|
Audio Asylum Thread Printer Get a view of an entire thread on one page |
For Sale Ads |
206.255.205.50
In Reply to: RE: "That assertion has nothing to do with either HP's concept or what I use as a reference." posted by Analog Scott on November 28, 2016 at 17:20:44
HiFi shows are not the best environments to hear anything in my experience. :)
Follow Ups:
Maybe so but judging from the comments at that event a whole room full of audiophiles came away from that demo thinking they just heard the most magnificent sound they had ever heard, a live piano! But what they heard was in fact really crappy live piano sound.
I think audiophilia has built up this bizzarre mythology about "the absolute sound" and audio. A bizzarre mythology that has lead many audiophiles to beleive that any live acoustic music is inherently excellent sound, that it all is uniformly distinctive in nature and that it sets a singular reference by which to judge audio playback.
Me thinks it is an absurd sacred cow that most it's worshipers barely know much about.
And in the end it has audiophiles rationalizing why they willfully embrace horrible sound sometimes, because it is more "accurate" and accurcy and realism are synonymous and realism is the singular goal of audio.
they just heard the most magnificent sound they had ever heard, a live piano!
That's because they did.
Enjoy your "less realistic" sound. :)
> > they just heard the most magnificent sound they had ever heard, a live piano! > >
> That's because they did.>
No, they did not. When a piano or any other instrument overloads a room it sounds bad, period.
> Enjoy your "less realistic" sound. :)>
Nice snarky remark. What I enjoy most is *excellent sound.* That does not include a piano that is overloading the room. OTOH it does include a world class piano that has just been tuned and tweeked by a highly skilled piano technition, played by a world class pianist in a world class concert hall from an excellent seat.
Is that "less realistic" sound IYO?
Do you think that the sound of a piano that is overloading a room is equally as good as the sound of a piano as I just described because they are both equally realistic?
Nice snarky remark.
That is your terminology, not mine.
Is that "less realistic" sound IYO?
If a recording were multi-miked such that it sounded "less realistic and more palpable", yes. Once again, I'm using your wording. Remember?
Scott, by now we all get your preference. Repeating the concept of your ideal is really unnecessary.
> > Nice snarky remark. > >> That is your terminology, not mine.>
Has nothing to do with the terminology.
> > Is that "less realistic" sound IYO?> >
> If a recording... >
Who said anything about a recording? I asked you a very simple question. Let's see if you can answer the question I actually asked. So I will restate it as simply as I possibly can. Should be really easy to understand.
> Scott, by now we all get your preference. Repeating the concept of your ideal is really unnecessary.>
Clearly you don't get it. Now let's see if you can answer the questions. We are comparing the sound quality of a live piano that is overloading a room to that of a top flight concert grand piano, just tweeked by an expert technition, played by a world class pianist in a world class concert hall and heard from an excellent seat in that hall.
1. Are these "live experiences" equal in sound quality? Are they just as good as each other?
2. Is either one more or less *realistic sounding* than the other?When you can honestly answer those questions then you might be alble rightfully claim to understand my concept of ideal sound and how it relates to audio. Until then I remain skeptical that you really do understand any of this. Of course you may be obfusecating on purpose. I don't know. But IMO it's one or the other.
Really simple questions for anyone with meaningful experience with live acoustic sound. Good luck.
Edits: 12/01/16
participating in your odd diversion of the original topic here.
Carry on!
Once you've been called on your BS there is nowhere left to go but through the exit door.
into SM with your "audiophile" rants, I failed to take your opinion seriously.
Now you want to make it about me. You were in the conversation until you were faced with questions that if you answered honestly would destroy your assertions. So to stay on point I will ask the questions again.
We are comparing the sound quality of a live piano that is overloading a room to that of a top flight concert grand piano, just tweeked by an expert technition, played by a world class pianist in a world class concert hall and heard from an excellent seat in that hall.
1. Are these "live experiences" equal in sound quality? Are they just as good as each other?
2. Is either one more or less *realistic sounding* than the other?
Do you want to talk about audio and live sound as a reasonable and useful reference here or do you want to keep dodging that subject and continue to try to make it about me?
You've beaten your dead horse enough already.
Perhaps you'll find someone who agrees with your position elsewhere. Best of luck to you. :)
You continue to post and yet you continue to avoid the actual subject. Why is that? (rhetorical question we both know why) Let's face it. It's not that you don't care about my questions. They are the subject of the very heart of your audio philosophy so clearly you do care about the subject. You just don't want to face the fact that they expose the nonsensical aspects of that philosophy. So feel free to keep up the hand waving and continue to avoid the subject. But just for kicks I will ask the questions again.
We are comparing the sound quality of a live piano that is overloading a room to that of a top flight concert grand piano, just tweeked by an expert technition, played by a world class pianist in a world class concert hall and heard from an excellent seat in that hall.
1. Are these "live experiences" equal in sound quality? Are they just as good as each other?
2. Is either one more or less *realistic sounding* than the other?
The idea that an audiophile who believes that live acoustic music is the reference for judging audio sound quality would not be interested in these questions is plainly absurd. You just don't like the answers. So you won't answer them.
I look forward to your next dodge. Keep on posting about something you are so disintered in. The irony of that speaks for itself. Be very careful to continue to avoid the subject.
that ongoing repetition of your point serves no useful purpose.
All three of us got it the first time around. And disagree. Maybe eventually, you'll be able to let that go. :)
So to stay on subject...
We are comparing the sound quality of a live piano that is overloading a room to that of a top flight concert grand piano, just tweeked by an expert technition, played by a world class pianist in a world class concert hall and heard from an excellent seat in that hall.
1. Are these "live experiences" equal in sound quality? Are they just as good as each other?
2. Is either one more or less *realistic sounding* than the other?
I look forward to your next post insisting that you are either not interested, that I'm a bad guy or you have already addressed these questions (you haven't) It's almost a point of curiosity what lengths you will go to to avoid answering such simple questions that speak to the foundation of the idea that live acoustic music is the reference for audio playback.
What's your next excuse?
We are comparing the sound quality of a live piano that is overloading a room to that of a top flight concert grand piano, just tweeked by an expert technition, played by a world class pianist in a world class concert hall and heard from an excellent seat in that hall.
1. Are these "live experiences" equal in sound quality? Are they just as good as each other?
2. Is either one more or less *realistic sounding* than the other?
I look forward for your next post. No doubt it will be more of the same. anything to avoid dealing with the reality these questions pose.
"For several days, he is locked in a sweat box with AS."
thank you for providing it.I also enjoy music and am very interested in the subject of sound quality.
so speaking of music and sound quality, what do you prefer? The sound quality of a live piano that is overloading a room or the sound of a top flight concert grand piano, just tweeked by an expert technition, played by a world class pianist in a world class concert hall and heard from an excellent seat in that hall?
And as this question relates to audiophilia and the belief that *any* live acoustic music is the reference for audio playback because the goal is "realism," which is more realistic? The sound quality of a live piano that is overloading a room or the sound of a top flight concert grand piano, just tweeked by an expert technition, played by a world class pianist in a world class concert hall and heard from an excellent seat in that hall? Or are they equally realistic?
Edits: 12/03/16
so speaking of music and sound quality, what do you prefer?
Clearly stated here several days ago.
I have also spoken about audio show quality here.
I'll be happy to repeat anything else I've posted if necessary.
This post is made possible by the generous support of people like you and our sponsors: