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Model: | Yara (floorstander) |
Category: | Speakers |
Suggested Retail Price: | $2000 |
Description: | 2.5 way bottom-ported floorstander. Not Yara Evolution |
Manufacturer URL: | Audio Physic |
Model Picture: | View |
Review by twisty (A) on August 23, 2005 at 15:02:25 IP Address: 69.233.32.119 | Add Your Review for the Yara (floorstander) |
Note: This is a review of the Yara floorstander by Audio Physic. This is not a review of the Yara Evolution floorstander. The Evolution is a rear-ported 2-way design that is only slightly cheaper that the Yara ($1750 for the Yara Evolution, $2000 for the Yara, August 2005). I had the Yara Evolution in my home for several weeks (it was shipped to me by mistake when I ordered the Yara) and found it to be an inferior product. I cannot imagine a system, room, or taste that would prefer the Yara Evolution to the Yara. Without going in depth, the Evolution lacked the detail and the tonal accuracy of the Yara without doing anything better, except for perhaps being able to pressurize a slightly larger room due to the rear port. If your room is too large for the Yara, however, the Yara evolution is probably not the speaker for you.The Yara is one of the ‘most different’ speakers in its pricerange. It has a construction that is out of the mainstream and I’ve never heard a speaker that sounds like this. The differences between this speaker and its competitors are much greater than the differences amongst the competitors that I’ve heard (Triangle, Spendor, Quad, Sonus Faber, Meadowlark, Dali, B&W, JMLabs). The reason for this is that the designers of the Yara seem to have made very specific decisions about what their priorities were in construction and these priorities appear to be somewhat different from most other designers.
The Yara is a bottom-ported speaker. This is accomplished by a round port in the bottom of the speaker box. The speaker box is on top of a solid pedestal with about 1/3” of space between the speaker and the pedestal created by short ‘legs’ at each corner. It is into this gap that the port fires. The pedestal has holes drilled into the bottom for use with the provided spikes. This unique construction makes these speakers incredibly flexible regarding placement. I’ve put them against the back wall and I’ve put them 3” laterally from a cabinet. In each situation, the tonal balance remained neutral and the bass remained tight and tonal. The only other design oddity is that the speaker posts are pointing at a 45-degree angle upward. If you are using banana plugs your cables will leave the speakers pointing up! That works great for me because my amp is on top of a tall cabinet. If your amp is low to the ground and your current cables are a tight fit into ‘normal’ binding posts the extra few inches of travel created by the turn upwards may be a problem, depending on the flexiblity of your cables. Images of the bottom pedestal and the upward-pointing binding posts are available here: http://www.audiophysic.com/produkte/yara/aufbau_e.html
Now for the part that matters:
No other speaker that I’ve heard sounds this good. Period. Tone, detail, nuance, and emotion all feel honest and lifelike. The Yara has a slim and deep cabinet and uses relatively small drivers. This allows for a speed and timing that vinyl-lovers will appreciate and makes these speakers adept at bringing out small details and nuances of music. It is in this microdetail that soundstage and human emotion live, and this speaker excels at bringing out both of these. Jazz, folk, and chamber music really shine, as do ‘small’ percussion instruments (including hand drums). Electric music is musical, but lacks the weight of a live performance.
If the sound of the music is the Yara’s strength, the feel of the music is its weakness. You won’t find sternum-shaking bass here, nor will you find the weight and impact of a full symphony. This is not the most transparent speaker I’ve ever heard (that goes to SLS with it’s ribbon tweeter) or the best at pinpoint holographic imaging, but it’s certainly no slouch in either department. Even live acoustic guitar has a ‘feel’ that these speakers only partially succeed in delivering.
It’s almost like listening to headphones, where you can get bass that goes low and sounds good, but doesn’t shake the room or the listener. Some may miss this effect. However, any speaker that produces bass that robust will have serious problems unless you have a very large room and ideal placement. Lacking both of these, I’d rather have bass that sounds good but feels light then bass that feels right but sounds wrong.
These speakers can still rock. The same speed that brings out the tiniest whisper of breath and vibration of string brings slam to a drum and lets an electric guitar attack and decay as it ought to. They’re just not going to fill a room with the chest-pounding bass of live rock/electronic music.
These speakers add nothing to the music. With ‘harsh’ music they’ll make the hair on the back of your neck stand up, just like a trumpet blowing in your face ought to. With ‘gentle’ music they are capable of delivering the slightest breaths and emotions in a very honest way. Music just pours out through them, and they take on the character of the music being played. Like any good component, you do not notice them. You just hear the music.
