|
Audio Asylum Thread Printer Get a view of an entire thread on one page |
For Sale Ads |
108.220.54.45
In Reply to: RE: Hmmmmmm. posted by John Marks on October 02, 2015 at 12:07:40
I liked it.
I was surprised how high the recording level got, considering how soft the Music was.
If he played something louder, would it have gone over 0bd?
I played it on Audiogate, to see the Levels.
I do some recording, and getting the levels right isn't easy!
I only use a hand held Sony D 100, on a Mic stand, so I can't Monitor.
I know where to set it for a familiar group like my Clarinet Quartet, but the Dynamic Range of as Big Band is tough to deal with.
It goes over 0 at some point, no matter what!
Edits: 10/02/15Follow Ups:
If the music had been louder, I hope I would have caught that by my usual practice of, asking them to play the loudest part and then adding a few dB to make up for the fact that I have only rarely recorded a musician who put out for a soundcheck as though it was a "real" recording.
Ignoring the high noise floor, the particular structure of this piece, which was accentuated by the performer, is slow-moving chords that are later joined by an even slower "ghost melody." Steve really pointed the notes of the ghost melody, so you have an instance of a piece with a lower average level but a higher peak level.
The above is why the Dropbox and my OP includes the sheet music.
Thanks for listening and thanks for posting!
John
A "level check" is essential, and, recognizing that musicians, especially classical musicians, will always play louder during performance than during level check is also essential.
Back in the day of tape recording, when I wanted to be sure I had an unclipped recording, and didn't have the opportunity for a "do-over", I'd always set the levels lower than necessary. Yes, I know that tape "soft clips", but I didn't want to risk anything for these "once-in-a-lifetime" recordings. So, I've got some recordings which have more hiss than I'd like, but they're still great recordings.
On the other hand, I made a live recording of Shubert's Fantasia in F Minor, where the SSFFZZ completely overwhelmed my expectations, and the system clipped. :( Forty years later, I still want to fix that!
I bet Digital is even more sensitive to going over 0 than Tape, even with Tape Saturation.
Under recorded Digital doesn't have the hiss problem, but both too high and too low
Digital Levels make for a less than satisfactory listening experience.
Too high, even not over 0 can sound bright and hard.
Of course , I don't have anywhere near state of the art equipment...
Or, come to think of it, Knowledge.
Post a Followup:
FAQ |
Post a Message! |
Forgot Password? |
|
||||||||||||||
|
This post is made possible by the generous support of people like you and our sponsors: