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In Reply to: RE: I know all about the Fletcher-Munson curves, but posted by E-Stat on June 16, 2015 at 12:39:38
You hit the nail on the head. Live music must follow the same loudness rules, so classical basslines playing at piano level are supposed to be really quiet. So assuming the piece is properly recorded, why would you want to boost the level just to satisfy some wrong headed notion of "correctness"?
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The way things are going, 20 years from now, audiophiles will be debating which tone control and loudness contours are ideal.........
This is why I cringe at the "digital room correction" thing.... There was once a time where doing this in the analog domain was frowned upon, even though it was a lot more transparent sonically than digital room correction.
with the HT system (where bass traps are not used), I use a mild amount of attenuation using the processor's parametric EQ to flatten out two peaks centered between 90-100 hz.
Annoying boom gone from the room.
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