Although the small size of this speaker and the limited breathing space don’t allow for the most robust bass, the bass response remains tight and tonal to it’s rolloff at 40hz. These speakers have no problem creating a realistic presentation of acoustic or electric bass at reasonable volume, but drums and loud electric instruments won’t have the “feel” that they have in live performance. I believe that if you want this you have three choices: get a subwoofer, get large speakers that won’t sound as honest for acoustic instruments and vocals, or spend much, much more to get it all.
Being small speakers, the Yara’s are not up to the task of filling a large room with sound. In my 14’x14’x8’ living room they have power to spare. They can play as loud as I can tolerate listening and then some, and they can keep me rocking while I do the dishes in the next room. However, if you’re space is cavernous these are not the speakers for you (unless you’re setting up for nearfield).
Music sounds so good coming from these speakers that I never want to stop listening. This is the stuff of lost nights and bleary-eyed mornings.
I’m not going to go as far as to call this the ‘across-the-board-best’. I don’t think any product deserves that title. Design involves compromises, strengths and weaknesses. Across the board, the Yara is among the highest quality speakers in its pricerange. It has a unique combination of strengths and weakness that makes it very different from its competitors. If you’re looking for $2000 speakers, the Yara deserves a listen. If your priority is building a system where acoustic instruments and vocals sound as ‘right’ as possible, the Yara absolutely deserves a listen. If you have a smallish room and/or difficult placement issues, the Yara absolutely, positively deserves a listen. If you want chest-pounding bass or have a cavernous listening room, you may want to look elsewhere. Listen to this speaker. You may like it better then the rest. You may not. You certainly won’t say it sounds the same as the rest.
Note: Audio Physic has recently changed distributors. The old distributor (Immedia) has been unloading their overstocks and demos for about $1200. At $2000 this is a very good speaker. At $1200 it is an absolute steal and if your priorities are in line with the strengths I’ve described you’ve found a real bargain.
Product Weakness: | Too small to fill a large room, bass cannot create a 'heavy' feel. |
Product Strengths: | Tonal accuracy from the bottom to the top. Vocals and instruments simply sound like they should. |
Associated Equipment for this Review: | |
Amplifier: | Jolida 302b, modified |
Preamplifier (or None if Integrated): | None |
Sources (CDP/Turntable): | Jolida 100 cdp, Rega P3/Benz Ace, Magnum Dynalab Etude |
Speakers: | Audio Physic Yara |
Cables/Interconnects: | Various. Silver-over-solid-copper speaker cables and most IC's |
Music Used (Genre/Selections): | Many. Folk, accoustic/vocals, rock, jazz, blues, classical, world. |
Room Size (LxWxH): | 14 x 14 x 8 |
Room Comments/Treatments: | Difficult room. |
Time Period/Length of Audition: | Nearly 1 year and counting... |
Other (Power Conditioner etc.): | none |
Type of Audition/Review: | Product Owner |
Follow Ups:
Excellent review Twisty. I also own and enjoy the Yaras immensely. My room is 18X18, and they fill the room with sound. The Yaras have a wonderful warmth, and a surprising fullness of sound. I chose them over an Italian speaker of the same dimension and footprint that lacked coherence and integration of low, mid and high frequencies. The Yaras excel in this area. They image very well, and offer good texture and dimension through tube amplification. If you want to appreciate how good the bass is coming from such a diminutive cabinet, order Entre Amigos (Rosa Passos & Ron Carter) from Chesky Records and play track 7 Por Causa de Voce. Phenomenal. There are better speakers for large scale orchestra, rock and the like; but the Yaras are superb with anything acoustic, vocals, and small scale jazz such as bossa nova. The quality of bass these speakers present is accomplished by 4 ohm 6" drivers. The base extension as a result of replacing the spikes with medium sized vibrapods was simply shocking. I have hardwood floors. I don't bi-wire these speakers, but upgraded the jumpers. This is tricky due to the way the the binding posts are designed. Go with at least 6" jumpers. If you enjoy the likes of patricia barber, pat methany, ry cooder, rosa passos, charlie hunter, ben harper, etc, these speakers deserve serious consideration. For those considering monitors, do consider these speakers because the footprint is most likely smaller, you can throw more $$ at the speakers instead of the stands, and you can buy higher quality speaker cable by virtue of saving 2 feet per side.
