear I've had that has taken 6sn7 has either been replaced in short order with a better sounding non-6sn7'd component, or the 6sn7 has been subbed for something else (where possible). The only 6sn7 I've heard that I really like is Tung-Sol RPBG, and those are now impossibly rare & expensive (they also don't sound at all close to any other 6sn7, which is suspicious) -- and many of the few that find their way back to the used market are pushing RIGHT UP against end of life (and they'll still sound great, but not for long...). At least most 12au7 slots can be subbed with a 12bh7, which is a much better tube. In one particularly flexible headphone amp, I could swap between 6sn7, any 12a_7, and 2c51 types for input/gain -- here a WE 396A completely obliterated everything else; a cheap GE 12ay7 was still far better than any 6sn7 other than the TS RPBG. That same amp could use 6sn7, 5687, or 6bx7 drivers; the latter 2 were FAR superior in every respect (at the usual expense of higher filament draw), and much cheaper too. Any gear using 6sn7 usually makes my interest wane. This tube has a rep for "monster tone", but the rare Tung-Sol is the only one I've heard that from.
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