Hi Twisty,
I loved your review of your Yara's and can how!!!!!!!!!!!!! ~ Finally understand and share your joy ~I just felt the need to share someother recommendations on room placement with you. If that's okay?. As someone whom has owned a pair of Audio Physic Step SLEs since 2001 as a means of having an alternate sound which offers a different preception of overall Musicality then those rended from my primary Mini - Monitors: ProAc Tablette Reference 8 Signatures. As someone whom came into this hobby head on as the result of having a Father whom was an Audiophile I grew up listening with my dad each and every weekend as he had a very nice Jazz Collection Circa 1964 to present. I found myself shortly after returning from my time in the USMC spending over 9 years in Japan. That is nothing else they cared more about properly set - up components then most.
As they normally have their hardware placed on Platforms more often then not made of some sort of wood or another! I found that their systems tended to have a sense of flow which I've yet to hear with some of the better electronics which we are blessed to hear here in the States. Yet for whatever reason I've noticed that none have been able to communicate the very essence of the Music moreso then what I had heard during my stay there. Upon returning to the states I was blessed to become the buyer for a local Audio Salon and took pride in having a very good pair of ears and an uncanny sense of Loudspeaker placement and a better insight into their soundstaging abilities. Or so I thought until yesterday that is! to this very day I've only known one other person whom within mintues of entering someones listening room was able to detect any weaknesses within said systems placement of either Isolation Devices or the oweres Speakers themselves. Long story shorter as I do have a way of overspeaking on certain issues of merit from time - to - time.
As a result of chatting with a freind of mine in Korea the other day, he sent me around 12 photos of he and a few of his friends setups which caused amazement on my behalf. As I have a spare bedroom of 10' 31/2" w. x 14' 7.5" l x 8' 8" h. to use for a secondary system I thought to myself I'll put the Steps in here as they have been boxed up for over 2 years now. But considering the size of the room, I found myself somewhat lost as to the best placement for them. I'm aware of the methods used by either Audio Physic ~ Wilson Audio and that of Cardas. Yet none of the seemed to work out. I was told to contact Brian of VenusHiFi whom by chance has moved back to Michigan recently and not far from where I live. I mentioned this subject to him, and he said that he would return my call with recommendations of which he has been doing with most European designed speakers for years.
Upon returning his call, he took me to throw all of those other methods out the window and rethink the concept from a more 3 dimensional prespective. He then when on to say start by placing the speakers 18" from sidewalls to the outer edges of the speaker cabnits and starting with placing their back edges @ 24" from the rearwall and slowly toe them in @ the 45 Degree area which seems to be common knowledge with most LS Designs. Upon taking the time to place a futon dead center of the listening wall and upon 4 solid mapleblocks of 3" x 3" x 2"h. and centering my second int. tube amp alone with a Naim Audio CD5i CDP onto several pieces of Ebony [ African Blackwood ] Platform which I've owned since said time in Japan. Isolated with Ebony Footers underneath the Source and Tube Amp to say the least and with both platforms further Isolated from the floor sitting on 1"h. Audiopoints and Disc Couplers.
I looked at the placement of both speakers and did a measuement and said to myself! Damn these things are more then 11'.5" apart this can't possibly work?. Yet upon powering things up for 30 minutes [One of the joys of tube ownership ]
I sat down and pressed play and DAMN IT !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! If I didn't hear Patricia Barber's Cafe Blue [ Mobile Fidelity SACD ] For the first time rended with such a sense of space and refinement. I heard a more snappy and detailed and tighter bass with a greater sense of flow and agility intact. She was dead center and sounding very lovely I might add. And then when the Guitarist came in it was all over for me. This was some of the best sound which I've ever been able to obtain from these speakers since first hearing them Circa 1995 @ Paragon Sight and Sounds then located in Ohio.
Music just seemed to have more direction and a renewed purpose to it, and my emotional involvement became that much greater. I attempted to bring the speakers closed together @ 8.5' apart and point them straight into the room and was within seconds! moving them back to the position which I had finally found which caused them to simply disappear. I'm talking refinement ~ Bass agility &~ snap as well as the bassist technique was easier to follow and understand the communicative skills required by some of the better ones out there ~ Smoother and more refined vocalist and backing vocals were highlighted in such a manner it was down right scarey!!!!!!!!!!!!!! ~ Better overtones of Piano notes and pedal movements ~ The Natural &~ Beautifully rendeding of Cymbal decay was the most accurate I've heard to date and is more often then not! can't be captured any better then one is to expeirence on just about anything as recorded by the engineers @ ECM - Germany. [ Cymbal recorded the right way ~ to my way of thinking they should.could sound. ] ~ Brass Instruments has a sense of extension which I've only heard twice in my entire life and one was on what I consider one of the best sounding DIY SET Systems I've ever had the pleasure of listening to. While the other was on a system which consisted of a Townshend Elite Rock Mk.3 w/ Grado Signature Tonearm a Grado MZX+ into a Naim Audio NAIT 3R/Flatcap driving a pair of Epos ES 14s @ a Naim Dealers home here in MI. This set ~ up plain and simply has allowed me to finally know the hidden messages within the very texture of the Recordings themselves. All I can say is that I've been listening with a more open mind for over 10 hours as I type this response as a means to share in your joy!.
Now, I'm someone whom has been known to travel 874 miles to listen to things which I consider of worth as a means of knowing just what's what, and be able to say to others proudly, yes I've listened to this or that and my opinion on it is????????????? [ Maybe next time?. ]
Anyway this is nothing more then a all ot attempt to assist another owner of this Beautifully designed line of speakers obtain the very best from them. Mikeys reviews @ Stereophile were true after all ~ Unf_ _ _ing Believable! indeed!.
I have a question about speaker placement since you brought it up.
I have a 25'x30' room with 15' ceilings. Big room. But I only have my pair of Mirage 490i tower speakers 8' apart. They only sound good if you sit right in the middle of them about 8' back.Your saying that my system may sound better if I had my speaker more in teh corners about 12' apart?
Hi StylinLp and again Twisty -
First off I must apologise for misspelling so many words as I'd
mentioned I was @ this since yesterday evening and still to this
moment haven't had much rest at all.StylinLP in your case there are several options depending upon what's
in your room itself? as more often then not according to the method to which I used more often then most was that of Michael Green of RoomTune Fame. Looking @ where your components and/or rack resides and how each any every component is Isolated has a very profound effect on the sonics of ones system overall. As each piece of hardware is known to have its own reasonance behavior issues which must be addressed prior to attempting to achieve the ultimate goal of better sound reproduction within any given space as a whole.First take a moment to view just where is it that you'll be sitting? is it centered? how close is your seating arrangement from the wall behind it? what resides in the path of your speakers as a the main and most important focus? is there a Coffee table there? which is known to assist soundstaging properties from being formed to begin with as this reflects the sound much as a mirror reflects ones face.
As recommended by many various methods of obtaining the proper balance between soundstaging and bass within ones room! view what's in front of as well as beside said speakers. As some will know that there are also moments where one tends to over-damped their rooms which does nothing more then cause a speaker to suffer as it isn't able to function due to variations in volume levels being to off the mark, either to extreme or at levels where the sound becomes rather dead sounding overall with no emotional attachment to what should be coming through it as a pointsource if you will.
I tend to view a slightly livier room as not being a bad thing at all, as this offers more insight into the acoustics of said space more so then a room which is already overstuffed or damped! Placement of said speakers close to sidewall is something which has always been more common then with Box Speakers Per Se, and we are often prone to believe what we read then make an attempt to be different for the sake of going against traditional views or teachings.
Attempt the method which I spoke of doesn't require another person, simply a good ear to detail. Place both speaker at same points from rearwall say @ a starting point of 15" from said walls as a bare minimum and slowly move them inwards towards your listening position until the bass sounds balanced without losing its sense of weight. Then mark your spot on the floor using masking tape as this has also been mentioned when using the Wilson Audio Voicing technique. Be certain to mark the space where bass again sound more fuller sounding without sounding boomy. After marking your spot for bass enhancement it's time to find the proper location to achieve a truer sense of soundstaging without losing focus of vocalist which you should always consider to be the best source to locate just where she's standing [ And , yes it's always a she.] I used to use Sade ~ Stronger Then Pride LP as a means to fine tune the speed on my Oracle Delphi Mk.3 once upon a time and was the only one whom had ever noticed when the speed started to drift for the worst.
Next ask yourself, is it easier to hear the group as a whole? or are they coming from either far left or right? if so? then your speakers are to far apart and you should be moving them closer together until everything sounds as if you can locate any member of the band/group with your eyes shut. Yet at the same time be able to follow each shift of say a weird percussionist doing their thing as with most of Cassandra Wilson's CD ~ Using New Moon Daughter as a reference here. As she alone with Patricia Barber have some of the tightest bands out there and for this fact if little else? is the reason that their CDs/LPS sell so well. Because each Artist knows how many of us Audiophiles love the Hi Fi Show.
[ Ya Know the ones in which I speak of: All bells, whistles, train sounds and the likes.]
This is another reason for that soundtracks like Gladiator or Flying Tiger,Hidden Dragon or House of the flying Draggers are being used so often, as it's all about the effects of soundstage preception more then anything else. We tend to love soundstage more then any other area produced by our speakers. I say it's the midrange which cost most. As with designs like Audio Physic ~ Marten Design ~ Avalon Acoustics - these Companies are more about a truer midrange more then most, as they like myself believe that it's the mids which cost most and not the bass. All to often I Hear system which sound like just that all bass and nothing else!!!!!!!!!!!!!!!!!!!!!!!. this is what I consider to be the Boom Box/ Kicker affect that so many urban kidz tend to think of as Music. I find nothing more unpleasant then hearing BOOOOOOOOOMMMMMMMM, BbbbOOOOOOOOOOmmmmmmmMmmmmmm going down the streets when I go into the city to work. Using these method of placements you are more likely to find a balance between purity of sound and beauty of a spiritual awakening. If you've any questions regarding this theory? just try them and contact me later.
[ Again start @ 18" from sidewalls to outside edges of speakers and anywhere between 24 - 37" from rearwall to back most edges of speakers. moving them side to side and forwards and backwards while toeing them @ a 45 degree point which is located about 3' infront of your actual listening seat. please don't overlook not overshooting the 45 degree angle no matter what. ]
And all thanks must go to Twisty for doing the in-depht review. I merely wanted to share in his joy of discovering something which few others have the time to learn! Proper LS Placement. Hence the reason there are so many Audio Pyhsic's for sale. Because their owners just don't take the time to fine tune them into their space. Their lost someone else's gain. Just listen w. an open mind to understand the truth behind this design.
If by chance I've still mis-spelled anything? please find it in your heart to forgive me for I'm still a tad bit out of it at the moment.
nt
Hi again StylinLP -After giving your room measurement much throught I recall only knowing two people with rooms of that size and was trying to remember the way? that both had their speakers set-up!
One friend whom name is Jeff has a room which is about 23'w. x 30'l. x 10'h. ceiling at the rear end of this room
[ The Listening section. If you will. ]
which extends into a catheral ceiling of say about 24' h. at the end where his speakers are located, he firing them down the longwall. Yet his Loudspeaker system consist of either Inner ~ Sound Eros Mk.2s or Totem Acoustics Mani 2s. As I recall the actual placement of either of them and in what manner they were driven by either a pair of Quicksilver M 4s or VTL 250s MonoBlocks in which case made it easier for him to locate either amp between each speaker with longer Intterconnects and shorter LS Cables of about 8.5' long.
The speakers which were placed at 5'7" from the sidewalls and about 8' into the room from the rearwall with the sofa positioned at 7' -8' from the Listening wall in front of speakers. He has them positions with a 45 degrees of toe in. And they sounded very nice. But by them being ribbon hybrids of sort they to had a somewhat smaller sound window as well, for their soundstage. But what was there was purely Magical! this of course being with the Inner ~ Sound Eros Mk.2s.
With the Totem Mani 2s on the other hand he would normally have them powered by either a Densen DM 30 or Symphonic Line RG - 1 Mk.3s at about 6' from sidewalls and about 10' into the room from the rearwall and toed in at 48.5 degrees with them aimed at a spot 3' in front of the sweetspot at the center of a very long sofa of about 91" long.
Said sofa was again positioned about a 3rd. of the lenght of the room from the wall behind it. As the normal rules apply use the common most methods of 3rds ~ 4ths and 5ths. as the general rule to divide for placement of both speakers into room from the rearwall and the listening seat/sofa at about the same from frontwall. Make certain again that the seating arrangement is centered between the sidewalls itself as this will cause it to avoid nodes caused by reflecting surfaces and allow for a better focusing of soundstage. Just play with the amount of toe in until everything snaps into place with a space of 10' to 12' apart between the speakers themselves ~ just play with this for about 45 mins or so and I think that you could find an area/zone where you have a much larger soundstage without lost to center focus. Afterall this is the effect which you're attempting to achieve is it not?. Then be willing to play with placement again and again - then if all else fails? it's simply because your speakers are to small and aren't filling the room ~ nothing more then Laws of Physics and you might want to consider using the shortwall instead. Fair enough to find out with a little bit of effort and only requires moving some furniture around.
Just trust your eyes and don't judge the speaker location with your eyes. As it might appear to look wrong at first until you hear the end results that is.
Just play around for a period of 45 mins. marking the speakers locations with each move, then come back tomorrow and listen once more, and then finally return them to they original positions and see if you don't notice a decline in both Sound and Musicality?
At this point you should be able to notice a better balanced sound and a deeper soundstage.
Don't knock what you don't understand without giving it a try or two. It'll come together when you apply these methods ~ Just be willing to listen and have an open mind. that's all!.
Sounds like I have a project for the weekend! Only problem is my speaker cables are only 8' long with my Rotel 5x100 amp inbetween.
But I will play around with the placement and see. Sure wish my 175lb CRT projector wasnt sitting on my coffee table in the middle of this room lol
Hi again StylinLP ~Bro. I never said that it was going to be an easy task. But believe me! It's well worth a try. I never in my entire life thought about this method either, as I've always used my speakers firing straight ahead into the room. Yet I must honestly say! I'll never go back to the center of the room placement like I used to, nor will I be afraid to have my speakers closer to the rear or sidewalls.
As I started out in this hobby years ago selling Linn Products and owning a pair of their much loved and missed by me ~ Kans!
I was used to having them against the rearwall or at least 4" from it.Much later as I became totally dedicated to the ProAc Tablette's in one form or another I was always content having them located in my listening/livingroom at appr. either 48.5" - 53.75" into the room from the rearwall and 28.5" from the sidewalls in a space or 14' 7" w. x 22' L. and never had a problem with them firing ahead and filling the entire room. There was this one time I felt the desire to see what some others were talikng about and pulled them about 7'.3/8 th. of an inch [ Rules of 3rds. ]~ into the room and found myself loving their soundstaging even more. But as luck would have it! with a wife and kids it just could be! So I've always remained fateful what works within any given space.
The one thing which I've always had a habit of doing is looking at any given room very closely prior to setting up my system. a means to find out just where the Wall Plugs were located?. And then consider the best placement for either my Sources or Tube Amps? Marking the spots with masking tape on either the short or long walls then move around the seat/sofa to find the best sounding positions for my speakers and finally upon finding this spot? I'ld simply set up my racks and finally my LS Stands in the best sounding position which allows me to enjoy the sound of my system and not that of the room itself. There aren't any rules to which wall should sound better then the other ~ just play around until there isn't any doubt in your mind which offers the best sonics.
I've also always found it far easier to have 13 - 15' LS Cables as a general rule as I don't want to continue buying Cables over.
As in your case for example! one never knows where the final location of ones speakers might reside? Buy longer LS Cables then having them shorten once you've the change to take everything into account -
I myself want to know if I want them running along the baseboard? Do I want them to be centered just behind my LS Stands just so? Weird shit to say the least. But these are things which all of us should consider prior to spending our hard earned cash on LS Cables of more then $800 and upwards. Buy the very best you can and buy it once, until you have an opportunity to find the best matched Cables for your system which forms a sense of synergy throughout.I also would like to direct your attention to the Editor of ~ 6moons.coma one Mr. Srajan Ebaen's room which is 18'w. x 30' L. and ask that you go through each and every one of his reviews which are archieved there and view just how his room and this hardware or speakers set up?. And be certain to pay close attention to the location of his speakers in each and every review.
And finally !!!!!!!!!!!!!!!!!!!!!!!!. Move that CRT Monitor out of the room all together if possible? and consider a seperate room for Video all together. At least I can honestly say I have a very supportive and understanding wife whom I love to death for enduring all my years of Hi Fi enjoyment. THANK GOD FOR GOOD WOMEN!.
Email me offline this weekend and let me know just how matters turn out?.
Be well. And Twisty! I apologize for what may seem to as an act of someone taking credit your FINE REVIEW! I was merely trying to share in your joy of your Audio Physic Yara experience. As someone whom owns a pair of excellent sounding speakers from this firm as well. And nothing more, I meant no harm with my actions. Please forgive my ravings?. I simply enjoy speaking with others regarding matters as they relate to Audio.
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